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Maxim Jakubowski - The Mammoth Book of International Erotica

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Here in one marvellous volume, is the cream of erotic writing from all the corners of the globe. Maxim Jakubowski has gathered together unexpurgated delights, new and unpublished gems, and classic masterpieces seldom seen before. Come play in a garden of exotic and erotic writing, with origins ranging from France and Germany to Japan and New Zealand, from Russia to the United States and Canada.

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Maxim Jakubowski Michael Crawley Iva Pekarkova Evelyn Lau Franoise Rey - photo 1

Maxim Jakubowski, Michael Crawley, Iva Pekarkova, Evelyn Lau, Franoise Rey, Marilyn Jaye Lewis, Dion Farquhar, Elfriede Jelinek, Paul Mayersberg, Anne Rice, Svetlana Boym, Sonia Rykiel, Brian Fawcett, Geraldine Zwang, Michael Hemmingson, Delilah De Silva, Carol Queen, Ryu Murakami, Mark Timlin, William T. Vollmann, N. T. Morley, Jeremy Reed, Li-Y, J. P. Kansas, Cris Mazza, Jindrich Styrsky, Michael Perkins, Thomas S. Roche, Rgine Deforges, Stella Duffy, Bana Witt, Sonia Florens, Cristiana Formetta, Carlos Benito Camacho, Bernard Nol, M. Christian, Michael Crawley, Florence Dugas, J. G. Ballard, Lucy Taylor, Michle Larue

The Mammoth Book of International Erotica

ACKNOWLEDGMENTS

MRS FOX by Michael Crawley, 1996 by Michael Crawley. Reproduced by permission of the author and his agent Tal Literary Agency.

TRUCK STOP RAINBOWS by Iva Pekarkova, 1993 by Iva Pekarkova. First appeared in YAZZYK. Reproduced by permission of Farrar, Straus amp; Giroux Inc.

ROSES by Evelyn Lau, 1993 by Evelyn Lau. First appeared in FRESH GIRLS. Reproduced by permission of the authors agent Denise Bukowski and Hyperion Publishing.

WHITE NIGHT by Franoise Rey, 1994 by Franoise Rey. First appeared in NUITS DENCRE. Reproduced by permission of Franck Spengler.

THREE FOR THE MONEY by Marilyn Jaye Lewis, 2004 by Marilyn Jaye-Lewis. First appeared in THREE-WAY, edited by Alison Tyler. Reproduced by permission of the author.

FOURTH DATE, FIRST FUCK by Dion Farquhar, 1996 by Dion Farquhar. Reproduced by permission of the author.

LUST by Elfriede Jelinek, 1989 by Elfriede Jelinek. First appeared in LUST. Reproduced by permission of Serpents Tail.

UNTITLED by Paul Mayersberg, 1996 by Paul Mayersberg. Reproduced by permission of the author.

BEAUTYS RELEASE by Anne Rice writing as A. N. Roquelaure, 1985 by Anne Rice. First appeared in BEAUTYS RELEASE. Reproduced by permission of Dutton Signet, a division of Penguin Books USA Inc. and Little, Brown, UK.

RUSSIAN DRESSING by Svetlana Boym, 1993 by Svetlana Boym. First appeared as Romances of the Era of Stagnation in CHEGO KHOCHET ZHENSHCHINA. Reproduced by permission of the author.

THE OPERA by Sonia Rykiel, 1998 by Sonia Rykiel. First appeared in PLAISIRS DE FEMMES. Reproduced by permission of Editions Blanche.

CUCKOO by Brian Fawcett, 1994 by Brian Fawcett. First appeared in GENDER WARS. Reproduced by permission of the author.

LIES by Geraldine Zwang, 2005 by Geraldine Zwang. First appeared in FEMMES AMOUREUSES. Reproduced by permission of Editions Blanche.

THE NAUGHTY YARD by Michael Hemmingson, 1994 by Michael Hemmingson. Reproduced by permission of Permeable Press.

LILINGS CURE by Delilah De Silva, 2005 by Delilah De Silva. First appeared in THE INTERNATIONAL JOURNAL OF EROTICA. Reproduced by permission of the author.

SWEATING PROFUSELY IN MRIDA: A MEMOIR by Carol Queen, 1994 by Carol Queen. First appeared in a different form in LOCOMOTIVE. Reproduced by permission of the author and Down There Press.

ALMOST TRANSPARENT BLUE by Ryu Murakami, 1976 by Ryu Murakami. Reproduced by permission of Kodansha International.

WHERE THE WILD ROSES GROW by Mark Timlin, 1996 by Mark Timlin. Reproduced by permission of the author.

NICOLE by William T. Vollman, 1991 by William T. Vollman. First appeared in WHORES FOR GLORIA. Reproduced by permission of the author.

