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Eliot Rosenstock - The Ego And Its Hyperstate: A Psychoanalytically Informed Dialectical Analysis of Self-Interest

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The Ego And Its Hyperstate: A Psychoanalytically Informed Dialectical Analysis of Self-Interest: summary, description and annotation

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The Ego and its Hyperstate gives a psychoanalytic exploration into the role of self-interest in ideals by placing the Ego centre stage. Reflection on what drives people to pull down statues and how control is wielded by subjects-supposed-to-know couldnt come at a better time. As we are deep into the corona crisis we find ourselves in heated exchanges about our ideals, whether its QAnon influenced family or the contemporary feminist debate. Analysis of the Egos influence is essential for those in activist circles if they are to enact their goals effectively. The need of which is evident within the ideologically ravaged arena of sex workers rights. This increasingly radicalised debate sees interest groups claiming to hold the true masters of knowledge ergo those with the most valid voice. This exact process then impacts how states implement the law. A reflection on how our Ego influences real world politics and how ideals fuel social dynamics can only help in a time when our voices are the loudest but we are the most alone. Misha Mayfair

The Ego And Its Hyperstate is a unified theory of psychological and ethical egoism which posits self-interest. The dialectical dream theory sets its sights against capitalist notions of the self-interest contra the other, not simply with moralism, but with a more accurate analysis of the subject of self-interest than has been provided by capitalists and anarchist theorists alike. Through the lens of psychoanalysis and Hegelian dialectical logic, the process of self-interest as the ground of all human existence reveals itself. Eliot Rosenstock has a symptom he wants you to know about: he wants you to know how the nature of self-interest strikes through the notions of pure duty and state worship, he wants to bring in psychoanalysis and redeem dialectics in its power to reveal the universe rather than be a simple rhetorical tool, and he wants to reveal to you how the material conditions of the world, as well as psychological processes of mankind, work together to bring about all that is brought into the universe by humanity.

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The state is rational in and for itself inasmuch as it is the actuality of the substantial will which it possesses in the particular self-conscious that has been raised to its universality. This substantial unity is an absolute end in itself, in which freedom comes into its supreme right. On the other hand, this final end has supreme rightagainst the individual,whose supreme duty is to be a member of the state.

GWF Hegel

Why should one have a supreme duty to be a member of a state? Its a matter of survival and desire certainly. If one lives within a monarchy, or if one lives within a state which has a grip on ideology, duty to the state inevitably becomes a matter of having a venue for ones desire to effectively transfer into ones demands, as well as a matter of survival.

An unconscious power play is strung through Hegel, clear as day, the need to overcome the government with the assertion of the individual. What is supposedly a unity of man and the state, is actually Hegel clinging onto the state for not only survival, but to articulate his own desires, his own will-to-power which manifests in what he wants for himself. In other words, to be the philosopher that he was. But because of this, he couldnt really let the state get one over on him through all moments of the dialectic. The state is also overcome:

For to us religion means the retirement of the Spirit within itself, in contemplating its essential nature, its inmost Being. In these spheres, then man is withdrawn from his relation to the State, and betaking himself to this retirement is able to release himself from the power of secular government.

Hegel, Philosophy of History (p. 130)

Could Hegel free himself from the bonds of the state without risking life and limb? Yes he could quite easily, and at no risk to manifesting his desires through the identity of the state. Thanks to God, he is able to rest. Is this not a clear unconscious wish to escape the superego of the state, which he has raised to the level of supreme duty?

To state the obvious, Hegel does not escape self-interest, he is in the midst of psychological egoism. His morals and values swirl together with their consequences to create a narrative of absolute duty to the state. (I bet the King loves that!) Hegel does not know why he does what he does, but he certainly has a nice rational system for it. He is determined by unconscious psychological forces

On that note, how great is it that The Good Place existed as a show? An articulation of philosophy as a television product with a relatively engaging story line is certainly in line with what I consider an ideal or two, manifesting in the world. A main character is a Kantian in constant moral crisis (and some say that we arent progressing as a species). Chidi is a philosophical fantasy, the man devoted to the raw calculation of his actions in a totally selfless religious devotion.

