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Lewis Mumford - The Culture of Cities

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Lewis Mumford The Culture of Cities
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A visionary survey of urbanism from the Middle Ages to the late 1930s, with a new introduction by Thomas Fisher Considered among the greatest works of Lewis Mumford--a prolific historian, sociologist, philosopher of technology, and longtime architecture critic for the New Yorker--The Culture of Cities is a call for communal action to?rebuild the urban world on a sounder human foundation.? First published in 1938, this radical investigation into the human environment is based on firsthand surveys of North American and European locales, as well as extensive historical and technological research. Mumford takes readers from the compact, worker-friendly streets of medieval hamlets to the symmetrical neoclassical avenues of Renaissance cities. He studies the squalor of nineteenth-century factory towns and speculates on the fate of the booming twentieth-century Megalopolis--whose impossible scale, Mumford believes, can only lead to its collapse into a?Nekropolis,? a monstrosity of living death. A civic visionary, Mumford is credited with some of the earliest proposals for ecological urban planning and the appropriate use of technology to create balanced living environments. In the final chapters of The Culture of Cities, he outlines possible paths toward utopian future cities that could be free of the stressors of the Megalopolis, in sync with the rhythms of daily life, powered by clean energy, integrated with agricultural regions, and full of honest and comfortable housing for the working class. The principles set forth by these visions, once applied to Nazi-occupied Europes razed cities, are still relevant today as technological advances and overpopulation change the nature of urban life. Read more...
Abstract: A visionary survey of urbanism from the Middle Ages to the late 1930s, with a new introduction by Thomas Fisher Considered among the greatest works of Lewis Mumford--a prolific historian, sociologist, philosopher of technology, and longtime architecture critic for the New Yorker--The Culture of Cities is a call for communal action to?rebuild the urban world on a sounder human foundation.? First published in 1938, this radical investigation into the human environment is based on firsthand surveys of North American and European locales, as well as extensive historical and technological research. Mumford takes readers from the compact, worker-friendly streets of medieval hamlets to the symmetrical neoclassical avenues of Renaissance cities. He studies the squalor of nineteenth-century factory towns and speculates on the fate of the booming twentieth-century Megalopolis--whose impossible scale, Mumford believes, can only lead to its collapse into a?Nekropolis,? a monstrosity of living death. A civic visionary, Mumford is credited with some of the earliest proposals for ecological urban planning and the appropriate use of technology to create balanced living environments. In the final chapters of The Culture of Cities, he outlines possible paths toward utopian future cities that could be free of the stressors of the Megalopolis, in sync with the rhythms of daily life, powered by clean energy, integrated with agricultural regions, and full of honest and comfortable housing for the working class. The principles set forth by these visions, once applied to Nazi-occupied Europes razed cities, are still relevant today as technological advances and overpopulation change the nature of urban life

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The Culture of Cities Lewis Mumford CONTENTS Introduction I We the - photo 1

The Culture of Cities

Lewis Mumford

CONTENTS Introduction I We the people seem to have the freest book trade - photo 2

CONTENTS

Introduction

I

We the people seem to have the freest book trade in the world. Certainly we have the biggest. Cruise the mighty Amazon, and you will see so many books for sale in the United States today as would require more than four hundred miles of shelving to display thema bookshelf that would stretch from Bostons Old North Church to Fort McHenry in South Baltimore.

Surely that huge catalog is proof of our extraordinary freedom of expression: The US government does not ban books, because the First Amendment wont allow it. While books are widely banned in states like China and Iran, no book may be forbidden by the US government at any level (although the CIA censors books by former officers). Where books are banned in the United States, the censors tend to be private organizationschurch groups, school boards, and other local (busy)bodies roused to purify the public schools or libraries nearby.

Despite such local prohibitions, we can surely find any book we want. After all, its easy to locate those hot works that once were banned by the government as too obscene to sell, or mail, until the courts ruled otherwise on First Amendment groundsFanny Hill, Howl, Naked Lunch. We also have no trouble finding books banned here and there as antifamily, Satanic, racist, and/or filthy, from Huckleberry Finn to Heather Has Two Mommies to the Harry Potter series, just to name a few.