THE NEW FIANCE by N. T. Morley, 2004 by N. T. Morley. First appeared in THREE-WAY, edited by Alison Tyler. Reproduced by permission of the author.

THE PLEASURE CHATEAU by Jeremy Reed, 1994 by Jeremy Reed. Reproduced by permission of Creation Books.

JOU PU TUAN by Li-Y, first appeared in English in 1963, translated from the German version by Richard Martin. Translation by permission of Grove Press. Public domain.

WATCHING by J. P. Kansas, 1996 by J. P. Kansas. Reproduced by permission of the author.

HER FIRST BRA by Cris Mazza, 1996 by Cris Mazza. Reproduced by permission of the author.

EMILIA COMES IN MY DREAMS by Jindrich Styrsky, 1933 by Jindrich Styrsky. First appeared in YAZZYK. Reproduced by permission of YAZZYK.

A MAP OF THE PAIN by Maxim Jakubowski, 1996 by Maxim Jakubowski. First appeared in LIFE IN THE WORLD OF WOMEN. Reproduced by permission of the author.

GINCH by Michael Perkins, 1977 by Michael Perkins. First appeared in PRUDE. Reproduced by permission of the author.

BLACK LILY by Thomas S. Roche, 1996 by Thomas S. Roche. Reproduced by permission of the author.

LEONE by Rgine Deforges, 1988-1993 by Rgine Deforges. First appeared in LOLA ET QUELQUES AUTRES. Reproduced by permission of Franck Spengler.

THE GIFT by Stella Duffy, 1996 by Stella Duffy. Reproduced by permission of the author.

HOT NAZIS, DABBLING IN S amp;M, LOWER HAIGHT, TAHOE and HIGHWAY 1 by Bana Witt, 1992 by Bana Witt. First appeared in MOBIUS STRIPPER. Reproduced by permission of Manic D Press.

A CASTLE IN MILTON KEYNES by Sonia Florens, 1996 by Sonia Florens. First appeared in. Reproduced by permission of the Dolors Rotenberg Literary Agency.

THE SEX LIVES OF CHAMELEONS by Cristiana Formetta, 2005 by Cristiana Formetta. Reproduced by permission of the author.

MEMORIES THAT LINGER ON by Carlos Benito Camacho, 2003 by Carlos Benito Camacho. First appeared in THE INTERNATIONAL JOURNAL OF EROTICA. Reproduced by permission of the author.

THE CASTLE OF COMMUNION by Bernard Nol, 1990 by Bernard Nol. Reproduced by permission of Paul Buck.

LILLYS LOULOU by Michle Larue, 2000 by Michle Larue. First appeared in EROTIC TRAVEL TALES, edited by Mitzi Szereto. Reproduced by permission of the author.

ALL EYES ON HER by M. Christian, 1996 by M. Christian. Reproduced by permission of the author.

KISMET by Michael Crawley, 1996 by Michael Crawley. Reproduced by permission of the author and his agent Tal Literary Agency.

TAROT by Florence Dugas, 1998 by Florence Dugas. First appeared in PLAISIRS DE FEMMES. Reprinted by permission of Editions Blanche.

CRASH by J. G. Ballard, 1973 by J. G. Ballard. Reproduced by permission of the author, the authors agent Margaret Hanbury and Farrar, Straus amp; Giroux Inc.

PRENUPTIALS by Lucy Taylor, 1996 by Lucy Taylor. Reproduced by permission of the author.

INTRODUCTION

Ever since the collapse of the Tower of Babel, sex has been the common language uniting men and women (as well as other fascinating combinations all reflected by the all-inclusive and indulgent field of erotic writing) throughout the world, so following the success of The Mammoth Book of Erotica, we put together an International version in 1996, of which this is now a reissue, with a couple of handfuls of the original stories consigned to the depths of the past and replaced by another ten previously uncollected tales to refresh the volume.

Initially, it was my intention to demonstrate how wide the spectrum of writing on sex, love and sensuality could be. And how the art of the erotic tale actually thrived in contemporary writing. Little did I know that over ten years later, the series would reach over 15 volumes which have since included Historical Erotica, Short Erotic Novels, five annual best of the year volumes, Gay, Lesbian and Erotic Poetry as well as two volumes I am very proud of, displaying the best of the worlds erotic photography (an ironic state of affairs as I am known to have taken a somewhat limited number of photographs in my whole life, much preferring the art of voyeurism to the act of photography).

So, mission accomplished and, today, the bookstore shelves are now crowded by a plethora of competing, thematic and otherwise anthologies from colleagues in the UK and America, and I would hazard a higher standard of sensuous, provocative writing than was the case when this series began.

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