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Ana Cristina Mendes - David Bowie and Transmedia Stardom

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Addressing the interart, intertextual, and intermedial dimensions of David Bowies sonic and visual legacy, this book considers more than five decades of a career invested with a stars luminosity that shines well beyond the remit of pop music.

The book approaches the idea of the star David Bowie as a medium in transit, undergoing constant movement and change. Within the context of celebrity studies, the concept of stardom provides an appropriate frame for an examination of Bowies transmedial activity, especially given his ongoing iconic signification within the celestial realm. While Bowie has traversed many mediums, he has also been described as a medium, which is consistent with the way he has described himself. With contributions from a wide range of disciplinary areas and countries, each chapter brings a fresh perspective on the concept of stardom and the conceptual significance of the terms mediation and navigation as they relate to Bowie and his career.

Containing a multitude of different approaches to the stardom and mediation of David Bowie, this book will be of interest to those studying celebrity, audio and visual legacy, and the relationships between different forms of media. It was originally published as a special issue of Celebrity Studies.

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David Bowie and Transmedia Stardom Addressing the interart intertextual and - photo 1
David Bowie and Transmedia Stardom
Addressing the interart, intertextual, and intermedial dimensions of David Bowies sonic and visual legacy, this book considers more than five decades of a career invested with a stars luminosity that shines well beyond the remit of pop music.
The book approaches the idea of the star David Bowie as a medium in transit, undergoing constant movement and change. Within the context of celebrity studies, the concept of stardom provides an appropriate frame for an examination of Bowies transmedial activity, especially given his ongoing iconic signification within the celestial realm. While Bowie has traversed many mediums, he has also been described as a medium, which is consistent with the way he has described himself. With contributions from a wide range of disciplinary areas and countries, each chapter brings a fresh perspective on the concept of stardom and the conceptual significance of the terms mediation and navigation as they relate to Bowie and his career.
Containing a multitude of different approaches to the stardom and mediation of David Bowie, this book will be of interest to those studying celebrity, audio and visual legacy, and the relationships between different forms of media.
The chapters in this book were originally published as a special issue of Celebrity Studies.
Ana Cristina Mendes is an Assistant Professor of English Studies in the School of Arts and Humanities at the University of Lisbon, Portugal. Her areas of specialization are cultural and postcolonial studies, with an emphasis on the representations and reception of alterity in the global cultural marketplace. She serves on the board of the Association of Cultural Studies.
Lisa Perrott is Senior Lecturer and Programme Convener of Screen and Media Studies at the University of Waikato, New Zealand. Her interests include animation, cultural studies, and transmedia, with an emphasis on the relations between audio and visual media, popular music, music video and the avant-garde. Lisa is co-editor of the book Transmedia Directors: Artistry, Industry, and New Audiovisual Aesthetics (2019), and the Bloomsbury book series New Approaches to Sound, Music and Media.
First published 2020
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
and by Routledge
52 Vanderbilt Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2020 Taylor & Francis
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
ISBN13: 978-0-367-35675-0
Typeset in Myriad Pro
by codeMantra
Publishers Note
The publisher accepts responsibility for any inconsistencies that may have arisen during the conversion of this book from journal articles to book chapters, namely the inclusion of journal terminology.
Disclaimer
Every effort has been made to contact copyright holders for their permission to reprint material in this book. The publishers would be grateful to hear from any copyright holder who is not here acknowledged and will undertake to rectify any errors or omissions in future editions of this book.
Contents
Ana Cristina Mendes and Lisa Perrott
Susan Ingram
Mairi MacKenzie
Toija Cinque
Amedeo DAdamo
Alison Blair
Elizabeth McCarthy
Dene October
Lisa Perrott
Gareth Schott
Guide
The chapters in this book were originally published in Celebrity Studies, volume 10, issue 1 (March 2019). When citing this material, please use the original page numbering for each article, as follows:
Introduction
  • Introduction: Navigating with the Blackstar: the mediality of David Bowie
  • Ana Cristina Mendes and Lisa Perrott
  • Celebrity Studies, volume 10, issue 1 (March 2019) pp. 413
Chapter 1
  • Constellating stardom, Berlin-style: Bowie, Christiane F, Hedi Slimane
  • Susan Ingram
  • Celebrity Studies, volume 10, issue 1 (March 2019) pp. 1424
Chapter 2
  • Football, fashion and unpopular culture: David Bowies influence on Liverpool Football Club casuals 197679
  • Mairi MacKenzie
  • Celebrity Studies, volume 10, issue 1 (March 2019) pp. 2543
Chapter 3
  • Celebrity conferences as confessional spaces: the aca-fan memory traces of David Bowies stardom
  • Toija Cinque
  • Celebrity Studies, volume 10, issue 1 (March 2019) pp. 4459
Chapter 4
  • Is Bowie our Kierkegaard?: A theory of Agency in Fandom
  • Amedeo DAdamo
  • Celebrity Studies, volume 10, issue 1 (March 2019) pp. 6074
Chapter 5
  • Oh man, I need TV when I got T. Rex: Bowie and Bolans otherworldly carnivalesque intermediality
  • Alison Blair
  • Celebrity Studies, volume 10, issue 1 (March 2019) pp. 7588
Chapter 6
  • Telling lies: the interviews of David Bowie
  • Elizabeth McCarthy
  • Celebrity Studies, volume 10, issue 1 (March 2019) pp. 89103
Chapter 7
  • Transition transmission: media, seriality and the Bowie-Newton matrix
  • Dene October
  • Celebrity Studies, volume 10, issue 1 (March 2019) pp. 104118
Chapter 8
  • Time is out of joint: the transmedial hauntology of David Bowie
  • Lisa Perrott
  • Celebrity Studies, volume 10, issue 1 (March 2019) pp. 119139
Chapter 9
  • Look up here, Im in heaven: how visual and performance artist David Jones called attention to his physical death
  • Gareth Schott
  • Celebrity Studies, volume 10, issue 1 (March 2019) pp. 140152
For any permission-related enquiries please visit:
http://www.tandfonline.com/page/help/permissions
Alison Blair is a PhD Candidate at the University of Otago, Dunedin, New Zealand. Her research interests include popular music studies, media studies, and the 1970s popular culture. Her academic interest in rock music is informed by a lifelong interest in music history, and a background in both music journalism and music retail.
Toija Cinque is a Senior Lecturer in Communication at Deakin University, Australia. Her main research interest lies in exploring the intersections between stardom and celebrity, digital ethnography, audience, and reception studies, with other studies in social and screen media and communications.
Amedeo DAdamo
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