Kate Elliott - Shadow Gate

In the Hundred, any and every set and sequence of patterns is seen as having cosmological significance. Every number has multiple associations. For instance, the number 3 is associated with the Three Noble Towers present in every major town or city (Watch Tower, Assizes Tower, and Sorrowing [or Silence] Tower); with the Three States of Mind (Resting, Wakened, and Transcendent); with the Three Languages; and with the Three-Part Anatomy of every person's soul (Mind, Hands, and Heart). The number 7 is associated with the Seven Gods, the Seven Gems, the Seven Directions, and the Seven Treasures.

Folk in the Hundred measure the passing of time not via year dates set from a year zero, but rather through the cyclical passage of time. The standard repeating twelve-year cycle is named after animals, in the following order: Eagle, Deer, Crane, Ox, Snake, Lion, Ibex, Fox, Goat, Horse, Wolf, Rat. However, this year cycle is meshed with the properties of the Nine Colors to create a larger cycle of one hundred and eight years. A clerk of Sapanasu, or anyone else who can do this kind of accounting, could thereby identify how long ago an event happened, or how old a person is, depending on what color of animal year in which he or she was born.

Each animal and color, having its own particular and peculiar associations, lends to all events in that year and to people birthed therein specific characteristics. Therefore, Keshad, born in the Year of the Gold Goat, combines Goat characteristics of cleverness, vanity, strong will, jealousy, pride, a deep sense of purpose contrasted with instability of shallow purpose, and a talent for seeking wealth, with Gold qualities like energy, intellect, intensity, dishonesty, envy, and aloofness.

Awakenings

Marit was pretty sure she had been murdered. She recalled vividly the assassin's dagger that had punctured her skin, thrust up under her ribs, and pierced her heart. Any reeve and Marit was a reeve -could tell you that was a killing blow, a certain path to a swift death. In the moment when life must pass over into death and the spirit depart the body, the misty outlines of the Spirit Gate unfold. The passage between this world and the other world had opened within her dying vision. But her spirit had not made the journey.

She woke alone, sprawled naked on a Guardian altar with only a cloak for a covering. Her eagle was dead. She knew it in the same way you know an arm is missing without looking to see: your balance is different. Her eagle was dead, so she must be dead, because no reeve survived the death of her eagle.

Yet that being so, how could she stand up, much less stagger to the edge of a drop-off so sheer she hadn't noticed it because she was disoriented? She stepped into thin air before she knew she'd mistaken her ground, and she was falling, falling, the wind whistling in her ears. The earth plunged up to meet her.

Then she woke, sprawled naked on a Guardian altar with only a cloak for covering, and realized she had been dreaming.

Sitting, she rubbed her eyes. The place in her dream had been a narrow ledge without even a wall to warn of the drop-off. This place was high and exposed, an expanse of glittering stone untouched by vegetation. She rose cautiously and ventured to the highest point on the bluff. She stood at the prow of a ridgeline. The vista was astonishing: in front lay a lowland sink dropping away to a wide cultivated plain that extended toward a distant suggestion of water; to her right spread a pulsing green riot of forest so broad she could not see the end of it; behind, ragged hills covered with trees formed a barrier formidable not because of their height but because they were wild. The wind streamed over the ridge, rumbling in her ears.

She knew right where she was: on the southernmost spur of the

Liya Mills, an excellent spot for thermals that an eagle and her reeve could spiral on for hours with a view of the Haya Gap. The vast tangled forest known as the Wild lay to the south, and the lowland plain that bordered the arm of the ocean known as the Bay of Istria ran east.

She knew right where she was.

Aui! She was standing on a Guardian altar.

So far nothing had happened to her. But that didn't change the unalterable fact that she had broken the boundaries that forbade all people, even reeves, from entering the sacred refuges known as Guardian altars. She had broken the boundaries, and now she would be punished according to the law.

That being so, what had happened to her lover, Joss, who had after all been the one who had persuaded her to follow him up to an altar?

There was only one way to find out: walk to the main compound of Copper Hall, which lay about midway between the cities of Haya and Nessumara, and find out what was going on.

The altar wasn't so difficult to get down from after all. A stair carved into rock switchbacked down the stone face and into a sinkhole that twisted to become an ordinary musty cave with a narrow mouth hidden by vegetation. She ducked under the trailing vines of hangdog and pushed through a thicket of clawed beauty whose thorns slipped right off the tempting fabric of the cloak. Clusters of orange flowers bobbed around her, which struck her as odd because clawed beauty only bloomed in the early part of the year, during the season of the Flower Rains, and that was months away.

Except for the rest of the afternoon and the following days it rained in erratic bursts as she trudged through the woodland cover. The trails she followed became slick with puddles and damp leaves. She slopped alongside cultivated lands. Farmers, bent double in ankle-deep water, transplanted young rice plants. Women dragged hoes through flooded fields, skimming off the weeds and setting them aside for animal fodder. The sun set and rose in its familiar cycle. As she moved toward the coast and low-lying land, the dykes and edges had their own distinctive flora: pulses, soya, hemp, with ranks of mulberries on the margins. She kept her cloak wrapped tightly around her, but anyway people were too busy to notice her.

Soon enough paths joined cart tracks that joined wagon roads that met up with the broad North Shore Road. Although the original Copper Hall had been built on the delta, the main compound was now sited about forty mey south of Haya on one of a series of bluffs overlooking the Bay of Istria with a lovely vantage and good air currents swirling where land met sea.

It had been years since she had walked to the turning for Copper Hall. Once Flirt had chosen her, she had always flown. The paved roadbed was raised on a foundation and surfaced with cut stones fitted together as cunningly as a mosaic, flanked by margins of crushed stone. From an eagle, you didn't notice the remarkable skill and craftsman's work, or the stone benches set at intervals as a kindly afterthought. From an eagle, one's view of the roads turned from textured ramps of earth, gravel, and paving stone into the all-important solid lines linking cities and towns and temples.

She trudged past the triple-gated entrance to a temple dedicated to Ilu, the Herald. The gatekeeper slouched on a wooden bench under a thatched lean-to, staring disinterestedly at the road. His dog whined, ears flat, and slunk under the bench. She wrapped her cloak more tightly, but no one not the gatekeeper and none of the folk walking along the road paid the slightest attention to her. Salt spray nipped the air. Fish ponds lined the rocky shore. The bay gleamed gray-blue in late-afternoon light, waves kicking against the seawall.

On the seaward edge the land rose into a series of high bluffs while the road curved inland past rice fields lined with reeds and salt grass. As the sun set, she found an empty byre to shelter in against the night rains, its straw mildewed. She didn't really sleep; she lay with eyes closed and thoughts in a tangle, never quite coming into focus.