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William Shakespeare - Arden Shakespeare Complete Works

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The Complete Arden Shakespeare, published for the first time in hardback in 1998, is now available in an updated paperback edition. The Complete Arden Shakespeare contains the texts of all Shakespeares plays, edited by leading Shakespeare scholars for the renowned Arden Shakespeare series. A general introduction by the three General Editors of the ongoing Arden Shakespeare series gives the reader an overall view of how and why Shakespeare has become such an influential cultural icon, and how perceptions of his work have changed in the intervening four centuries. The introduction summarises the known facts about the dramatists life, his reading and use of sources, and the nature of theatrical performance during his lifetime.Brief introductions to each play, written specially for this volume by the Arden General Editors, discuss the date and contemporary context of the play, its position within Shakespeares oeuvre, and its subsequent performance history. An extensive...

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SHAKESPEARES LIFE

Bentley, G.E., Shakespeare: A Biographical Handbook, New Haven: Yale University Press, 1961.

Chambers, E.K., William Shakespeare: A Study of Facts and Problems, 2 vols, Oxford: Clarendon Press, 1930.

Duncan-Jones, Katherine, Ungentle Shakespeare: A Life, London: Thomson Learning, 2001.

Dutton, Richard, William Shakespeare: A Literary Life, Basingstoke, Hants: Macmillan, 1989.

Eccles, Mark, Shakespeare in Warwickshire, Madison: University of Wisconsin Press, 1961.

Fraser, Russell, Shakespeare, the Later Years, New York: Columbia University Press, 1992.

Fraser, Russell, Young Shakespeare, New York: Columbia University Press, 1988.

Honan, Park, Shakespeare: A Life, Oxford: Oxford University Press, 1999.

Schoenbaum, Samuel, Shakespeares Lives, new edn, Oxford: Clarendon Press, 1991.

Schoenbaum, Samuel, William Shakespeare: A Compact Documentary Life, rev. edn, Oxford: Oxford University Press, 1987.

Schoenbaum, Samuel, William Shakespeare: A Documentary Life, Oxford: Oxford University Press 1975.

Schoenbaum, Samuel, William Shakespeare: Records and Images, Oxford: Oxford University Press, 1981.

SHAKESPEARE IN PERFORMANCE

Bate, Jonathan, Shakespeare: An Illustrated Stage History, Oxford: Oxford University Press, 1996.

Beckerman, Bernard, Shakespeare at the Globe, 15991609, New York: Macmillan, 1962.

Berry, Herbert, Shakespeares Playhouses, New York: AMS Press, 1987.

Berry, Ralph, ed., On Directing Shakespeare: Interviews with Contemporary Directors, London and New York: Hamish Hamilton, 1989.

Bevington, David, Action Is Eloquence: Shakespeares Language of Gesture, Cambridge, Mass.: Harvard University Press, 1984.

Bulman, J.C., and H.R. Coursen, eds, Shakespeare on Television, Hanover, N.H.: University Press of New England, 1988.

Cook, Ann Jennalie, The Privileged Playgoers of Shakespeares London, 15761642, Princeton, N.J.: Princeton University Press, 1981.

Dessen, Alan C. Recovering Shakespeares Theatrical Vocabulary, Cambridge: Cambridge University Press, 1995.

Gurr, Andrew, Playgoing in Shakespeares London, Cambridge: Cambridge University Press, 1989.

Gurr, Andrew, Shakespearian Playing Companies, Oxford: Clarendon Press, 1996.

Gurr, Andrew, The Shakespearean Stage, 15741642, 3rd edn, Cambridge: Cambridge University Press, 1992.

Gurr, Andrew, and John Orrell, Rebuilding Shakespeares Globe, London: Weidenfeld and Nicolson, 1989.

Hodges, C. Walter, Enter the Whole Army: A Pictorial Study of Shakespearean Staging, 15761616, Cambridge: Cambridge University Press, 1999.

Hogan, Charles B. Shakespeare in the Theater, 17011800, 2 vols, Oxford: Clarendon Press, 19527.

Howard, Jean E., Shakespeares Art of Orchestration: Stage Technique and Audience Response, Urbana: University of Illinois Press, 1984.

Jorgens, Jack J., Shakespeare on Film, Bloomington: Indiana University Press, 1976.

Joseph, Bertram, Acting Shakespeare, rev. edn, New York: Theatre Arts Books, 1969.

Kiernan, Pauline, Staging Shakespeare at the New Globe, London: Macmillan, 1999.

