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First published 2013
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Library of Congress Cataloguing in Publication data
The Cambridge companion to Vaughan Williams / edited by Alain Frogley and Aidan J. Thomson.
pages cm
Includes bibliographical references and index.
ISBN 978-0-521-16290-6
1. Vaughan Williams, Ralph, 18721958. 2. Composers England
Biogaphy. 3. Vaughan Williams, Ralph, 18721958 Criticism and
interpretation. 4. Music England 20th century History and criticism.
I. Frogley, Alain. II. Thomson, Aidan J., 1975
ML410.V3C36 2013
780.92dc23
[B]
2013016199
ISBN 978-0-521-19768-7 Hardback
ISBN 978-0-521-16290-6 Paperback
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Contributors
Byron Adams is Professor of Musicology at the University of California, Riverside. An accomplished composer, his music has been performed throughout North America and Europe. He has published widely on the subject of English music of the nineteenth and twentieth centuries; he is co-editor of Vaughan Williams Essays (2003), and a contributor to the revised edition of the New Grove Dictionary of Music and Musicians . In 2000, the American Musicological Society bestowed upon him the Philip Brett Award for his scholarly work on the intersections of gender and nationalism in British music. In 2007, Adams was scholar-in-residence for the Bard Music Festival, Elgar and His World, and was editor of the book connected to the festival, Edward Elgar and His World .
Jenny Doctor was awarded a Fulbright Grant to the UK in 1989 and remained there for over twenty-two years. Whenever time permitted, she rummaged around the BBC archives, leading to The BBC and Ultra-Modern Music, 19221936 (Cambridge, 1999). With Nicholas Kenyon and David Wright, she co-edited The Proms: A Social History (2007), and with Sophie Fuller she is editing letters exchanged by composers Elizabeth Maconchy and Grace Williams. As Director of the Belfer Audio Archive and Associate Professor at Syracuse University, Jennys current research focuses on British music history, sound recording archives and music on American radio.
Alain Frogley has taught at Oxford and Lancaster universities, and since 1994 at the University of Connecticut; in 2008 he was Visiting Professor at Yale. In 20056 he was a Fellow of the American Council of Learned Societies. A specialist in the music of the late nineteenth and twentieth centuries, particularly that of Britain and America, he has also worked extensively on Beethoven. His research has centred on sketch studies, reception history and musical nationalism; his most recent work explores music and the modern city. Frogley is the editor of Vaughan Williams Studies (Cambridge, 1996) and the author of Vaughan Williamss Ninth Symphony (2001); he has also contributed to the New Grove Dictionary of Music and Musicians and the Oxford Dictionary of National Biography .
Sophie Fuller is Acting Head of Postgraduate Studies at Trinity Laban Conservatoire of Music and Dance, London. Her research centres on aspects of music, gender and sexuality, in particular investigating music and musicians in late nineteenth- and early twentieth-century Britain. She is the author of The Pandora Guide to Women Composers (1994), and co-editor of Queer Episodes in Music and Modern Identity (2002) and The Idea of Music in Victorian Fiction (2004); her more recent publications explore Edward Elgar and the private musical world, and the career of singer Clara Butt. Projects in progress include a monograph on the late Victorian and Edwardian musical salon.