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Justin A. Williams (ed.) - The Cambridge Companion to Hip-Hop

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Justin A. Williams (ed.) The Cambridge Companion to Hip-Hop
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It has been more than thirty-five years since the first commercial recordings of hip-hop music were made. This Companion, written by renowned scholars and industry professionals reflects the passion and scholarly activity occurring in the new generation of hip-hop studies. It covers a diverse range of case studies from Nerdcore hip-hop to instrumental hip-hop to the role of rappers in the Obama campaign and from countries including Senegal, Japan, Germany, Cuba, and the UK. Chapters provide an overview of the four elements of hip-hop - MCing, DJing, break dancing (or breakin), and graffiti - in addition to key topics such as religion, theatre, film, gender, and politics. Intended for students, scholars, and the most serious of hip-hop heads, this collection incorporates methods in studying hip-hop flow, as well as the music analysis of hip-hop and methods from linguistics, political science, gender and film studies to provide exciting new perspectives on this rapidly developing field.

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The Cambridge Companion to Hip-Hop

It has been more than thirty-five years since the first commercial recordings of hip-hop music were made. This Companion , written by renowned scholars and industry professionals, reflects the passion and scholarly activity occurring in the new generation of hip-hop studies. It covers a diverse range of case studies from nerdcore hip-hop to instrumental hip-hop to the role of rappers in the Obama campaign and from countries including Senegal, Japan, Germany, Cuba, and the UK. Chapters provide an overview of the four elements of hip-hop MCing, DJing, breakdancing (or breakin), and graffiti in addition to key topics such as religion, theater, film, gender, and politics. Intended for students, scholars, and the most serious of hip-hop heads, this collection incorporates methods in studying hip-hop flow, as well as the music analysis of hip-hop and methods from linguistics, political science, gender and film studies to provide exciting new perspectives on this rapidly developing field.

JUSTIN A. WILLIAMS is Lecturer in Music at the University of Bristol, and the author of Rhymin and Stealin: Musical Borrowing in Hip-Hop (2013). He has taught at Leeds College of Music, Lancaster University, and Anglia Ruskin University, and has been published in Popular Music , Popular Music History , and The Journal of Musicology . As a professional trumpet and piano player in California, he ran a successful jazz piano trio and played with the band Bucho! which won a number of Sacramento Area Music Awards and were signed to two record labels. He has co-written (with Ross Wilson) an article on digital crowd funding for The Oxford Handbook to Music and Virtuality and is currently co-editing (with Katherine Williams) The Cambridge Companion to the Singer-Songwriter .

Cambridge Companions to Music

For a list of titles published in the series, please see .

The Cambridge Companion to Hip-Hop
Edited by
Justin A. Williams
University Printing House Cambridge CB2 8BS United Kingdom Cambridge - photo 1
University Printing House Cambridge CB2 8BS United Kingdom Cambridge - photo 2
University Printing House, Cambridge CB2 8BS, United Kingdom
Cambridge University Press is part of the University of Cambridge.
It furthers the Universitys mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence.
www.cambridge.org
Information on this title: www.cambridge.org/9781107643864
Cambridge University Press 2015
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2015
Printed in the United Kingdom by TJ International Ltd. Padstow Cornwall
A catalogue record for this publication is available from the British Library
Library of Congress Cataloguing in Publication data
The Cambridge companion to hip-hop / edited by Justin A. Williams.
pages cm
Includes bibliographical references and index.
ISBN 978-1-107-03746-5 (hardback : alk. paper) 1. Rap (Music) History and criticism. I. Williams, Justin A.
ML3531.C356 2015
782.421649dc23 2014032226
ISBN 978-1-107-03746-5 Hardback
ISBN 978-1-107-64386-4 Paperback
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.

Dedicated to the memory of Professor Adam Krims

Contents
Justin A. Williams
Alice Price-Styles
Imani Kai Johnson
Ivor Miller
Kjetil Falkenberg Hansen
Travis L. Gosa
Christina Zanfagna
Nicole Hodges Persley
Oliver Kautny
Kyle Adams
Chris Tabron
Anthony Kwame Harrison
Geoff Harkness
Regina N. Bradley
Christopher Deis
Justin A. Williams
Amanda Sewell
Adam Haupt
Noriko Manabe
Richard Bramwell
Sujatha Fernandes
Ali Colleen Neff
Mike DErrico
Brenna Reinhart Byrd
Loren Kajikawa
Michael P. Jeffries
Figures

The author and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgments on reprinting .

Music examples
Contributors
Kyle Adams is Associate Professor of Music Theory at Indiana University. He has published on the analysis of sixteenth-century music in Theoria and the Journal of Music Theory , and on the analysis of rap music in Music Theory Online .
Regina N. Bradley Ph.D., researches African American culture, specifically twentieth- and twenty-first-century African American literature, the American South, and hip-hop. Bradley is the founder of Outkasted Conversations, a critically acclaimed dialogue series that discusses hip-hop duo Outkasts impact on popular culture. She can be reached at www.redclayscholar.com.
Richard Bramwell is a Research Associate at the University of Cambridge. He completed his Ph.D. at the London School of Economics and Political Science. His teaching and research are in the fields of postcolonial studies, contemporary literature and culture, and the sociology of culture, with a focus on Black British and African American literary and vernacular cultures.
Brenna Reinhart Byrd is an Assistant Professor of German at the University of Kentucky. Her research interests include Germanic linguistics, Turkish-German identity, hip-hop studies, style and sociolinguistic variation, second language acquisition, and the history of the German language.
Christopher Deis specializes in the study of race and the politics of popular culture. He has taught courses on hip-hop culture and politics at a number of institutions including the University of Chicago and DePaul University, and has presented at national conferences and colloquia on the politics of popular culture in the USA.
Mike DErrico is a Ph.D. candidate in the UCLA Department of Musicology, and the Digital Humanities graduate program. His research focuses on sound, software, and interface design in digital audio production, from beatmaking in hip-hop and electronic dance music to haptic interfaces in video games, apps, and mobile media.
Sujatha Fernandes is an Associate Professor of Sociology at Queens College and the Graduate Center, City University of New York. She is the author of Who Can Stop the Drums? Urban Social Movements in Chvezs Venezuela (2010); Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures (2006); and Close to the Edge: In Search of the Global Hip Hop Generation (2011).
Travis L. Gosa is Assistant Professor of Africana Studies at Cornell University, where he teaches courses on education, music, and popular culture. Gosa is editor of Remixing Change: Hip Hop & Obama (Oxford University Press, 2014). He serves on the advisory board of Cornells hip-hop library archive.
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