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Amberson Deborah - Giraffes in the Garden of Italian Literature: Modernist Embodiment in Italo Svevo, Federigo Tozzi and Carlo Emilio Gadda

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Amberson Deborah Giraffes in the Garden of Italian Literature: Modernist Embodiment in Italo Svevo, Federigo Tozzi and Carlo Emilio Gadda
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GIRAFFES IN THE GARDEN OF ITALIAN LITERATURE MODERNIST EMBODIMENT IN ITALO - photo 1

GIRAFFES IN THE GARDEN OF ITALIAN LITERATURE
MODERNIST EMBODIMENT IN ITALO SVEVO, FEDERIGO TOZZI AND CARLO EMILIO GADDA

Legenda

LEGENDA, founded in 1995 by the European Humanities Research Centre of the University of Oxford, is now a joint imprint of the Modern Humanities Research Association and Routledge. Titles range from medieval texts to contemporary cinema and form a widely comparative view of the modern humanities, including works on Arabic, Catalan, English, French, German, Greek, Italian, Portuguese, Russian, Spanish, and Yiddish literature. An Editorial Board of distinguished academic specialists works in collaboration with leading scholarly bodies such as the Society for French Studies and the British Comparative Literature Association.

The Modern Humanities Research Association MHRA encourages and promotes - photo 2

The Modern Humanities Research Association (MHRA) encourages and promotes advanced study and research in the field of the modern humanities, especially modern European languages and literature, including English, and also cinema. It also aims to break down the barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization. The Association fulfils this purpose primarily through the publication of journals, bibliographies, monographs and other aids to research.

Routledge is a global publisher of academic books journals and online - photo 3

Routledge is a global publisher of academic books, journals and online resources in the humanities and social sciences. Founded in 1836, it has published many of the greatest thinkers and scholars of the last hundred years, including Adorno, Einstein, Russell, Popper, Wittgenstein, lung, Bohm, Hayek, McLuhan, Marcuse and Sartre. Today Routledge is one of the world's leading academic publishers in the Humanities and Social Sciences. It publishes thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.

www.routledge.com

Italian Perspectives

Editorial Committee
Professor Simon Gilson, University of Warwick (General Editor)

Dr Francesca Billiani, University of Manchester

Dr Manuele Gragnolati, Somerville College, Oxford

Dr Catherine Keen, University College London

Professor Martin McLaughlin, Magdalen College, Oxford

Founding Editors
Professor Zygmunt Baraski and Professor Anna Laura Lepschy

In the light of growing academic interest in Italy and the reorganization of many university courses in Italian along interdisciplinary lines, this book series, founded now continuing under the Legenda imprint, aims to bring together different scholarly perspectives on Italy and its culture. Italian Perspectives publishes books and collections of essays on any period of Italian literature, language, history, culture, politics, art, and media, as well as studies which take an interdisciplinary approach and are methodologically innovative.

Appearing in This Series
  1. The Letters of Giacomo Leopardi 1817-1837 , ed. by Prue Shaw
  2. Nelle Carceri di G. B. Piranesi , by Silvia Gavuzzo-Stewart
  3. Speculative Identities: Contemporary Italian Womens Narrative , by Rita Wilson
  4. Elio Vittorini: The Writer and the Written , by Guido Bonsaver
  5. Origin and Identity: Essays on Svevo and Trieste , by Elizabeth Schchter
  6. Italo Calvino and the Landscape of Childhood , by Claudia Nocentini
  7. Playing with Gender: The Comedies of Goldoni , by Maggie Gnsberg
  8. Comedy and Culture: Cecco Angiolieris Poetry and Late Medieval Society , by Fabian Alfie
  9. Fragments of Impegno , by Jennifer Burns
  10. Contesting the Monument: The Anti-Illusionist Italian Historical Novel , by Ruth Glynn
  11. Camorristi, Politicians and Businessmen , by Felia Allum
  12. Speaking Out and Silencing , ed. by Anna Cento Bull and Adalgisa Giorgio
  13. From Florence to the Heavenly City: The Poetry of Citizenship in Dante , by Claire E. Honess
  14. Orality and Literacy in Modern Italian Culture , ed. by Michael Caesar and Marina Spunta
  15. Pastoral Drama in Early Modern Italy: The Making of a New Genre , by Lisa Sampson
  16. Sweet Thunder: Music and Libretti in 1960s Italy , by Vivienne Suvini-Hand
  17. Il teatro di Eduardo De Filippo , by Donatella Fischer
  18. Imagining Terrorism: The Rhetoric and Representation of Political Violence in Italy 19692009 , ed. by Pierpaolo Antonello and Alan OLeary
  19. Boccaccio and the Book: Production and Reading in Italy 1340-1520 , by Rhiannon Daniels
  20. Ugo Foscolo and English Culture , by Sandra Parmegiani
  21. The Printed Media in Fin-de-sicle Italy: Publishers, Writers, and Readers , ed. by Ann Hallamore Caesar, Gabriella Romani, and Jennifer Burns

Managing Editor
Dr Graham Nelson, 41 Wellington Square, Oxford OX1 2JF, UK
www.legenda.mhra.org.uk

Giraffes in the Garden of Italian Literature

Modernist Embodiment in Italo Svevo, Federigo Tozzi and Carlo Emilio Gadda

DEBORAH AMBERSON

Italian Perspectives 22 Modern Humanities Research Association and Routledge - photo 4

Italian Perspectives 22
Modern Humanities Research Association and Routledge
2012

First published 2012

Published by the
Modern Humanities Research Association and Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA

LEGENDA is an imprint of the
Modern Humanities Research Association and Routledge

Routledge is an imprint of the Taylor & Francis Group, an informa business

Modern Humanities Research Association and Taylor & Francis 2012

ISBN 978-1-907975-26-4 (hbk)

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, including photocopying, recordings, fax or otherwise, without the prior written permission of the copyright owner and the publisher.

Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Contents
Guide

for Bob, my father

Many people have helped in the writing of this book. Special thanks, however, are due to Elena Past for her encouragement and her invaluable comments on previous drafts of this text. I am also indebted to Millicent Marcus, my doctoral dissertation supervisor at the University of Pennsylvania. I would like to thank friends and colleagues at the University of Florida for their advice and support. Special mention must go to my friend Gianfranco Balestriere and I thank Dragan Kujundzic, Carol Murphy, Sherrie Nunn, Martin Sorbille, Mary Watt, and Brigitte Weltman-Aron.

I am grateful to the College of Liberal Arts and Sciences at the University of Florida for providing a Humanities Scholarship Enhancement grant which allowed me to carry out research for this book. Gratitude is also due to Dr Graham Nelson, Managing Editor of Legenda, and to Professor Simon Gilson and Professor Zygmunt Baraski, Editor and former Editor of the Italian Perspectives series.

include revised elements of articles published in Forum italicum 39, 2 (2005): 441-460 and MLN 123, 1 (2008): 22-39. My thanks go to the editors of these journals for allowing me to incorporate the updated sections of this material.

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