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Guy Kay - Ysabel

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Guy Kay Ysabel
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    Ysabel
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    2007
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    1-4295-2808-7
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Ysabel: summary, description and annotation

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In this exhilarating, moving new work, Guy Gavriel Kay casts brilliant light on the ways in which historywhether of a culture or a familyrefuses to be buried. Ned Marriner, fifteen years old, has accompanied his photographer father to Provence for a six-week shoot of images for a glossy coffee-table book. Gradually, Ned discovers a very old story playing itself out in this modern world of iPods, cellphones, and seven-seater vans whipping along roads walked by Celtic tribes and Roman legions. On one holy, haunted night of the ancient year, when the borders between the living and the dead are down and fires are lit upon the hills, Ned, his family, and his friends are shockingly drawn into this tale, as dangerous, mythic figures from conflicts of long ago erupt into the present, claiming and changing lives.

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YSABEL Guy Gavriel Kay For Linda McKnight and Anthea Morton-Saner There - photo 1

YSABEL

Guy Gavriel Kay

For

Linda McKnight

and

Anthea Morton-Saner

There is one story and one story only

That will prove worth your telling,

Whether as learned bard or gifted child;

To it all lines or lesser gauds belong

That startle with their shining

Such common stories as they stray into.

ROBERT GRAVES

PROLOGUE

The woods came to the edge of the property: to the gravel of the drive, the electronic gate, and the green twisted-wire fence that kept out the boars. The dark trees wrapped around one other home hidden along the slope, and then stretched north of the villa, up the steep hill into what could properly be called a forest.

The wild boarsanglierforaged all around, especially in winter. Occasionally there might be heard the sound of rifle shots, though hunting was illegal in the oak trees and clearings surrounding such expensive homes. The well-off owners along the Chemin de lOlivette did what they could to protect the serenity of their days and evenings here in the countryside above the city.

Because of those tall eastern trees, dawn declared itselfat any time of yearwith a slow, pale brightening, not the disk of the sun itself above the horizon. If someone were watching from the villa windows or terrace they would see the black cypresses on the lawn slowly shift towards green and take form from the top downwards, emerging from the silhouetted sentinels they were in the night. Sometimes in winter there was mist, and the light would disperse it like a dream.

However it announced itself, the beginning of day in Provence was a gift, celebrated in words and art for two thousand years and more. Somewhere below Lyon and north of Avignon the change was said to begin: a difference in the air above the earth where men and women walked, and looked up.

No other sky was quite what this one was. Any time of year, any season: whether a late autumns cold dawn or midday in drowsy summer among the cicadas. Or when the knife of windthe mistralripped down the Rhone valley (the way soldiers had so often come), making each olive or cypress tree, magpie, vineyard, lavender bush, aqueduct in the distance stand against the wind-scoured sky as if it were the first, the perfect, example in the world of what it was.

Aix-en-Provence, the city, lay in a valley bowl west of the villa. No trees in that direction to block the view from this high. The city, more than two thousand years old, founded by Romans conquering heresurveying and mapping, levelling and draining, laying down pipes for thermal springs, and their dead-straight roadscould be seen on spring mornings like this one crisply defined, almost supernaturally clear. Medieval houses and modern ones. A block of new apartment buildings on a northern slope, andtucked into the old quarterthe bell tower of the cathedral rising.

They would all be going there this morning. A little later than this, but not too much so (two alarm clocks had gone off in the house by now, the one woman was already showering). You didnt want to linger of a morning, not with what they were here to do.

Photographers knew about this light.

They would try to use it, to draw upon it as someone with a thirst might have drawn from an ancient wellthen again at twilight to see how doorways and windows showed and shadowed differently when the light came from the west, or the sky was blood-red with sunset underlighting clouds, another kind of offering.

Gifts of different nuance, morning and evening here (noon was too bright, shadowless, for the cameras eye). Gifts not always deserved by those dwellingor arrivingin a too-beautiful part of the world, where so much blood had been shed and so many bodies burned or buried, or left unburied, through violent centuries.

But as to that, in fairness, were there so many places where the inhabitants, through the long millennia, could be said to have been always worthy of the blessings of the day? This serene and savage corner of France was no different from any other on earthin that regard.

There were differences here, however, most of them long forgotten by the time this mornings first light showed above the forest and found the flowering Judas trees and anemonesboth purple in hue, both with legends telling why.

The tolling of the cathedral bells drifted up the valley. There was no moon yet. It would rise later, through the bright daylight: a waxing moon, one edge of it severed.

Dawn was exquisite, memorable, almost a taste, on the day a tale that had been playing out for longer than any records knew began to arc, like the curve of a hunters bow or the arrows flight and fall, towards what might be an ending.

PART ONE

CHAPTER I Ned wasnt impressed As far as he could tell in the half-light that - photo 2

CHAPTER I

Ned wasnt impressed. As far as he could tell, in the half-light that fell through the small, high windows, the Saint-Sauveur Cathedral of Aix-en-Provence was a mess: outside, where his fathers team was setting up for a pre-shoot, and inside, where he was entirely alone in the gloom.

He was supposed to feel cool about being by himself in here. Melanie, his fathers tiny assistant, almost ridiculously organized, had handed him a brochure on the cathedral and told him, with one of her winks, to head on in before they started taking the test digitals that would precede the real photographs for the book.

She was being nice to him. She was always nice to him, but it drove Ned a bit crazy that with everything else she had to deal with, Melanie stillobviouslymade mental notes to find things for the fifteen-year-old tag-along son to do.

Keep him out of the way, out of trouble. She probably knew already where the music stores and jogging tracks and skateboard parks were in Aix. Shed probably known before they flew overseas, googling them and making notes. Shed probably already bought a deck and gear on Amazon or something, had them waiting at the villa for just the right time to give them to him, when he looked completely bored or whatever. She was perfectly nice, and even cute, but he wished she didnt treat him as part of her job.

Hed thought about wandering the old town, but hed taken the booklet from her instead and gone into the cathedral. This was the first working day, first set-up for a shoot, hed have lots of chances later to explore the city. They were in the south of France for six weeks and his father would be working flat out almost the whole time. Ned figured it was just as easy to stick around the others this morning; he was still feeling a bit disoriented and far from home. Didnt have to tell anyone that, though.

The mayors office, in the city hall up the road, had been predictably excited that they were here. Theyd promised Edward Marriner two uninterrupted hours this morning and another two tomorrow, if he needed them, to capture the facade of their cathedral. That meant, of course, that any people wanting to go in and out to pray for their immortal souls (or anyone elses) were going to have to wait while a famous photographer immortalized the building instead.

As Greg and Steve unloaded the van, there had even been a discussion, initiated by the city official assigned to them, about men going up on ladders to take down a cable that ran diagonally across the street in front of the cathedral to the university building across the way. Neds father had decided they could eliminate the wire digitally if they needed to, so the students werent going to be deprived of lights in their classrooms after all.

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