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Lewis DeSoto - Extraordinary Canadians: Emily Carr

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Lewis DeSoto Extraordinary Canadians: Emily Carr
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Mad, bad, and dangerous to know is how Victorian society dismissed Emily Carr. Lewis DeSoto, a painter and novelist, sees Emily Carr as a woman in search of God, freedom, and the essence of art. Her quest to be an independent woman and a modern artist takes her from the studios of Paris to deep inside the remote Native villages of the West Coast forests. It is a lifetime journey of almost mythic proportions in which she struggles to define not only herself but also her country. A creator of extraordinary power, a seeker of mystical truth, a woman of unusual courage, Carr is revealed as one of those unique individuals who articulate the symbols and images by which Canada knows itself.

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Emily Carr

ALSO IN THE

EXTRAORDINARY CANADIANS

SERIES:

Big Bear by Rudy Wiebe

Lord Beaverbrook by David Adams Richards

Norman Bethune by Adrienne Clarkson

Tommy Douglas by Vincent Lam

Glenn Gould by Mark Kingwell

Louis-Hippolyte LaFontaine and Robert Baldwin

by John Ralston Saul

Stephen Leacock by Margaret MacMillan

Nellie McClung by Charlotte Gray

Marshall McLuhan by Douglas Coupland

L.M. Montgomery by Jane Urquhart

Lester B. Pearson by Andrew Cohen

Mordecai Richler by M.G. Vassanji

Louis Riel and Gabriel Dumont by Joseph Boyden

Pierre Elliott Trudeau by Nino Ricci

SERIES EDITOR:

John Ralston Saul

Emily Carr
by L EWIS D E S OTO

With an Introduction by

John Ralston Saul

SERIES EDITOR

Extraordinary Canadians Emily Carr - image 1

PENGUIN CANADA

Published by the Penguin Group

Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada

M4P 2Y3 (a division of Pearson Canada Inc.)

Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A.

Penguin Books Ltd, 80 Strand, London WC2R 0RL, England

Penguin Ireland, 25 St Stephens Green, Dublin 2, Ireland

(a division of Penguin Books Ltd)

Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia

(a division of Pearson Australia Group Pty Ltd)

Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park,

New Delhi 110 017, India

Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0745, Auckland,

New Zealand (a division of Pearson New Zealand Ltd

Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank,

Johannesburg 2196, South Africa

Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

First published 2008

1 2 3 4 5 6 7 8 9 10 (RRD)

Copyright Lewis DeSoto, 2008

Introduction copyright John Ralston Saul, 2008

All rights reserved. Without limiting the rights under copyright reserved above, no part
of this publication may be reproduced, stored in or introduced into a retrieval system,
or transmitted in any form or by any means (electronic, mechanical, photocopying,
recording or otherwise), without the prior written permission of both the copyright
owner and the above publisher of this book.

Manufactured in the U.S.A.

ISBN-13: 978-0-670-06670-4

ISBN-10: 0-670-06670-2

Library and Archives Canada Cataloguing in Publication

data available upon request.

Visit the Penguin Group (Canada) website at www.penguin.ca

Special and corporate bulk purchase rates available; please see www.penguin.ca/
corporatesales or call 1-800-810-3104, ext. 477 or 474

This book was printed on 30% PCW recycled paper Picture 2

CONTENTS

INTRODUCTION BY
by John Ralston Saul

How do civilizations imagine themselves? One way is for each of us to look at ourselves through our societys most remarkable figures. Im not talking about hero worship or political iconography. That is a danger to be avoided at all costs. And yet people in every country do keep on going back to the most important people in their past.

This series of Extraordinary Canadians brings together rebels, reformers, martyrs, writers, painters, thinkers, political leaders. Why? What is it that makes them relevant to us so long after their deaths?

For one thing, their contributions are there before us, like the building blocks of our society. More important than that are their convictions and drive, their sense of what is right and wrong, their willingness to risk all, whether it be their lives, their reputations, or simply being wrong in public. Their ideas, their triumphs and failures, all of these some-how constitute a mirror of our society. We look at these people, all dead, and discover what we have been, but also what we can be. A mirror is an instrument for measuring ourselves. What we see can be both a warning and an encouragement.

These eighteen biographies of twenty key Canadians are centred on the meaning of each of their lives. Each of them is very different, but these are not randomly chosen great figures. Together they produce a grand sweep of the creation of modern Canada, from our first steps as a democracy in 1848 to our questioning of modernity late in the twentieth century.

All of them except one were highly visible on the cutting edge of their day while still in their twenties, thirties, and forties. They were young, driven, curious. An astonishing level of fresh energy surrounded them and still does. We in the twenty-first century talk endlessly of youth, but power today is often controlled by people who fear the sort of risks and innovations embraced by everyone in this series. A number of them were deadhanged, infected on a battlefield, broken by their exertionswell before middle age. Others hung on into old age, often profoundly dissatisfied with themselves.

Each one of these people has changed you. In some cases you know this already. In others you will discover how through these portraits. They changed the way the world hears music, thinks of war, communicates. They changed how each of us sees what surrounds us, how minorities are treated, how we think of immigrants, how we look after each other, how we imagine ourselves through what are now our stories.

You will notice that many of them were people of the word. Not just the writers. Why? Because civilizations are built around many themes, but they require a shared public language. So Laurier, Bethune, Douglas, Riel, LaFontaine, McClung, Trudeau, Lvesque, Big Bear, even Carr and Gould, were masters of the power of language. Beaverbrook was one of the most powerful newspaper publishers of his day. Countries need action and laws and courage. But civilization is not a collection of prime ministers. Words, words, wordsit is around these that civilizations create and imagine themselves.

The authors I have chosen for each subject are not the obvious experts. They are imaginative, questioning minds from among our leading writers and activists. They have, each one of them, a powerful connection to their subject. And in their own lives, each is engaged in building what Canada is now becoming.

That is why a documentary is being filmed around each subject. Images are yet another way to get at each subject and to understand their effect on us.

There has not been a biographical project as ambitious as this in a hundred years, not since the Makers of Canada series. And yet every generation understands the past differently, and so sees in the mirror of these remarkable figures somewhat different lessons.

What strikes me again and again is just how dramatically ethical decisions figured in their lives. They form the backbone of history and memory. Some of these people, Big Bear, for example, or Dumont, or even Lucy Maud Montgomery, thought of themselves as failures by the end of their lives. But the ethical cord that was strung taut through their work has now carried them on to a new meaning and even greater strength, long after their deaths.

Each of these stories is a revelation of the tough choices unusual people must make to find their way. And each of us as readers will find in the desperation of the Chinese revolution, the search for truth in fiction, the political and military dramas, different meanings that strike a personal chord. At first it is that personal emotive link to such figures which draws us in. Then we find they are a key that opens the whole society of their time to us. Then we realize that in that 150-year period many of them knew each other, were friends, opposed each other. Finally, when all these stories are put together, you will see that a whole new debate has been created around Canadian civilization and the shape of our continuous experiment.

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