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Maxim Jakubowski - The Mammoth Book of Erotic Photography

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Maxim Jakubowski The Mammoth Book of Erotic Photography
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An all-new collection of both black-and-white and color erotic art photography, featuring the work of 74 leading photographers from the US, Europe, and beyond who have made a name for themselves with their female nude and erotic work, including Rene Jacobs, Thomas Karsten, Chas Ray Krider, Steven Lyon, Natacha Merritt, Craig Morey.

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THE MAMMOTH BOOK OF EROTIC PHOTOGRAPHY VOLUME 4 EDITED BY MAXIM JAKUBOWSKI - photo 1
THE MAMMOTH BOOK OF EROTIC PHOTOGRAPHY VOLUME 4 EDITED BY MAXIM JAKUBOWSKI - photo 2
THE MAMMOTH BOOK OF EROTIC PHOTOGRAPHY VOLUME 4 EDITED BY MAXIM JAKUBOWSKI - photo 3
THE MAMMOTH BOOK OF
EROTIC PHOTOGRAPHY
VOLUME 4
EDITED BY MAXIM JAKUBOWSKI
Constable Robinson Ltd 55-56 Russell Square London WC1B 4HP - photo 4
Constable & Robinson Ltd
55-56 Russell Square
London WC1B 4HP
www.constablerobinson.com
First published in the UK by
Robinson, an imprint of
Constable & Robinson Ltd, 2013
Copyright 2013 in photographs:
individual photographers as listed
on page 448
Copyright 2013 in text and
selection: Maxim Jakubowski
Copyright 2013
Constable & Robinson Ltd
All rights reserved. This book is sold
subject to the condition that it shall
not be reproduced in whole or in
part, in any form or by any means,
electronic or mechanical, including
photocopying, recording, or by any
information storage and retrieval
system now known or hereafter
invented, without written permission
from the publisher and without a
similar condition, including this
condition, being imposed on the
subsequent purchaser.
A copy of the British Library
Cataloguing in Publication Data is
available from the British Library
UK ISBN: 978-1-78033-999-3
(paperback)
UK ISBN: 978-1-47210-000-9
(ebook)
First published in the United
States in 2013 by Running Press
Book Publishers, a Member of the
Perseus Books Group
All rights reserved under the
Pan-American and International
Copyright Conventions
This book may not be reproduced
in whole or in part, in an form or by
any means, electronic or mechanical,
including photocopying, recording,
or by an information storage and
retrieval system now know or
hereafter invented, without written
permission from the publisher.
Books published by Running Press
are available at special discounts
for bulk purchases in the United
States by corporations, institutions,
and other organizations. For
more information, please contact
the Special Markets Department
at the Perseus Books Group,
2300 Chestnut Street, Suite ,
Philadelphia, PA 19103 , or call
(800) 810-4145, ext. 5000 , or e-mail
US ISBN: 978-0-7624-4944-6
US Library of Congress Control
Number: 2009943392
9
Digit on the right indicates the
number of this printing
Running Press Book Publishers,
2300 Chestnut Street,
Philadelphia, PA 19103-4371
Visit us on the web!
www.runningpress.com
Printed and bound in China
Design and layout by
Andrew Barron/Thextension
Cover design by Andrew Barron/Thextension;
Cover photograph by Mike Lawson
INTRODUCTION Some beauties are dazzling inspirational muses that stir - photo 5
INTRODUCTION
Some beauties are dazzling, inspirational muses that stir creativity as well
as the senses. This collection of the finest contemporary erotic photography
is devoted to such muses.
In the previous three Mammoth volumes of erotic photography wonderful
photographers from all over the world have have renewed my appreciation of
beauty with their depictions of the female form. As a writer of literary erotica,
I know how hard it is to keep finding new ways to evoke sensuality and
pleasure, and can only profess admiration for these amazing photographers
who manage to do so time and again.
I asked all the photographers to go back to the sources of their inspiration
and to select their favourite models. It is these muses who provide the focus
for each portfolio in this collection. For a handful of photographers who
specialise in self-portraits, muse and artist are one and the same.
Many of the photographers are women, offering an intimate, often strikingly
different view of the female body. I am confident that all will dazzle you as
they explore variations on a seemingly inexhaustible theme.
I am grateful to many of the photographers for generously recommending
fellow artists, but I am particularly indebted to the delightful April-Lea
Hutchinson from Canada, who first appeared in this series as a model in
several portfolios in The Mammoth Book of New Erotic Photography. She has
since graduated and appears in this collection as a wonderfully talented
photographer in her own right (although she appears as a model, too,
in another portfolio). I owe her heartfelt thanks for her generosity in
recommending photographers and providing their contact details.
Maxim Jakubowski
NATHAN APPEL My main influence is a girl I loved years ago I was very green - photo 6
NATHAN APPEL My main influence is a girl I loved years ago I was very green - photo 7
NATHAN APPEL
My main influence is a girl I loved years ago. I was very
green and she educated me in style, music, erotic
literature, movies and food. My photographs represent
my longings and fears. Often the models face is in
shadow or turned away, anonymous. The model is less a
muse than a catalyst for a scene from my inner dialogue.
Just as my life is raw and awkward, my photographs are
sometimes blurred, sometimes nonsensical.
I met Itzi in 2010 at San Franciscos Phoenix Hotel, at
10 a.m. on a December morning. I had to check out at
so had an hour to get my picture. Since then I have
photographed her only a few times. I am always prepared
to drive a thousand miles for a single photograph.
www.latenightfeelings.com/flngsblog
NATHAN APPEL NATHAN APPEL - photo 8
NATHAN APPEL NATHAN APPEL - photo 9
NATHAN APPEL
NATHAN APPEL KARL BAXTER I - photo 10
NATHAN APPEL
KARL BAXTER I was born in 1974 and first became interested in photography when - photo 11
KARL BAXTER I was born in 1974 and first became interested in photography when - photo 12
KARL BAXTER I was born in 1974 and first became interested in photography when - photo 13
KARL BAXTER
I was born in 1974 and first became interested in
photography when my parents bought me an SLR to
document my work as a tattooist. In my early twenties I
started a design agency with a friend; this entailed some
photography and my interest and skills grew. As my
works creative aspects were lost in the day-to-day
demands of running a business, I began to photograph
people as a quick release a creative outlet with
absolutely no agenda. I work from a converted corn mill
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