How does the Kantian Chidi judge his life? He laments on not doing enough, like his love interest Eleanor. It seems clear that Chidi has a point; I doubt anyone watched the show and thought Chidi was someone who shouldnt be drawn into the orbit of the Arizonan Egotist Eleanor. Eleanor was defined by the most vulgar ideal of self-interest, which is self-interest contra the well-being of others. She never missed a chance to insult or scam someone.

Her character eventually escaped the negative judgment of itself through consulting with Chidi, the calculative Kantian. But she judged herself negatively for taking the actions of scamming, and by the end of the show she finds love and a sense of self-worth. It is clear with a small amount of rational analysis that she in fact is more self-interested than ever. Chidi moves away from calculation toward the emotive registers and articulations which are at times in line with duty, but at other times are in line with the articulation of desire.

Self-interest mutates, slides, combines, burns, grows, and becomes unrecognizable. Self-interest is the bastard of all ethical theories insofar as it is pegged into a single register, usually the register of the itch or the hedonistic, immediate gratification impulse, or the register of its use against other people. Self-interest is indeed both of these things at times. However, self-interest in process is the ground of all ideals and their movements, when overlooked by the holder of the ideal.

In the final calculation, self-interest is revealed through a thats it! feeling, a uniting of the characters in ideals, in goals, and in actions. It is a rational expression of survival and desire which make their way through ideals to create particular events, which create forces in their lives, which cause ideals to work themselves out through unitary events and their mutual superego forces.

I am not saying that Chidi should not be a Kantian. In his state of things, he is quite an interesting character. Those of us who are aware of The Absolute Hyperstate shouldnt necessarily be bringing it into every conversational discussion. Rather, The Absolute Hyperstate, the true movement of self-interest, can be utilized to troubleshoot movements through the worlds when necessary. To know that if you encounter Chidi in the wild, that he is in unity with an antagonistic ideal, and that this is self-interest. To articulate that his entire moral framework is incorrect due to not understanding that self-interest is the ground of being, to be insistent on this fact might harm the beauty of the world.

This is a call for you to be an artist to some extent, to be able to see beauty, and know how to intervene in ideals. It is also a call to not let the superego unities overwhelm you, to not feel that there is no escape from any one ideal.

The Vector of Vulgarity

The vulgar does not just consist of the overtly sexual, violent, or dirty, but rather it consists of the rejection of the efforts of a particular civilization. The demand of civilization is a demand of self-interest.

In The Good Place, Chidi is clearly civilized, and Ellen is not. But neither have truly acclimated to their environment, which is hell masquerading as heaven. To simply assert Chidis notions of what is good or civilized proves itself not to be enough, and the egotism of Ellen, self-interest which is the vulgar notion of self-interest contra the other, creates the framework which allows the unity of supposed opposites to create a union which functions for the both of them. This union of self-interest, with those who consider themselves more civilized than the other, occurs with much self-congratulations on the part of the civilized, who dont take into account the self-interest quality of their efforts, as they articulate their ideals on the other. There is, of course, a mutual working through of ideals.

The vulgar comes into frame in contradiction to what is supposedly civilized. To assert an ideal of civilization must be done to a certain extent through vulgarity, which is to say the actual antagonistic forces of that order in the world.

Ellen was Chidis vulgarity, and the both of them fell in love, of course. He taught her to get out of his head supposedly, and she was taught to be more idealistic. They were both, of course, adjusting to the system they were in, working out the contradictions of their ideals and their ties to each other episode by episode, articulation by articulation. What needed to be de-articulated: Chidis stiffness which manifests in indecisiveness, which is a somewhat loveable virture, rendering the male too virtuous, too unperverted! In Lacanian terms, a clear fantasy of the father who does not succumb to desire, who does not have sex. The non-pere-version of the symbolic order of Kant! This fits well with the contemporary meme of Kant being the volcel, voluntarily celibate philosopher.

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