• Complain

Mark Keating - The Pirate Devlin

Here you can read online Mark Keating - The Pirate Devlin full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2010, publisher: Hodder & Stoughton, genre: Adventure. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Mark Keating The Pirate Devlin
  • Book:
    The Pirate Devlin
  • Author:
  • Publisher:
    Hodder & Stoughton
  • Genre:
  • Year:
    2010
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

The Pirate Devlin: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The Pirate Devlin" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Mark Keating: author's other books


Who wrote The Pirate Devlin? Find out the surname, the name of the author of the book and a list of all author's works by series.

The Pirate Devlin — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The Pirate Devlin" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

The Pirate Devlin

Mark Keating


First published in Great Britain in 2010 by Hodder Stoughton An Hachette UK - photo 1


First published in Great Britain in 2010 by Hodder & Stoughton

An Hachette UK company

Copyright Mark Keating 2010

The right of Mark Keating to be identified as the Author

of the Work has been asserted by him in accordance with the

Copyright, Designs and Patents Act 1988.

All rights reserved.

No part of this publication may be reproduced,

stored in a retrieval system, or transmitted, in any form or

by any means without the prior written permission of the publisher,

nor be otherwise circulated in any form of binding or cover other

than that in which it is published and without a similar condition

being imposed on the subsequent purchaser.

All characters in this publication are fictitious or are historical figures

whose words and actions are fictitious. Any other resemblance to real persons,

living or dead, is purely coincidental.

A CIP catalogue record for this title is available from the British Library.

Hardback ISBN 978 0 340 99266 1

Trade Paperback ISBN 978 0 340 99267 8

Typeset in Simoncini Garamond by Ellipsis Books Limited, Glasgow

Printed and bound by Clays Ltd, St Ives plc

Hodder & Stoughton policy is to use papers that are natural,

renewable and recyclable products and made from wood grown

in sustainable forests. The logging and manufacturing processes

are expected to conform to the environmental regulations

of the country of origin.

Hodder & Stoughton Ltd

338 Euston Road

London NW1 3BH

www.hodder.co.uk


For John Roberts and James Montgomerie,

who always wanted to read on.


Pride, envy and avarice

Are the three sparks

That have set on fire

The hearts of man.

Dante Alighieri ,

The Divine Comedy, 'Inferno': VI, 74-5


Table of Contents



Prologue

The West Coast of Africa, April 1717

The Frenchman's boots were filling with blood as he cracked his way through the wet coarseness of the undergrowth. As daylight faded into bladed shadows, the jungle pulled him deeper into its crushing green.

His breaths rasped through the heavy heat, stretching the pain along his side. The pounding of his heart engulfed his body.

Bereft of sword or pistol, his only hope was to push himself ever on, spurred by the shouts of the pirates echoing from the beach.

Desperately he dodged across the uneven ground. Stumbling upwards in one step, falling the next, grasping for purchase, the wet jungle slapping his face with every cursing breath.

Without a glance behind, he arrowed away from the triumphant yell that signalled the first sighting of his bloody trail spotting amongst the waist-tall fronds; his pace slowed with the strange coldness of his own blood seeping down his leg.

Away from the sand and the mud now, he found himself wading through lush boot-high grass and shadowy palms.

Enough of the green flaying him weaker. Enough beating him back. He crouched to draw breath, to slow the beat of his heart pushing his life from the hole above his hip and staining wine-black the worsted blue of his Marine Royale doublet.

The sweating forest was reminiscent in his near delirium of a mansion house back home in Orly, a maze of corridors and echoes.

Now, passageways of mossy trunks, instead of green flocked halls, opened up into insect-humming, fern-filled rooms, each one sealed off from the other until he broke through its emerald door.

He crouched in one of these dark chambers, his insides cramping, his own will trying to pull him down into the soft, welcoming grass. Sleep awhile and hope his pursuers would pass him by, give up, return to the boat.

When the longboat had landed, and all had jumped into the surf to drag her in, he too had leaped clear and seized the moment of the struggle against the tide to back away and then bolt free, pounding up the beach, clumsy against the sand underfoot.

He had stumbled the short distance to the breach of the wild mass of twisted white branches protecting the jungle, when one of them had got off a lucky pistol shot that had slammed into his hip, and he found a powerful desire to keep running from the wicked laugh that followed it.

Now, as he sucked at the moist air, he heard no noise around him save for the chattering of black beetles, the endless chirrup of the cicadas. The mocking calls and whistles had faded, he was sure. He reached up to a friendly branch and heaved himself along as quietly as the jungle would allow in its pity.

Staggering through the swathes of enormous leaves fanning his brow, he came into another clearing, as polished as a bowling green, as peaceful as the hour after mass. In the centre of the dell, disturbed in his foraging by the interloper, a lone crow bobbed, glistening black against the vitality of the green. There was a moment of judgement as the bird cocked his head to the sweating Frenchman. He cawed once, softy, to question the intrusion.

The Frenchman hissed to his companion for silence, but the black bird merely chuckled at his impudence then, as punishment, sprang into the air, with his laughing war cry pealing around the trees like a plague bell. A dozen of his brothers followed with their admonishment, breaking through the roof of the trees to form a black cloud over his sanctuary.

The shouts of the pirates rose with the cries of the birds, and the jungle danced with the crash of their approach.

The Frenchman pitched forward, drunkenly pliant. The imminence of his own demise gave at least some promise of rest. He collapsed gratefully into the coolness of the damp grass as the seven brutes came through the green curtains into his world.

'Well, well, Froggy,' panted the quartermaster, Peter Sam, standing over him, sweat running off his shaven head, filtering through his red beard. 'That's quite a run you gave us there, boy.' Throwing his cutlass aside, he joined Philippe Ducos, the unfortunate young man from the Marine Royale, and sat in the grass, his chest heaving.

The other half-dozen gathered round their prisoner, who stared straight up, gasping his last breaths to the blue sky breaking through the lacy canopy of trees.

Hugh Harris gave a swift kick that belied the daintiness of the red and white silk shoes he had taken from the French sloop only the week before, now soaked and salt-stained.

'So, there's no pig farm on this island, then? Eh, Froggy?' Another kick to the black wound.

'What'll we do with him, Peter?' William Magnes, the old man of their group at forty-five, put his hanger away, never willing to be the killer.

'We'll do for him sure enough.' Peter reached for his cutlass, stood up and wiped his head with a dirty kerchief. 'Makes no sense to take him back. But we'll not go back empty.' He snapped his fingers to a young pock-faced lad. 'Davies, go with Hugh and Will. Back to the boat. Get the muskets. See if you can scout down some goat. The ground's right for pigs at leasts.'

'Aye, Peter.' The lad and the old standers went off with slaps and swearing.

'You two.' He pointed to Patrick Devlin and Sam Fletcher, who were new hands, weeks new, a couple of navy 'waisters' still learning the sweet trade. 'Go through the Frog's pockets for yourselves, lads, then end him. I'm going to scour for fruit. I wants his jacket as a sack. Gets it off him, then come and gets me with it.' He grabbed the arm of the remaining pirate, a young, black-haired, moon-faced lad. 'Thomas, come with me.'

Devlin, Fletcher and the Frenchman were now alone in the gloom.

Philippe Ducos's eyes were closed. He had been drifting away to Peter's growling voice. Now he jumped awake as he felt the quick hands of the pirates running through the pockets of the blue tunic his wife had lined two years before.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «The Pirate Devlin»

Look at similar books to The Pirate Devlin. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «The Pirate Devlin»

Discussion, reviews of the book The Pirate Devlin and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.