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Edward Green - The Cambridge Companion to Duke Ellington

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Edward Green The Cambridge Companion to Duke Ellington
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Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in depth, Ellingtons career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellingtons life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composers life and major recordings, this book is essential reading for anyone with an interest in Ellingtons enduring artistic legacy.

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The Cambridge Companion to Duke Ellington

Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in-depth, Ellingtons career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellingtons life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and songwriting, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composers life and major recordings, this book is essential reading for anyone with an interest in Ellingtons enduring artistic legacy.

EDWARD GREEN is a professor at Manhattan School of Music, where since 1984 he has taught jazz, music history, composition, and ethnomusicology. He is also on the faculty of the Aesthetic Realism Foundation, and studied with the renowned philosopher Eli Siegel, the founder of Aesthetic Realism. Dr. Green serves on the editorial boards of The International Review of the Aesthetics and Sociology of Music , Haydn (the journal of the Haydn Society of North America), and (Music Scholarship), which is published by a consortium of major Russian conservatories, and is editor of China and the West: The Birth of a New Music (2009). An active composer, he received a 2009 Grammy nomination for his Piano Concertino (Best Contemporary Classical Composition) and a commission offered jointly by 13 of Americas major concert wind ensembles, which resulted in his 2012 Symphony for Band .

Cambridge Companions to Music

For a list of titles published in the series, please see .

Ellington at the Rainbow Grill New York City circa 1970 Image on the back - photo 1
Ellington at the Rainbow Grill, New York City, circa 1970.
Image on the back cover shows (front row, left to right) Fred Guys guitar, Junior Raglins bass, Duke Ellington, Sonny Greer; (second row) Otto Hardwick, Juan Tizol, Ray Nance, Harry Carney, Betty Roch, Rex Stewart, Ben Webster, Wallace Jones, Lawrence Brown; (back row) Harold Shorty Baker, Johnny Hodges, Chauncey Haughton, Joe Tricky Sam Nanton.
The Cambridge Companion to Duke Ellington
Edited by
Edward Green
Manhattan School of Music
Associate Editor
Evan Spring
University Printing House Cambridge CB2 8BS United Kingdom Cambridge - photo 2
University Printing House Cambridge CB2 8BS United Kingdom Cambridge - photo 3
University Printing House, Cambridge CB2 8BS, United Kingdom
Cambridge University Press is part of the University of Cambridge.
It furthers the Universitys mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence.
www.cambridge.org
Information on this title: www.cambridge.org/9780521707534
Cambridge University Press 2014
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2014
Printed in the United Kingdom by Clays, St Ives plc
A catalogue record for this publication is available from the British Library
Library of Congress Cataloguing in Publication data
The Cambridge companion to Duke Ellington / edited by Edward Green.
pages cm. (Cambridge companions to music)
ISBN 978-0-521-88119-7 (hardback)
1. Ellington, Duke, 18991974 Criticism and interpretation. 2. Jazz
musicians United States Biography. I. Green, Edward, 1951 editor.
ML410.E44C34 2014
781.65092dc23
[B]
2014026370
ISBN 978-0-521-88119-7 Hardback
ISBN 978-0-521-70753-4 Paperback
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
Contents
Evan Spring
Edward Green
John Howland
David Berger
Stephen D. James and J. Walker James
Brian Priestley
Olly W. Wilson and Trevor Weston
Jeffrey Magee
Andrew Berish
Anna Harwell Celenza
Anthony Brown
Dan Morgenstern
Benjamin Givan
Walter van de Leur
Bill Dobbins
Marcello Piras
Will Friedwald
David Berger
Benjamin Bierman
Notes on contributors
David Berger a jazz composer, arranger, and conductor, is recognized internationally as a leading authority on the music of Duke Ellington and the Swing Era. Conductor and arranger for the Jazz at Lincoln Center Orchestra from its inception in 1988 through 1994, Berger has transcribed more than 750 full scores of classic recordings, including more than 500 works by Duke Ellington and Billy Strayhorn. The David Berger Jazz Orchestra has performed all over the U.S. and Europe as well as on TV and for movies.
Andrew Berish is Associate Professor in the Humanities and Cultural Studies Department at the University of South Florida. His book Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and 40s was published in 2012. His essays on Duke Ellington and Tin Pan Alley, Depression-era sweet jazz, and gypsy-jazz guitarist Django Reinhardt have appeared in Musical Quarterly , Journal of the Society for American Music , and Jazz Perspectives . His research focuses on jazz, American popular music, and musical performance as a spatial practice.
Benjamin Bierman is Associate Professor of Music at John Jay College, CUNY. His primary area of scholarly interest is twentieth-century American music, including jazz, blues, R&B, pop, and concert music. He has essays in the books Pop-Culture Pedagogy in the Music Classroom and The Routledge History of Social Protest in Popular Music , and the journals American Music Review and Jazz Perspectives . Upcoming publications include the textbook Listening to Jazz . In his compositions, Bierman incorporates elements of jazz, blues, Latin music, and the Western art music tradition. Also active as a trumpet player, he has performed with such diverse artists as B. B. King, Archie Shepp, Machito, Celia Cruz, Johnny Copeland, and Stevie Ray Vaughan.
Anthony Brown a composer, percussionist, ethnomusicologist, Guggenheim Fellow, and Smithsonian Associate Scholar, is Artistic Director of the Grammy-nominated Asian American Orchestra. He has composed music for critically acclaimed, award-winning film documentaries, theater productions, dance companies, and musical ensembles internationally, and has collaborated with Max Roach, Cecil Taylor, Zakir Hussain, Steve Lacy, David Murray, Anthony Davis, and the San Francisco Symphony. Dr. Brown has served as Curator of American Musical Culture and Director of the Jazz Oral History Program at the Smithsonian Institution, and as Visiting Professor of Music at the University of California, Berkeley. His book GIVE THE DRUMMER SOME! The Development of Modern Jazz Drumming is forthcoming.
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