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Miller John R. - Egotopia: Narcissism and the New American Landscape

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    Egotopia: Narcissism and the New American Landscape
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Egotopiaexplains why individual political and economic interests
have eclipsed aesthetic considerations in the rampant billboards, malls,
and urban sprawl of the New American Landscape.

Egotopia begins where other critiques of the American landscape end:
identifying the physical ugliness that defines and homogenizes Americas
cities, suburbs, and countryside. Believing that prevailing assessments
of the American landscape are inadequate and injudicious, John Miller calls
into question the conventional wisdom of environmentalists, urban planners,
and architects alike. In this precedent-shattering examination of what
he sees as the ugliness that is the American consumer society, Miller contends
that our aesthetic condition can be fully understood only by explorers
of the metaphoric environment.

Metaphorically, the ugliness of Americas great suburban sprawl is the
physical manifestation of our increasing narcissism- our egotopia. The
ubiquity of psychotherapy as a medium promoting self-indulgence has deified
private man as it has demonized public man. The New American Landscape,
Miller argues, is no longer the physical manifestation of public and communal
values. Instead it has become a projection of private fantasies and narcissistic
self-indulgence. Individual interests and private passions can no longer
tolerate, nor even recognize, aesthetic concerns in such a landscape dedicated
to uncompromising notions of utility.

**

Miller John R.: author's other books


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title Egotopia Narcissism and the New American Landscape author - photo 1

title:Egotopia : Narcissism and the New American Landscape
author:Miller, John.
publisher:University of Alabama Press
isbn10 | asin:0817309012
print isbn13:9780817309015
ebook isbn13:9780585098067
language:English
subjectLandscape--United States--History--20th century, Aesthetics, American--History--20th century, Landscape--United States--Psychological aspects--History--20th century, Narcissism--Social aspects--United States--History--20th century, United States--Civiliza
publication date:1997
lcc:BH301.L3M55 1997eb
ddc:304.2/3/0973
subject:Landscape--United States--History--20th century, Aesthetics, American--History--20th century, Landscape--United States--Psychological aspects--History--20th century, Narcissism--Social aspects--United States--History--20th century, United States--Civiliza
Page ii
Egotopia
Narcissism and the New American Landscape
John Miller
With a Foreword by Ashley Montagu
The University of Alabama Press
Tuscaloosa and London
Page iv
Copyright 1997
The University of Alabama Press
Tuscaloosa, Alabama 35487-0380
All rights reserved
Manufactured in the United States of America
The paper on which this book is printed meets the minimum requirements of American National Standard for Information Science-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984.
Library of Congress Cataloging-in-Publication Data
Miller, John, 1946 Mar. 11
Egotopia : narcissism and the new American landscape / John Miller ;
with a foreword by Ashley Montagu.
p. cm.
Includes index.
ISBN 0817309012 (cloth : alk. paper)
1. LandscapeUnited StatesHistory20th century.
2. Aesthetics, AmericanHistory20th century. 3. Landscape
Unites StatesPsychological aspectsHistory20th century.
4. NarcissismSocial aspectsUnited StatesHistory20th century.
5. Unites StatesCivilization1970 1. Title.
BH301.L3M55 1997
304.2'3'0973dc21 9710770
British Library Cataloguing-in-Publication Data available
The illustrations on the first half-title and title pages are from a photograph of billboards dominating the landscape, courtesty of Scenic America.
Page v
In memory of Dr. and Mrs. Norbert Fuerst
Page vii
Contents
Foreword
ix
Acknowledgments
xv
1
Dark Satanic Malls
1
2
The New Man: Mimesis and Immanence
26
3
The New American Landscape: Ego and Egotopia
38
4
The Myth of Travel and the Necessity of Motion
53
5
The Aesthetics of the New Man: Beauty R Us
71
6
Billboards: Dominant Visual Modality of the New American Landscape
82
7
The Commercialization of Public Space
105
8
The American Landscape That Might Have Been
118
9
The Innate Philistinism of the Environmental Movement
136
10
Democracy, Therapy, and the Triumph of Bad Taste
146
11
Breaking the Spell: The Future of the New American Landscape
156
Index
163

Page ix
Foreword
I completed reading John Miller's Egotopia, as Shelley once said upon finishing a book, "in a frenzy of enthusiasm." Egotopia is a marvelous book, and nothing could be more timely. Emerson and Thoreau would have rejoiced in it, as would a good many of our other celebrated culture heroes. Whether through the novel, essay, poetry, play, philosophy, or more specialized work, like Rachel Carson's Silent Spring, these writers, though severe critics of the United States, all loved their country, and in their own concerned critical ways fully endorsed Scott Fitzgerald's moving words, "America is a willingness of the heart."
This willingness of the heart, this American generosity, especially through private gifts, has enriched our colleges and universities and made our museums of art and sciences among the greatest and most beautiful in the world. The United States, somewhat late in getting started, has gradually become the world's center for the arts, a center of such virtuosity that it attracts many talents from the rest of the world. This willingness of the heart is a reflection of the American spirit that Europeans frequently remark when they visit the United States and that is extended to the whole world. But
Page x
danger from extremists on the right as well as those on the left threaten the American aesthetic sense. Some two hundred years ago William Blake wrote, "Degrade first the arts if you'd mankind degrade." In the twentieth century, Hitler, the product of a highly civilized Austria, well understood Blake's sentiment, as have some members of Congress.
Miller examines the dark side of the American character, the side that with rare acumen and skill he critically dissects. I know of no book that more effectively enables us to understand America's growing disregard of aesthetics and the nature of the psychosis from which our country suffers than
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