The Project Gutenberg eBook, Drer, by Herbert E. A. (Herbert Ernest Augustus) Furst
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Title: Drer
Masterpieces in Colour Series
Author: Herbert E. A. (Herbert Ernest Augustus) Furst
Release Date: December 29, 2012 [eBook #41734]
Language: English
Character set encoding: ISO-8859-1
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MASTERPIECES
IN COLOUR
EDITED BY
T. LEMAN HARE
"Masterpieces in Colour" Series
Artist. | Author. |
VELAZQUEZ. | S. L. Bensusan. |
REYNOLDS. | S. L. Bensusan. |
TURNER. | C. Lewis Hind. |
ROMNEY. | C. Lewis Hind. |
GREUZE. | Alys Eyre Macklin. |
BOTTICELLI. | Henry B. Binns. |
ROSSETTI. | Lucien Pissarro. |
BELLINI. | George Hay. |
FRA ANGELICO. | James Mason. |
REMBRANDT. | Josef Israels. |
LEIGHTON. | A. Lys Baldry. |
RAPHAEL. | Paul G. Konody. |
HOLMAN HUNT. | Mary E. Coleridge. |
TITIAN. | S. L. Bensusan. |
MILLAIS. | A. Lys Baldry. |
CARLO DOLCI. | George Hay. |
GAINSBOROUGH. | Max Rothschild. |
TINTORETTO. | S. L. Bensusan. |
LUINI. | James Mason. |
FRANZ HALS. | Edgcumbe Staley. |
VAN DYCK. | Percy M. Turner. |
LEONARDO DA VINCI. | M. W. Brockwell. |
RUBENS. | S. L. Bensusan. |
WHISTLER. | T. Martin Wood. |
HOLBEIN. | S. L. Bensusan. |
BURNE-JONES. | A. Lys Baldry. |
VIGE LE BRUN. | C. Haldane MacFall. |
CHARDIN. | Paul G. Konody. |
FRAGONARD. | C. Haldane MacFall. |
MEMLINC. | W. H. J. & J. C. Weale. |
CONSTABLE. | C. Lewis Hind. |
RAEBURN. | James L. Caw. |
JOHN S. SARGENT. | T. Martin Wood. |
LAWRENCE. | S. L. Bensusan. |
DRER. | H. E. A. Furst. |
HOGARTH. | C. Lewis Hind. |
Others in Preparation.
PLATE I.PORTRAIT OF HIERONYMUS HOLZSCHUER. Frontispiece
(From the Oil-painting in the Berlin Museum. Painted in 1526)
Holzschuer was one of Drer's Nuremberg friendsa patrician, and Councillor of the City. Drer's portraits are remarkable for their strength in characterisation.
DRER
BY HERBERT E. A. FURST
ILLUSTRATED WITH EIGHT
REPRODUCTIONS IN COLOUR
LONDON: T. C. & E. C. JACK
NEW YORK: FREDERICK A. STOKES CO.
LIST OF ILLUSTRATIONS
Plate |
I. | Portrait of Hyeronymus Holzschuer |
From the Oil-painting in the Berlin Museum |
Page |
II. | Portrait of a Woman |
From the Oil-painting in the Berlin Museum |
III. | Portrait of the Artist |
From the Oil-painting in the Alte Pinakothek, Munich |
IV. | Portrait of the Painter's Father |
From the Oil-painting in the National Gallery |
V. | Portrait of Oswalt Krel |
From the Oil-painting in the Alte Pinakothek, Munich |
VI. | The Madonna with the Siskin |
From the Oil-painting in the Berlin Museum |
VII. | SS. John and Peter |
From the Oil-painting in the Alte Pinakothek, Munich |
VIII. | SS. Paul and Mark |
From the Oil-painting in the Alte Pinakothek, Munich |
T HIS is a wonderful world! And not the least wonderful thing is our ignorance of it.
I would chat with you, reader, for a while; would discuss Drer, whom I have known and loved for many a year, and whom I want to make beloved by you also. Here I sit, pen in hand, and would begin.
Beginwhere?
With the Beginnings?
The Beginnings? Where do things begin; when and why?
So our ignorance, like a many-headed monster, raises its fearsome heads and would bar the way.
By most subtle links are all things connectedcause and effect we call them; and if we but raise one or the other, fine ears will hear the clinkingand the monster rises.
There are so many things we shall never know, cries the poet of the unsaid, Maeterlinck.
Let us venture forth then and grope with clumsy fingers amongst the treasures stored; let us be content to pick up a jewel here and there, resting our minds in awe and admiration on its beauty, though we may not readily understand its use and meaning. Foolish men read books and dusty documents, catch a few dull words from the phrasing of long thoughts, and will tell you, these are facts!
Wise men read booksthe books of Nature and the books of menand say, facts are well enough, but oh for the right understanding!
For between sunrise and sunset, between the dusk of evening and the dusk of dawn, things happen that will never happen again; and the world of to-day is ever a world of yesterdays and to-morrows.
Reader, I lift my torch, and by its dim light I bid you follow me.
For it is a long journey we have to make through the night of the past. Many an encumbrance of four and a half centuries we shall have to lay aside ere we reach the treasure-house of Drer's Art.
From the steps of Kaiser Wilhelm II.'s throne we must hasten through the ages to Kaiser Maximilian's city, Nurembergto the days when Wilhelm's ancestors were but Margraves of Brandenburg, scarcely much more than the Burggraves of Nuremberg they had originally been.
From the days of the Maxim gun and the Lee-Metford to the days of the howitzer and the blunderbuss. When York was farther away from London than New York is to-day.
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