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Judith Marcus - Georg Lukács and Thomas Mann

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    Georg Lukács and Thomas Mann
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Georg Lukacs and Thomas Mann, two of the great figures in the history of twentieth-century cultural life, had a complex literary relationship. In this study, Judith Marcus suggests that Manns character Leo Naphta in The Magic Mountain is modelled on Lukacs - the Jewish intellectual. Professor Marcus goes on to argue that Mann consistently portrayed this ideal type throughout his work as ironically containing a totalitarian personality which was inspired by radicalism, rigidity, dogmatism, and asceticism - all negative traits that Mann found in Lukacs and that prevented the growth of personal intimacy between these two men. Marcus study is largely based on Lukacs and Manns early work, on their correspondence, and on previously undiscovered, untranslated, and/or unpublished archival materials. Her research was carried out in three countries and in interviews conducted with Lukacs, Katja Mann, Ernst Bloch, and Arnold Hauser, among others.

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title Georg Lukcs and Thomas Mann A Study in the Sociology of Literature - photo 1

title:Georg Lukcs and Thomas Mann : A Study in the Sociology of Literature
author:Marcus, Judith.
publisher:University of Massachusetts Press
isbn10 | asin:0870234862
print isbn13:9780870234866
ebook isbn13:9780585178790
language:English
subjectMann, Thomas,--1875-1955--Influence, Lukcs, Gyrgy,--1885-1971--Influence, Mann, Thomas,--1875-1955--Friends and associates, Lukcs, Gyrgy,--1885-1971--Friends and associates.
publication date:1987
lcc:PT2625.A44Z7462713 1987eb
ddc:833/.912
subject:Mann, Thomas,--1875-1955--Influence, Lukcs, Gyrgy,--1885-1971--Influence, Mann, Thomas,--1875-1955--Friends and associates, Lukcs, Gyrgy,--1885-1971--Friends and associates.
Page 1
Georg Lukcs and Thomas Mann
A Study in the Sociology of Literature
Judith Marcus
The University of Massachusetts Press
Amherst, 1987
Page 2
Copyright (c) 1987 by Judith Marcus
All rights reserved
Printed in Hungary
LC 86-1261
ISBN 0-87023-486-2
Library of Congress Cataloging-in-Publication Data
Marcus, Judith, date.
Georg Lukcs and Thomas Mann.
Translation of. Thomas Mann und Georg Lukcs.
Bibliography: p.
Includes index.
1. Mann, Thomas, 1875-1955Influence. 2. Lukcs, Gyrgy, 1885-1971Influence. 3. Mann,
Thomas, 1875-1955Friends and associates. 4. Lukcs, Gyrgy, 1885-1971Friends and asso
ciates.
I. Title. PT2625. A44Z7462713Picture 21987Picture 3833'.912Picture 486-1261
ISBN 0-87023-486-2.
Page 5
CONTENTS
Preface
7
Acknowledgments
9
Introduction
11
Part One: The Author and His Critic
19
1. Spiritual Closeness: Interaction, Influence, and Congruence
21
2. Respect and Distance: The Story of the Personal Relationship
38
Part Two: The Magic Mountain as a "Zeitroman" and a Novel of Its Time
51
3. Sources and Narrative Techniques in Mann's Work: The Figure of Leo Naphta and "geniale Wirklichkeit"
53
4. Leo NaphtaJew, Jesuit, Communist: Origins and Life Story
70
5. Physiognomy of Leo Naphta
84
6. The Personality of Leo Naphta: "der Fremdling par excellence"
90
Appendix
155
Notes
163
Bibliography
211
Index
229

Page 7
PREFACE
In 1925, Walter Benjamin informed his friend Gershom Scholem that he had just finished reading two extraordinary and exciting books. Singled out as the best products of the time, they were Thomas Mann's novel The Magic Mountain and Georg Lukcs's History and Class Consciousness. To the best of my knowledge this was the first time that a perceptive reader established a connection of sorts between the works of two towering figures of twentieth-century European cultural life. It was not to be the last. For a number of reasons, however, among which figured prominently the political and social upheavals on the continent that eventually landed Mann in sunny California and Lukcs in Stalin's Moscow, it took almost four decades for anybody to take a closer look at the possibility of a certain connection between the two men and their work. In the meantime, there grew up an immense literature around Mann and Lukcs. Since Mann died in 1955 and Lukcs in 1971, it is all the more surprising that no serious attempt has been made to examine the now proven relationship between the author and "his" critic. And it is outright astonishing that no major undertaking exists to write the life of either. (The notable exception is Richard Winston's excellent biographical fragment, Thomas Mann: The Making of an Artist, 1875-1955, regrettably incomplete because of Winston's untimely death.) To undertake either task obviously means to enrich and supplement the other.
Even though a number of critics and scholars have paid attention to the relation between these two men, they have seldom gone beyond the "fact" that Lukcs's physique and/or revolutionary career inspired Thomas Mann's portrait of Leo Naphta, the Jewish-Jesuit-Communist protagonist of The Magic Mountain. (To this suggestion Lukcs responded with his good-humored, "So what if I lent him my nose? He gave so much to meI am happy I could do that little for him in return!") This is not to imply that the focus on that one aspect would need justification: even if we could only prove beyond doubt that Lukcs served as the model for one of the most interesting, strangest and most complex figures in Thomas Mann's*, this alone would be worth a separate study. I myself felt the fascinating ambivalence emanating from this fictional character and devoted my first paper on Thomas Mann to its analysis; moreover, my previous acquaintance with Lukcs's work (and person) made me weary of accepting
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