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Dan Stone - The Holocaust and Historical Methodology

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Picture 1The Holocaust and Historical Methodology Picture 2
MAKING SENSE OF HISTORY
Studies in Historical Cultures
General Editor: Stefan Berger
Founding Editor: Jrn Rsen
Bridging the gap between historical theory and the study of historical memory, this series crosses the boundaries between both academic disciplines and cultural, social, political and historical contexts. In an age of rapid globalization, which tends to manifest itself on an economic and political level, locating the cultural practices involved in generating its underlying historical sense is an increasingly urgent task.
Volume 1
Western Historical Thinking: An Intercultural Debate
Edited by Jrn Rsen
Volume 2
Identities: Time, Difference, and Boundaries
Edited by Heidrun Friese
Volume 3
Narration, Identity, and Historical Consciousness
Edited by Jrgen Straub
Volume 4
Thinking Utopia: Steps into Other Worlds
Edited by Jrn Rsen, Michael Fehr, and Thomas W. Rieger
Volume 5
History: Narration, Interpretation, Orientation
Jrn Rsen
Volume 6
The Dynamics of German Industry: Germanys Path toward the New Economy and the American Challenge
Werner Abelshauser
Volume 7
Meaning and Representation in History
Edited by Jrn Rsen
Volume 8
Remapping Knowledge: Intercultural Studies for a Global Age
Mihai I. Spariosu
Volume 9
Cultures of Technology and the Quest for Innovation
Edited by Helga Nowotny
Volume 10
Time and History: The Variety of Cultures
Edited by Jrn Rsen
Volume 11
Narrating the Nation: Representations in History, Media and the Arts
Edited by Stefan Berger, Linas Eriksonas and Andrew Mycock
Volume 12
Historical Memory in Africa: Dealing with the Past, Reaching for the Future in an Intercultural Context
Edited by Mamadou Diawara, Bernard Lategan, and Jrn Rsen
Volume 13
New Dangerous Liaisons: Discourses on Europe and Love in the Twentieth Century
Edited by Luisa Passerini, Liliana Ellena, and Alexander C.T. Geppert
Volume 14
Dark Traces of the Past: Psychoanalysis and Historical Thinking
Edited by Jrgen Straub and Jrn Rsen
Volume 15
A Lovers Quarrel with the Past: Romance, Representation, Reading
Ranjan Ghosh
Volume 16
The Holocaust and Historical Methodology
Edited by Dan Stone
Volume 17
What Is History For?
Johann Gustav Droysen and the Functions of Historiography
Arthur Alfaix Assis
Volume 18
Vanished History: The Holocaust in Czech and Slovak Historical Culture
Tomas Sniegon
Volume 19
Jewish Histories of the Holocaust: New Transnational Approaches
Edited by Norman J.W. Goda
THE HOLOCAUST AND
HISTORICAL METHODOLOGY
The Holocaust and Historical Methodology - image 3
Edited by
Dan Stone
First published in 2012 by Berghahn Books wwwberghahnbookscom 2012 2015 Dan - photo 4
First published in 2012 by
Berghahn Books
www.berghahnbooks.com
2012, 2015 Dan Stone
First paperback edition published in 2015.
All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system now known or to be invented, without written permission of the publisher.
Library of Congress Cataloguing-in-Publication Data
The Holocaust and historical methodology / edited by Dan Stone.
p. cm. (Making sense of history ; v. 16)
ISBN 978-0-85745-492-8 (hardback : alk. paper) ISBN 978-1-78238-678-0 (paperback : alk. paper) ISBN 978-0-85745-493-5 (ebook)
1. Holocaust, Jewish (19391945)Historiography. I. Stone, Dan, 1971
D804.348.H646 2012
940.5318072dc23
2011052128
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library.
Printed on acid-free paper.
ISBN: 978-0-85745-492-8 hardback
ISBN: 978-1-78238-678-0 paperback
ISBN: 978-0-85745-493-5 ebook
Contents
The Holocaust and Historical Methodology - image 5
Jrn Rsen
Dan Stone
Alon Confino
Dan Stone
Dirk Rupnow
Amos Goldberg
Boaz Neumann
Samuel Moyn
Zo Waxman
Doris L. Bergen
Saul Friedlnder
Hayden White
Wulf Kansteiner
Donald Bloxham
Federico Finchelstein
A. Dirk Moses
Preface to the Series
The Holocaust and Historical Methodology - image 6
JRN RSEN
At the turn of the twenty-first century the term history brings extremely ambivalent associations to mind. On the one hand, the last decade has witnessed numerous declarations of the end of history. Whether in reference to the fundamental changes in the global political situation around 1989/90, or to so-called postmodernism, or to the challenge to Western dominance by decolonization and multiculturalism, history as we know it has been declared to be dead, outdated, overcome, or even a myth at its end. On the other hand, there has been a global wave of intellectual explorations into fields that are historical by their nature: the building of personal and collective identity through memory; the cultural, social, and political use and function of narrating the past: and the psychological structures of remembering, repressing, and recalling. Even the subjects that seemed to call for an end of history (globalization, postmodernism, multiculturalism) quickly turned out to be intrinsically historical phenomena. Moreover, history and historical memory have entered the sphere of popular culture, from history channels to Hollywood movies, becoming an ever more important factor in public debates and political negotiations (the discussions about the aftermath of the wars in the former Yugoslavia, European unification, or the various heritages of totalitarian systems, to name but a few). In other words, after history was declared to be, like god before it, dead, historical matters have come back with a vengeance.
This paradox calls for a new orientation or at least a new theoretical expression. Indeed, it calls for a new theory of history; and such a theory should serve neither as a subdiscipline reserved for historians nor as a systematic collection of definitions, laws, and rules claiming universal validity. What is needed is an interdisciplinary and intercultural field of study. Hayden Whites deconstruction of the narrative strategies of the nineteenth-century historicist paradigm somehow came to be regarded by many as historical theorys famous last words, as if the critique of the disciplines claim to rationality could put an end to the rational self-reflection of that disciplineas if this critique were not a rational self-reflection in itself.
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