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Levertov - This great unknowing : last poems

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Levertov This great unknowing : last poems
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When Denise Levertov died on December 20, 1997, she left behind forty finished poems, which now form her last collection, This Great Unknowing.Few poets have possessed so great a gift or so great a body of workwhen she died at 74, she had been a published poet for more than half a century. The poems themselves shine with the artistry of a writer at the height of her powers.

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T HIS G REAT U NKNOWING Last Poems Denise Levertov With a Note on the Text - photo 1
T HIS G REAT U NKNOWING
Last Poems
Denise Levertov With a Note on the Text by Paul A. LaceyPicture 2 A New Direction Book
FROM BELOW
I move among the ankles of forest Elders, tread their moist rugs of moss, duff of their soft brown carpets. Far above, their arms are held open wide to each other, or waving what they know, what perplexities and wisdoms they exchange, unknown to me as were the thoughts of grownups when in infancy I wandered into a roofed clearing amidst human feet and legs and the massive carved legs of the table, the minds of people, the minds of trees equally remote, my attention then filled with sensations, my attention now caught by leaf and bark at eye level and by thoughts of my own, but sometimes drawn to upgazing-up and up: to wonder about what rises so far above me into the light.
FOR THE ASKING
You would not seek Me if you did not already possess Me. Pascal Augustine said his soul was a house so cramped God could barely squeeze in. Knock down the mean partitions, he prayed, so You may enter! Raise the oppressive ceilings! Augustines soul didnt become a mansion large enough to welcome, along with God, the women hed loved, except for his mother (though one, perhaps, his sons mother, did remain to inhabit a small dark room).

God, therefore, would never have felt fully at home as his guest. Nevertheless, its clear desire fulfilled itself in the asking, revealing prayers dynamic action, that scoops out channels like water on stone, or builds like layers of grainy sediment steadily forming sandstone. The walls, with each thought, each feeling, each word he set down, expanded, unnoticed; the roof rose, and a skylight opened.

CELEBRATION
Brilliant, this day-a young virtuoso of a day. Morning shadows cut by sharpest scissors, deft hands. And every prodigy of green whether its ferns or lichen or needles or impatient points of bud on spindly bushes greener than ever before.

And the way the conifers hold new cones to the light for blessing, a festive rite, and sing the oceanic chant the wind transcribes for them! A day that shines in the cold like a first-prize brass band swinging along the street of a coal-dusty village, wholly, at odds with the claims of reasonable gloom.

PATIENCE
What patience a landscape has, like an old horse, head down in its field. Grey days, air and fine rain cling, become one, hovering till at last, languidly, rain relinquishes that embrace, consents to fall. What patience a hill, a plain, a band of woodland holding still, have, and the slow falling of grey rain Is it blind faith? Is it merely a way to deeply rest? Is the horse only resigned, or has it some desireable knowledge, an enclosed meadow quite other than its sodden field, which patience is the key to? Has it already, within itself, entered that sunwarmed shelter?
ANCIENT STAIRWAY
Footsteps like water hollow the broad curves of stone ascending, descending century by century. Who can say if the last to climb these stairs will be journeying downward or upward?
FIRST LOVE
It was a flower. There had been, before I could even speak, another infant, girl or boy unknown, who drew me-I had an obscure desire to become connected in some way to this other, even to be what I faltered after, falling to hands and knees, crawling a foot or two, clambering up to follow further until arms swooped down to bear me away.

But that one left no face, had exchanged no gaze with me. This flower: suddenly there was Before I saw it, the vague past, and Now. Forever. Nearby was the sandy sweep of the Roman Road, and where we sat the grass was thin. From a bare patch of that poor soil, solitary, sprang the flower, face upturned, looking completely, openly into my eyes. I was barely old enough to ask and repeat its name.

Convolvulus, said my mother. Pale shell-pink, a chalice no wider across than a silver sixpence. It looked at me, I looked back, delight filled me as if I, not the flower, were a flower and were brimful of rain. And there was endlessness. Perhaps through a lifetime what Ive desired has always been to return to that endless giving and receiving, the wholeness of that attention, that once-in-a-lifetime secret communion.

BEYOND THE FIELD
Light, flake by flake touching down on surface tension of ocean, strolling there before diving forever under.

Tectonic plates inaudibly grinding, shifting monumental fidgets. The minds far edges twitch, sensing kinships beyond reach. Too much unseen, unknown, unknowable, assumed missing therefore: shadings, clues, transitions linking rivers of event, imaged, not imaged, a flood that rushes towards us, through us, away beyond us before we wheel to face what seems a trace of passage, ripple already stilling itself in tall grass near the fence of the minds field.

THE MTIER OF BLOSSOMING
Fully occupied with growing-thats the amaryllis. Growing especially at night: it would take only a bit more patience than Ive got to sit keeping watch with it till daylight; the naked eye could register every hours increase in height. Like a child against a barn door, proudly topping each years achievement, steadily up goes each green stem, smooth, matte, traces of reddish purple at the base, and almost imperceptible vertical ridges running the length of them: Two robust stems from each bulb, sometimes with sturdy leaves for company, elegant sweeps of blade with rounded points.

Aloft, the gravid buds, shiny with fullness. One morningand so soon!-the first flower has opened when you wake. Or you catch it poised in a single, brief moment of hesitation. Next day, another, shy at first like a foal, even a third, a fourth, carried triumphantly at the summit of those strong columns, and each a Juno, calm in brilliance, a maiden giantess in modest splendor. If humans could be that intensely whole, undistracted, unhurried, swift from sheer unswerving impetus! If we could blossom out of ourselves, giving nothing imperfect, withholding nothing!

A HUNDRED A DAY
A million species of plants and animals will be extinct by the turn the century, an average of a hundred a day. -Dr.

Mustafa Tolba, Director-General
of the U. N. Environment Program Dear 19th century! Give me refuge in your unconscious sanctuary for a while, let me lose myself behind sententious bombazine, rest in the threadbare brown merino of dowerless girls. Yes, you had your own horrors, your dirt, disease, profound injustices; yet the illusion of endless time to reform, if not themselves, then the world, gave solace even to gloomy minds. Nature, for you, was to be marvelled at, praised and conquered, a handsome heiress; any debate concerned the origin and subsequent behaviour of species, not their demise. Virtue, in your heyday (blessed century, Active but so real!) was confident of its own powers.

Laxly guarded, your Hesperides was an ordinary orchard, its fruit apples of simple hope and happiness. And though the ignorant armies, then as always, clashed by night, there was a beckoning future to look to, that bright Victorian cloud in the eastern sky. The dodo was pathetic, grotesque in its singular extinction, its own stupidity surely to blame. It stood alone on some low hillock of the mind and was not seen as shocking, nor as omen.

THAT DAY
Across a lake in Switzerland, fifty years ago, light was jousting with long lances, fencing with broadswords back and forth among cloudy peaks and foothills. We watched from a small pavilion, my mother and I, enthralled.
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