For Oliver Sanderson,
Who was born during the middle of the writing of this book, and was walking by the time it was done.
As you might imagine, producing a book in the Stormlight Archive is a major undertaking. It involved almost eighteen months of writing, from outline to final revision, and includes the artwork of four different individuals and the editorial eyes of a whole host of people, not to mention the teams at Tor who do production, publicity, marketing, and everything else a major book needs in order to be successful.
For some two decades now, the Stormlight Archive has been my dreamthe story I always wished I could tell. The people youll read about below quite literally make my dreams a reality, and there arent words to express my gratitude for their efforts. First in line on this novel needs to be my assistant and primary continuity editor, the incumbent Peter Ahlstrom. He worked very long hours on this book, putting up with my repeated insistence that things which did not fit continuity actually dideventually persuading me I was wrong far more often than not.
As always, Moshe Federthe man who discovered me as a writerdid excellent editorial work on the book. Joshua Bilmes, my agent, worked hard on the book in both an agenting and editorial capacity. Hes joined by Eddie Schneider, Brady Words of Bradiance McReynolds, Krystyna Lopez, Sam Morgan, and Christa Atkinson at the agency. At Tor, Tom Doherty put up with me delivering a book even longer than the last one when I promised to make it shorter. Terry McGarry did the copyediting, Irene Gallo is responsible for the art direction for the cover, Greg Collins for interior design, Brian Lipofskys team at Westchester Publishing Services for compositing, Meryl Gross and Karl Gold for production, Patty Garcia and her team for publicity. Paul Stevens acted as superman whenever we needed him. A big thanks to all of you.
You may have noticed that this volume, like the one before it, includes amazing art. My vision for the Stormlight Archive has always been of a series that transcended common artistic expectations for a book of its nature. As such, it is an honor to once again have my favorite artist, Michael Whelan, involved in the project. I feel that his cover has captured Kaladin perfectly, and I am extremely grateful for the extra time he spent on the coverat his own insistencegoing through three drafts before he was satisfied. To have endpapers of Shallan as well is more than I had hoped to see for the book, and Im humbled by how well this whole package came together.
When I pitched the Stormlight Archive, I spoke of having guest star artists do pieces for the books here and there. We have our first of those in this novel, for which Dan dos Santos (another of my personal favorite artists, and the man who did the cover for Warbreaker) agreed to do some interior illustrations.
Ben McSweeney graciously returned to do more brilliant sketchbook pages for us, and he is a pure delight to work with. Quick to recognize what I want, sometimes even when Im not quite sure what I want, Ive rarely met a person who mixes talent and professionalism in the way Ben does. You can find more of his art at InkThinker.net.
A long time ago, almost ten years now, I met a man named Isac Stewart whoin addition to being an aspiring writerwas an excellent artist, particularly when it came to things like maps and symbols. I started collaborating with him on books (starting with Mistborn) and he eventually set me up on a blind date with a woman named Emily Bushmanwhom I subsequently married. So needless to say, I owe Isaac a few big favors. With each progressive book he works on, that debt on my part grows greater as I see the amazing work he has done. This year, we decided to make his involvement a little more official as I hired him full-time to be an in-house artist and to help me with administrative tasks. So if you see him, welcome him to the team. (And tell him to keep working on his own books, which are quite good.)
Also joining us at Dragonsteel Entertainment is Kara Stewart, Isaacs wife, as our shipping manager. (I actually tried to hire Kara firstand Isaac piped up noting that some of the things I wanted to hire her for, he could do. And it ended up that I got both of them, in a very convenient deal.) Shes the one youll interact with if you order T-shirts, posters, or the like through my website. And shes awesome.
We used a few expert consultants on this book, including Matt Bushman for his songwriting and poetry expertise. Ellen Asher gave some great direction on the scenes with horses, and Karen Ahlstrom was an additional poetry and song consultant. Michelle Walker acted as Alethi handwriting consultant. Finally, Elise Warren gave us some very nice notes relating to the psychology of a key character. Thank you all for lending me your brains.
This book had an extensive beta read done under some strict time constraints, and so a hearty bridgeman salute goes to those who participated. They are: Jason Denzel, Michelle Walker, Josh Walker, Eric Lake, David Behrens, Joel Phillips, Jory Phillips, Kristina Kugler, Lyndsey Luther, Kim Garrett, Layne Garrett, Brian Delambre, Brian T. Hill, Alice Arneson, Bob Kluttz, and Nathan Goodrich.
Proofreaders at Tor include Ed Chapman, Brian Connolly, and Norma Hoffman. Community proofreaders include Adam Wilson, Aubree and Bao Pham, Blue Cole, Chris King, Chris Kluwe, Emily Grange, Gary Singer, Jakob Remick, Jared Gerlach, Kelly Neumann, Kendra Wilson, Kerry Morgan, Maren Menke, Matt Hatch, Patrick Mohr, Richard Fife, Rob Harper, Steve Godecke, Steve Karam, and Will Raboin.
My writing group managed to get through about half of the book, which is a lot, considering how long the novel is. They are an invaluable resource to me. Members are: Kaylynn ZoBell, Kathleen Dorsey Sanderson, Danielle Olsen, Ben-son-son-Ron, E. J. Patten, Alan Layton, and Karen Ahlstrom.
And finally, thanks to my loving (and rambunctious) family. Joel, Dallin, and little Oliver help keep me humble each day by always making me be the bad guy who gets beat up. My forgiving wife, Emily, put up with a lot this past year, as tours grew long, and Im still not sure what I did to deserve her. Thank you all for making my world one of magic.
Prologue: To Question
SIX YEARS AGO
Jasnah Kholin pretended to enjoy the party, giving no indication that she intended to have one of the guests killed.
She wandered through the crowded feast hall, listening as wine greased tongues and dimmed minds. Her uncle Dalinar was in the full swing of it, rising from the high table to shout for the Parshendi to bring out their drummers. Jasnahs brother, Elhokar, hurried to shush their unclethough the Alethi politely ignored Dalinars outburst. All save Elhokars wife, Aesudan, who snickered primly behind a handkerchief.
Jasnah turned away from the high table and continued through the room. She had an appointment with an assassin, and she was all too glad to be leaving the stuffy room, which stank of too many perfumes mingling. A quartet of women played flutes on a raised platform across from the lively hearth, but the music had long since grown tedious.
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