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Alcorn - How To Fix Your Novel

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Overview: Have you started a novel, only to get part way into the manuscript and find yourself stuck? Or do you have an idea for a novel, but arent sure where to begin? Have you completed a first draft, but feel it doesnt quite have the luster of professional writing?

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How to Fix Your Novel by Steve Alcorn Also by Steve Alcorn A Matter - photo 1


How to Fix
Your Novel

by

Steve Alcorn

Also by Steve Alcorn

A Matter of Justice (a Dani Deucer mystery)

Everything in its Path (historical fiction)

Ring of Diamonds (writing as Sharon Stevens)

Travel Kid (a pictorial journal)

Building a Better Mouse: The Story of the Electronic Imagineers Who Built Epcot

Theme Park Design: Behind the Scenes with an Engineer

e-mail the author at:

steve@alcorn.com

Copyright 2012 by Steve Alcorn

All rights reserved under International and Pan-American Copyright Conventions.

First Edition

Theme Perks Press

themeperks.com

Table of Contents

How This Book Can Help

What Do I Write About?

Passion

Theme

Book

Theme

Character Flaw

Premise

Sex

Age

The Goal

The Flaw

Backstory

Physical Description

Names

Stereotypes

Show, Dont Tell

Comprehensive Character Attribute Form

One Protagonist to a Story

Introduce Your Protagonist From the Very Beginning

Make Your Protagonist Active

Give Your Protagonist a Cause Greater Than Herself

Create Conflict Within Your Protagonist

Make Your Protagonist Complex

Keep Your Protagonist in Character

Draw Your Protagonist From Yourself

Tools for Creating Sympathy

The Antagonist Mirrors the Protagonist

Make the Antagonist Active

The Antagonist Has a Tragic Flaw

The Antagonist Is Often Disguised

Tools for Creating Antipathy

The Protagonists Allies

Pawns of the Antagonist

The NemesisBad or Good?

Who Else is There?

Your Character Notebook

Character Pyramiding

Hook

Backstory

Trigger

Crisis

Struggle

Epiphany

Plan

Climax

Ending

Action and Reaction

Making the Scene

Making the Sequel

Scene and Sequel Tips

Transitions

Breaks

Scene and Sequel vs. the Checkpoints of Story Structure

Scene and Sequel Using Dialogue

Using Scene and Sequel to Control Pacing

Conflict in the Scene and Sequel

Conflict as Action

Conflict From Context

Conflict in Dialogue

But First, a Word From Our Sponsor...

Foreshadowing

Using a Clock

Story Questions

Omitted Information

Misdirection

Keep Us in the Dark

Escalation

Compounding Events

Expanding and Collapsing Time

Omniscient

Third Person Limited

First Person

Mood

Sharpening Your Descriptions

Building a Setting, Step by Step

Create Conflict

Convey Emotion

Advance the Plot

Set the Scene

Develop Character

Replace Exposition

Break Up the Narrative

Dialogue Techniques

Beats and Stage Actions

Broken Dialogue

Dialect

Interior Monologue

Nonverbal Dialogue

Dos and Donts of Dialogue

Rules for Great Dialogue

In Medias Res

Give Away the Ending

That Has a Ring to It

Ending with a Twist

Themes and Other Echoes

Before and After

The Power of Suggestion

Show, Dont Tell

Put it in Dialogue

Metaphors

Clichs

Dead Metaphors

Symbols

Make it Real

Be Active, Not Passive

Adjectives are Tools, Not Decorations

Adverbs

What You Dont Need

Preliminary Notes

Checkpoint Outline

The Story Idea

The Scene List

The Synopsis

Your Manuscript

Protagonist

Story

Plot

Writing Big and Writing Well

Traditional Publishing

The New World of Self-Publishing

Marketing

Becoming an Author

Acknowledgements

I am deeply indebted to three individuals who made this book possible:

Hollywood screenwriter Doran William Cannon, my mentor, who introduced me to his story structure theories and then talked me into perfecting and teaching them;

Wendy Peterson, whose careful editing and thoughtful contributions helped me introduce more than 10,000 students to the wonders of story structure;

and Loren Barrows, whose enthusiasm and creativity resulted in both my best online course and this book, which owes much to her thoughtful collaboration.

First Aid for Your Novel

Chapter

First Aid for Your Novel

Lets make a bet. No, lets make two bets.

First, I bet youve started a novel, gotten a ways into it and then gotten stuck because you couldnt figure out where it was going.

Am I right? If so, how did I know? Its because thats happened to nearly all authors, especially when theyre first getting started.

Its frustrating, isnt it?

Fortunately theres a great solution! The structuring techniques Ill show you in this book will guarantee you know where youre going before you even start. And that makes finishing so much easier.

Okay, heres my second bet: I bet youve written something you felt passionate about, but when you looked at it later it seemed flat and uninteresting.

That was an easy bet, because weve probably all done it. This book will show you how to fix that dull prose, and turn it into something big and wonderful, something that flows well and excites your readers.

If youve already started a novel, then as you read this book youre going to want to apply each technique to your existing material, and often Im sure youll find the improvements amazing.

If you havent yet started a novel, congratulations! Youre in the ideal position, because you can start with a clean slate and put together a perfect plan. That will save you an incredible amount of timeand several major revisions.

So how did I do on my bets? Have you gotten stuck, or become disenchanted in the past? In either case, this book will fix that problem. Itll provide the first aid your novel needs in order to achieve your goal: publication. And Ill even have some tips to help you get into print.

Oh, and heres one final bet: I bet that by the time you reach the end of this book youll be amazed how many new tools youve learned that will make your writing the best it can be. Now thats a bet that cant be beat!

How This Book Can Help

As youve probably figured out if this book had a covermy name is Steve Alcorn. Im a theme park designer, author and teacher. I have half a dozen novels and non-fiction books in print.

I meet a lot of aspiring authors. In fact, during the past decade Ive taught more than 10,000 of them through the online learning programs of more than 1500 colleges and universities worldwide. You can find a list of my classes at writingacademy.com. Many of my former students are now in print, and if you apply the techniques in this bookalong with a healthy dose of hard workyou can get into print, too.

One of the things I love about teaching is sharing snippets of my favorite novels. I hope that some of them are your favorites too, and that youll discover many more that youd like to read. After all, if youre going to be a successful novelist, you need to understand the market, and the best way to do that is to read lots of wonderful books.

The best way to learn is by trying out new techniques for yourself, so Ive included lots of exercises I call Test Drives. I hope youll take advantage of them to really firm up your knowledge of all the new techniques Ill introduce.

Youve almost certainly encountered some of the concepts in this book, but Ill be presenting each concept in new ways, so be prepared to discover many nuances of these techniques that will be perfect for applying to your own work.

Each chapter focuses on one of these techniques, from planning your plot to polishing your prose (wow, check out that alliteration!).

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