II

And yet, the fact that those bold books are all in print, and widely read, does not mean that we have the freest book trade in the world. On the contrary: For over half a century, Americas vast literary culture has been disparately policed, and imperceptibly contained, by state and corporate entities well placed and perfectly equipped to wipe out wayward writings. Their ad hoc suppressions through the years have been far more effectual than those quixotic bans imposed on classics like The Catcher in the Rye and Fahrenheit 451. For every one of those bestsellers scandalously purged from some provincial school curriculum, there are many others (we cant know how many) that have been so thoroughly erased that few of us, if any, can remember them, or have ever heard of them.

How have all those books (to quote George Orwell) dropped into the memory hole in these United States? As America does not ban books, other meansless evident, and so less controversialhave been deployed to vaporize them. Some almost never made it into print, as publishers were privately warned off them from on high, either on the grounds of national security or with blunt threats of endless corporate litigation. Other books were signed enthusiasticallythen dumped, as their own publishers mysteriously failed to market them, or even properly distribute them. But it has mainly been the press that stamps out inconvenient books, either by ignoring them, ormost oftenlaughing them off as conspiracy theory, despite their soundness (or because of it).

Once out of print, those books are gone. Even if some few of us have not forgotten them, and one might find used copies here and there, these books have disappeared. Missing from the shelves and never mentioned in the press (and seldom mentioned even in our schools), each book thus neutralized might just as well have been destroyed en masseor never written in the first place, for all their contribution to the public good.

III

The purpose of this series is to bring such vanished books to lifefirst life for those that never saw the light of day, or barely did, and second life for those that got some notice, or even made a splash, then slipped too quickly out of print, and out of mind.

These books, by and large, were made to disappear, or were hastily forgotten, not because they were too lewd, heretical, or unpatriotic for some touchy group of citizens. These books sank without a trace, or faded fast, because they tell the sort of truths that Madison and Jefferson believed our Constitution should protecttruths that the people have the right to know, and needs to know, about our government and other powers that keep us in the dark.

Thus the works on our Forbidden Bookshelf shed new lightfor most of us, its still new lighton the most troubling trends and episodes in US history, especially since World War II: Americas broad use of former Nazis and ex-Fascists in the Cold War; the Kennedy assassinations, and the murders of Martin Luther King Jr., Orlando Letelier, George Polk, and Paul Wellstone; Ronald Reagans Mafia connections, Richard Nixons close relationship with Jimmy Hoffa, and the mobs grip on the NFL; Americas terroristic Phoenix Program in Vietnam, US support for South Americas most brutal tyrannies, and CIA involvement in the Middle East; the secret histories of DuPont, ITT, and other giant US corporations; and the long war waged by Wall Street and its allies in real estate on New York Citys poor and middle class.

The many vanished books on these forbidden subjects (among others) altogether constitute a shadow history of Americaa history that We the People need to know at last, our country having now become a land with billionaires in charge, and millions not allowed to vote, and everybody under full surveillance. Through this series, we intend to pull that necessary history from the shadows at long lastto shed some light on how America got here, and how we might now take it somewhere else.

Mark Crispin Miller

As far back as 1915, under the stimulus of Patrick Geddes, I began to collect the materials that have gone into this book. Like my hitherto published papers and books on architecture, community planning, housing, and regional development, the present study rests primarily on first-hand surveys, conducted in many different regions: beginning with a close study of my own city and regionNew York and its immediate hinterland. It both attempts to explore in a more unified way a field hitherto worked on divergent lines by specialists, and to establish, for the purpose of communal action, the basic principles upon which our human environmentbuildings, neighbor hoods, cities, regionsmay be renovated. Certain aspects of life, those ordinarily treated under the head of ethics, religion, and education, remain to be dealt with at another time. Even at the risk of an occasional repetition of thought, I have had to parallel in this volume parts of Technics and Civilization; but it should be plain that the two works, while independent, are complementary: each seeks to explore what the modern world may hold for mankind once men of good will have learned to subdue the barbarous mechanisms and the mechanized barbarisms that now threaten the very existence of civilization. L. M.

PREFACE TO THE 1970 EDITION

When The Culture of Cities appeared a generation ago, the literature of cities was still extremely meager. Despite the work of Marcel Pote and Pierre Lavedan, the urban historians, Max Weber, the sociologist, and my own master, Patrick Geddes, most of the current thinking about cities proceeded without sufficient insight into their nature, their function, their purpose, their historic role, or their potential future. The brief Introduction that opened The Culture of Cities put the whole process of urban development in a fresh perspective; and the chapters that followed were so far in advance of current thinking that I have no hesitation in reprinting them without altering a wordthough further observation and experience have called for various minor revisions I have made in later works.

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