King, T.J., Shakespearean Staging, 15991642, Cambridge, Mass.: Harvard University Press, 1971.

King, T.J., Casting Shakespeares Plays: London Actors and Their Roles, 15901642, Cambridge: Cambridge University Press, 1992.

Knutson, Roslyn L., The Repertory of Shakespeares Company, 15941613, Fayetteville: University of Arkansas Press, 1991.

Mulryne, J.R., and Margaret Shewing, eds, Shakespeares Globe Rebuilt, Cambridge: Cambridge University Press, 1997.

Nungezer, Edwin, A Dictionary of Actors and Other Persons Associated with Public Representation of Plays in England before 1642, New Haven: Yale University Press, 1929.

Odell, George C., Shakespeare: From Betterton to Irving, 2 vols, 2nd edn, New York: B. Blom, 1963.

Orrell, John, The Quest for Shakespeares Globe, Cambridge: Cambridge University Press, 1983.

Shattuck, Charles H., Shakespeare on the American Stage: From the Hallams to Edwin Booth, Washington: Folger Shakespeare Library, 1976.

Speaight, Robert, Shakespeare on the Stage: An Illustrated History of Shakespearean Performance, Boston: Little, Brown, 1973.

Sprague, Arthur Colby, Shakespeare and the Actors: The Stage Business in His Plays, 16601905, Cambridge, Mass.: Harvard University Press, 1944.

Styan, J.L., Shakespeares Stagecraft, Cambridge: Cambridge University Press, 1967.

Thomson, Peter, Shakespeares Theatre, 2nd edn, London: Routledge, 1992.

Trewin, J.C., Shakespeare on the English Stage, 19001964, London: Barrie and Rockliff, 1964.

Wiles, David, Shakespeares Clown: Actor and Text in the Elizabethan Playhouse, Cambridge: Cambridge University Press, 1987.

Worthen, W.B., Shakespeare and the Authority of Performance, Cambridge: Cambridge University Press, 1997.

THE EARLY TEXTS

Allen, Michael J.B., and Kenneth Muir, Shakespeares Plays in Quarto: A Facsimile Edition of Copies Primarily in the Henry E. Huntington Library, Berkeley and Los Angeles: University of California Press, 1981.

Hinman, Charlton, ed., Norton Facsimile: The First Folio of Shakespeare, 2nd edn, New York: Norton, 1996.

TEXTUAL STUDIES

Blayney, Peter W.M., The First Folio of Shakespeare, Washington: Folger Library Publications, 1991.

Blayney, Peter W.M., The Texts of King Lear and Their Origins, Vol. 1: Nicholas Okes and the First Quarto, Cambridge: Cambridge University Press, 1982.

Bowers, Fredson, On Editing Shakespeare, Charlottesville: University of Virginia Press, 1966.

Brooks, Douglas A., From Playhouse to Printing House: Drama and Authorship in Early Modern England, Cambridge: Cambridge University Press, 2000.

De Grazia, Margreta, Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus, Oxford: Clarendon Press, 1991.

Greg, W.W., The Editorial Problem in Shakespeare, 3rd edn, Oxford: Clarendon Press, 1954.

Greg, W.W., The Shakespeare First Folio: Its Bibliographical and Textual History, Oxford: Clarendon Press, 1955.

Hinman, Charlton, The Printing and Proof-reading of First Folio Shakespeare, 2 vols, Oxford: Clarendon Press, 1963.

Honigmann, E.A.J., The Stability of Shakespeares Text, Lincoln: University of Nebraska Press, 1965.

Honigmann, E.A.J., The Texts of Othello and Shakespearian Revision, London; New York: Routledge, 1996.

Ioppolo, Grace, Revising Shakespeare, Cambridge, Mass.: Harvard University Press, 1991.

Kastan, David Scott, Shakespeare and the Book, Cambridge: Cambridge University Press, 2001.

Maguire, Laurie, Shakespearean Suspect Texts: The Bad Quartos and Their Contexts, Cambridge: Cambridge University Press, 1996.

Pollard, Alfred W., Shakespeare Folios and Quartos: A Study in the Bibliography of Shakespeares Plays, 15941685, London: Methuen, 1909.

Taylor, Gary, and John Jowett, Shakespeare Reshaped 16061623, Oxford: Clarendon Press, 1993.

Walker, Alice, Textual Problems of the First Folio, Cambridge: Cambridge University Press, 1953.

Wells, Stanley, and Gary Taylor, eds, Modernizing Shakespeares Spelling: With Three Studies in the Text of Henry V

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