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T HE E DINBURGH
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E DITED BY Z ARA D INNEN AND R OBYN W ARHOL
EDINBURGH
University Press
Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com
editorial matter and organisation Zara Dinnen and Robyn Warhol, 2018
the chapters their several authors, 2018
Edinburgh University Press Ltd
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Typeset in 10/12 Adobe Sabon by
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printed and bound in Great Britain.
A CIP record for this book is available from the British Library
ISBN 978 1 4744 2474 5 (hardback)
ISBN 978 1 4744 2475 2 (webready PDF)
ISBN 978 1 4744 2476 9 (epub)
The right of Zara Dinnen and Robyn Warhol to be identified as the editors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498).
C ONTENTS
I LLUSTRATIONS
The three scales of the Fully Extended Mind
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20 July 2006 (drawn 18 July) 2007, Mazen Kerbaj & LAssociation
29 July 2006 2007, Mazen Kerbaj & LAssociation
21 July 2006 2007, Mazen Kerbaj & LAssociation
16 July 2006 2007, Mazen Kerbaj & LAssociation
A CKNOWLEDGEMENTS
Zara Dinnen would like to thank first of all Robyn Warhol. Robyn, you have been a wonderful co-editor supportive and patient (and then supportive of my other projects which meant you needed to be patient), and fun, and I have learnt loads from you. I would also like to say thanks to Mark Currie for your encouragement early on in this project. Thank you to our brilliant contributors who write great work and have made the editing process a pleasure. Lots of people make a book possible. For me some of those people were colleagues at University of Birmingham and colleagues at Queen Mary University of London, where I now finish this book. To my friends and collaborators in both places, thank you. And finally thank you to my friends and family who make me happen.
Robyn Warhol returns Zara Dinnens kind compliments and gratitude, with interest. Your patience in the face of multiple medical and domestic adventures at my end is much appreciated, Zara, and your next-age approach to the theories of narrative has made this a truly original and exciting book. I want to thank Mark Currie, too, for the initial concept behind this collection and for suggesting me and (especially) Zara as co-editors of the project. My enthusiastic thanks go out to all the contributors for their diverse some might say eclectic expertise and their collective eloquence. And as always I thank my friends, my colleagues in OSUs Department of English, and my husband and sons for their support and forbearance.
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