GIRAFFES IN THE GARDEN OF ITALIAN LITERATURE
MODERNIST EMBODIMENT IN ITALO SVEVO, FEDERIGO TOZZI AND CARLO EMILIO GADDA
Legenda
LEGENDA, founded in 1995 by the European Humanities Research Centre of the University of Oxford, is now a joint imprint of the Modern Humanities Research Association and Routledge. Titles range from medieval texts to contemporary cinema and form a widely comparative view of the modern humanities, including works on Arabic, Catalan, English, French, German, Greek, Italian, Portuguese, Russian, Spanish, and Yiddish literature. An Editorial Board of distinguished academic specialists works in collaboration with leading scholarly bodies such as the Society for French Studies and the British Comparative Literature Association.
The Modern Humanities Research Association (MHRA) encourages and promotes advanced study and research in the field of the modern humanities, especially modern European languages and literature, including English, and also cinema. It also aims to break down the barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization. The Association fulfils this purpose primarily through the publication of journals, bibliographies, monographs and other aids to research.
Routledge is a global publisher of academic books, journals and online resources in the humanities and social sciences. Founded in 1836, it has published many of the greatest thinkers and scholars of the last hundred years, including Adorno, Einstein, Russell, Popper, Wittgenstein, lung, Bohm, Hayek, McLuhan, Marcuse and Sartre. Today Routledge is one of the world's leading academic publishers in the Humanities and Social Sciences. It publishes thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.
www.routledge.com
Italian Perspectives
Editorial Committee
Professor Simon Gilson, University of Warwick (General Editor)
Dr Francesca Billiani, University of Manchester
Dr Manuele Gragnolati, Somerville College, Oxford
Dr Catherine Keen, University College London
Professor Martin McLaughlin, Magdalen College, Oxford
Founding Editors
Professor Zygmunt Baraski and Professor Anna Laura Lepschy
In the light of growing academic interest in Italy and the reorganization of many university courses in Italian along interdisciplinary lines, this book series, founded now continuing under the Legenda imprint, aims to bring together different scholarly perspectives on Italy and its culture. Italian Perspectives publishes books and collections of essays on any period of Italian literature, language, history, culture, politics, art, and media, as well as studies which take an interdisciplinary approach and are methodologically innovative.
Appearing in This Series
- The Letters of Giacomo Leopardi 1817-1837 , ed. by Prue Shaw
- Nelle Carceri di G. B. Piranesi , by Silvia Gavuzzo-Stewart
- Speculative Identities: Contemporary Italian Womens Narrative , by Rita Wilson
- Elio Vittorini: The Writer and the Written , by Guido Bonsaver
- Origin and Identity: Essays on Svevo and Trieste , by Elizabeth Schchter
- Italo Calvino and the Landscape of Childhood , by Claudia Nocentini
- Playing with Gender: The Comedies of Goldoni , by Maggie Gnsberg
- Comedy and Culture: Cecco Angiolieris Poetry and Late Medieval Society , by Fabian Alfie
- Fragments of Impegno , by Jennifer Burns
- Contesting the Monument: The Anti-Illusionist Italian Historical Novel , by Ruth Glynn
- Camorristi, Politicians and Businessmen , by Felia Allum
- Speaking Out and Silencing , ed. by Anna Cento Bull and Adalgisa Giorgio
- From Florence to the Heavenly City: The Poetry of Citizenship in Dante , by Claire E. Honess
- Orality and Literacy in Modern Italian Culture , ed. by Michael Caesar and Marina Spunta
- Pastoral Drama in Early Modern Italy: The Making of a New Genre , by Lisa Sampson
- Sweet Thunder: Music and Libretti in 1960s Italy , by Vivienne Suvini-Hand
- Il teatro di Eduardo De Filippo , by Donatella Fischer
- Imagining Terrorism: The Rhetoric and Representation of Political Violence in Italy 19692009 , ed. by Pierpaolo Antonello and Alan OLeary
- Boccaccio and the Book: Production and Reading in Italy 1340-1520 , by Rhiannon Daniels
- Ugo Foscolo and English Culture , by Sandra Parmegiani
- The Printed Media in Fin-de-sicle Italy: Publishers, Writers, and Readers , ed. by Ann Hallamore Caesar, Gabriella Romani, and Jennifer Burns
Managing Editor
Dr Graham Nelson, 41 Wellington Square, Oxford OX1 2JF, UK
www.legenda.mhra.org.uk
Giraffes in the Garden of Italian Literature
Modernist Embodiment in Italo Svevo, Federigo Tozzi and Carlo Emilio Gadda
DEBORAH AMBERSON
Italian Perspectives 22
Modern Humanities Research Association and Routledge
2012
First published 2012
Published by the
Modern Humanities Research Association and Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA
LEGENDA is an imprint of the
Modern Humanities Research Association and Routledge
Routledge is an imprint of the Taylor & Francis Group, an informa business
Modern Humanities Research Association and Taylor & Francis 2012
ISBN 978-1-907975-26-4 (hbk)
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, including photocopying, recordings, fax or otherwise, without the prior written permission of the copyright owner and the publisher.
Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Contents
Guide
for Bob, my father
Many people have helped in the writing of this book. Special thanks, however, are due to Elena Past for her encouragement and her invaluable comments on previous drafts of this text. I am also indebted to Millicent Marcus, my doctoral dissertation supervisor at the University of Pennsylvania. I would like to thank friends and colleagues at the University of Florida for their advice and support. Special mention must go to my friend Gianfranco Balestriere and I thank Dragan Kujundzic, Carol Murphy, Sherrie Nunn, Martin Sorbille, Mary Watt, and Brigitte Weltman-Aron.
I am grateful to the College of Liberal Arts and Sciences at the University of Florida for providing a Humanities Scholarship Enhancement grant which allowed me to carry out research for this book. Gratitude is also due to Dr Graham Nelson, Managing Editor of Legenda, and to Professor Simon Gilson and Professor Zygmunt Baraski, Editor and former Editor of the Italian Perspectives series.
include revised elements of articles published in Forum italicum 39, 2 (2005): 441-460 and MLN 123, 1 (2008): 22-39. My thanks go to the editors of these journals for allowing me to incorporate the updated sections of this material.