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Alain Frogley - The Cambridge Companion to Vaughan Williams

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Alain Frogley The Cambridge Companion to Vaughan Williams
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An icon of British national identity and one of the most widely performed twentieth-century composers, Ralph Vaughan Williams has been misunderstood as much as he had been revered; his international impact and enduring influence on areas as diverse as church music, film scores and popular music has been insufficiently appreciated. This volume brings together a team of leading scholars, examining all areas of the composers output from new perspectives, and re-evaluating the cultural politics of his lifelong advocacy for the music-making of ordinary people. Surveys of major genres are complemented by chapters exploring such topics as the composers relationship with the BBC and his studies with Ravel; uniquely, the book also includes specially commissioned interviews with major living composers Peter Maxwell Davies, Piers Hellawell, Nicola Lefanu and Anthony Payne. The Companion is a vital resource for all those interested in this pivotal figure of modern music.

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The Cambridge Companion to Vaughan Williams

An icon of British national identity and one of the most widely performed twentieth-century composers, Ralph Vaughan Williams has been as much misunderstood as revered; his international impact, and enduring influence on areas as diverse as church music, film scores and popular music, have been insufficiently appreciated. This volume brings together a team of leading scholars, examining all areas of the composers output from new perspectives, and re-evaluating the cultural politics of his lifelong advocacy for the music-making of ordinary people. Surveys of major genres are complemented by chapters exploring such topics as the composers relationship with the BBC, and his studies with Ravel; uniquely, the book also includes specially commissioned interviews with major living composers Peter Maxwell Davies, Piers Hellawell, Nicola LeFanu and Anthony Payne. The Companion is a vital resource for all those interested in this pivotal figure of modern music.

ALAIN FROGLEY has taught at Oxford and Lancaster universities, and since 1994 at the University of Connecticut; in 2008 he was Visiting Professor at Yale. In 20056 he was a Fellow of the American Council of Learned Societies. He is the editor of Vaughan Williams Studies (1996) and the author of Vaughan Williamss Ninth Symphony (2001); he has also contributed to the New Grove Dictionary of Music and Musicians and the Oxford Dictionary of National Biography .

AIDAN J. THOMSON taught at the universities of Oxford and Leeds before being appointed Lecturer in Music at Queens University Belfast in 2003. His publications include articles and book chapters on Elgar (in 19th-Century Music , The Cambridge Companion to Elgar , Edward Elgar and His World , Elgar Studies and The Musical Quarterly ), Ethel Smyth and Arnold Bax.

Cambridge Companions to Music

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The Cambridge Companion to Vaughan Williams
Edited by
Alain Frogley
University of Connecticut
Aidan J. Thomson
Queens University Belfast
University Printing House Cambridge CB2 8BS United Kingdom Published in the - photo 1
University Printing House Cambridge CB2 8BS United Kingdom Published in the - photo 2
University Printing House, Cambridge CB2 8BS, United Kingdom
Published in the United States of America by Cambridge University Press, New York
Cambridge University Press is part of the University of Cambridge.
It furthers the Universitys mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence.
www.cambridge.org
Information on this title: www.cambridge.org/9780521162906
Cambridge University Press 2013
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2013
Printed in the United Kingdom by CPI Group Ltd, CR0 4YY
A catalogue record for this publication is available from the British Library
Library of Congress Cataloguing in Publication data
The Cambridge companion to Vaughan Williams / edited by Alain Frogley and Aidan J. Thomson.
pages cm
Includes bibliographical references and index.
ISBN 978-0-521-16290-6
1. Vaughan Williams, Ralph, 18721958. 2. Composers England
Biogaphy. 3. Vaughan Williams, Ralph, 18721958 Criticism and
interpretation. 4. Music England 20th century History and criticism.
I. Frogley, Alain. II. Thomson, Aidan J., 1975
ML410.V3C36 2013
780.92dc23
[B]
2013016199
ISBN 978-0-521-19768-7 Hardback
ISBN 978-0-521-16290-6 Paperback
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.

In memory of

Ursula Vaughan Williams (19112007)

and

Richard Hickox (19482008)

Contents
Alain Frogley & Aidan J. Thomson
Julian Onderdonk
Byron Adams
Aidan J. Thomson
Alain Frogley
Sophie Fuller
Charles Edward McGuire
Julian Onderdonk
Eric Saylor
Christopher Mark
Julian Horton
David Manning
Jenny Doctor
Michael Kennedy
Peter Maxwell Davies, Piers Hellawell, Nicola LeFanu and Anthony Payne in conversation with Aidan J. Thomson
Tables
Contributors
Byron Adams is Professor of Musicology at the University of California, Riverside. An accomplished composer, his music has been performed throughout North America and Europe. He has published widely on the subject of English music of the nineteenth and twentieth centuries; he is co-editor of Vaughan Williams Essays (2003), and a contributor to the revised edition of the New Grove Dictionary of Music and Musicians . In 2000, the American Musicological Society bestowed upon him the Philip Brett Award for his scholarly work on the intersections of gender and nationalism in British music. In 2007, Adams was scholar-in-residence for the Bard Music Festival, Elgar and His World, and was editor of the book connected to the festival, Edward Elgar and His World .
Jenny Doctor was awarded a Fulbright Grant to the UK in 1989 and remained there for over twenty-two years. Whenever time permitted, she rummaged around the BBC archives, leading to The BBC and Ultra-Modern Music, 19221936 (Cambridge, 1999). With Nicholas Kenyon and David Wright, she co-edited The Proms: A Social History (2007), and with Sophie Fuller she is editing letters exchanged by composers Elizabeth Maconchy and Grace Williams. As Director of the Belfer Audio Archive and Associate Professor at Syracuse University, Jennys current research focuses on British music history, sound recording archives and music on American radio.
Alain Frogley has taught at Oxford and Lancaster universities, and since 1994 at the University of Connecticut; in 2008 he was Visiting Professor at Yale. In 20056 he was a Fellow of the American Council of Learned Societies. A specialist in the music of the late nineteenth and twentieth centuries, particularly that of Britain and America, he has also worked extensively on Beethoven. His research has centred on sketch studies, reception history and musical nationalism; his most recent work explores music and the modern city. Frogley is the editor of Vaughan Williams Studies (Cambridge, 1996) and the author of Vaughan Williamss Ninth Symphony (2001); he has also contributed to the New Grove Dictionary of Music and Musicians and the Oxford Dictionary of National Biography .
Sophie Fuller is Acting Head of Postgraduate Studies at Trinity Laban Conservatoire of Music and Dance, London. Her research centres on aspects of music, gender and sexuality, in particular investigating music and musicians in late nineteenth- and early twentieth-century Britain. She is the author of The Pandora Guide to Women Composers (1994), and co-editor of Queer Episodes in Music and Modern Identity (2002) and The Idea of Music in Victorian Fiction (2004); her more recent publications explore Edward Elgar and the private musical world, and the career of singer Clara Butt. Projects in progress include a monograph on the late Victorian and Edwardian musical salon.
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