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Jan-Noël Thon - Transmedial Narratology and Contemporary Media Culture

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Jan-Noël Thon Transmedial Narratology and Contemporary Media Culture
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It has become something of a clich within the field of narratology to assert the commercial, aesthetic, and sociocultural relevance of narrative representations, but the fact remains that narratives are everywhere. Whenever we read a novel or a comic, watch a film or an episode of our favorite television series, or play the latest video game, we are likely to engage with narrative media. Similarly, the intermedial adaptations and transmedial entertainment franchises that have become increasingly visible during the past few decades are, at their core, narrative forms. Since a significant part of contemporary media culture is defined by the narratives we tell each other via various media, the media studies discipline needs a genuinely transmedial narratology.
Transmedial Narratology and Contemporary Media Culture focuses on the intersubjective construction of storyworlds as well as on prototypical forms of narratorial and subjective representation. It provides not only a method for the analysis of salient transmedial strategies of narrative representation in contemporary films, comics, and video games but also a theoretical frame within which medium-specific approaches from literary and film narratology, from comics studies and game studies, and from various other strands of media and cultural studies may be employed to further our understanding of narratives across media.

Jan-Noël Thon: author's other books


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This book is a sustained and utterly convincing demonstration of transmedial - photo 1

This book is a sustained and utterly convincing demonstration of transmedial narrative theorys ability to address the construction of twenty-first-century storyworlds in films, comics, and video games.

Jared Gardner, author of Projections: Comics and the History of Twenty-First-Century Storytelling

The adage that narrative is everywhere has always been in need of a theoretical frame and method for analysis, and Thons carefully argued and well-researched book takes an important step toward such a genuinely transmedial narratology.

Karin Kukkonen, author of Contemporary Comics Storytelling

Remarkably well informed and thoroughly researched, precise in any criticisms, and elegantly moving through a tremendous amount of work on the various topics, this is an important book for narrative theory and media studies alike.

Daniel Punday, author of Writing at the Limit: The Novel in the New Media Ecology

This is a unique feat of narratology, deployed upon an impressive repertoire of contemporary media culture. There simply is no other book that so thoroughly and precisely develops the concept of transmediality.

Susana P. Tosca, coauthor of Understanding Video Games: The Essential Introduction

Transmedial Narratology and Contemporary Media Culture

Frontiers of Narrative

Series Editor

Jesse E. Matz, Kenyon College

Transmedial Narratology and Contemporary Media Culture

Jan-Nol Thon

University of Nebraska Press | Lincoln and London

2016 by the Board of Regents of the University of Nebraska

Acknowledgments for the use of copyrighted material appear in , which constitutes an extension of the copyright page.

All rights reserved

Library of Congress Cataloging-in-Publication Data

Thon, Jan-Nol.

Transmedial narratology and contemporary media culture / Jan-Nol Thon.

pages cm (Frontiers of narrative)

Includes bibliographical references and index.

ISBN 978-0-8032-7720-5 (cloth: alk. paper)

ISBN 978-0-8032-8837-9 (epub)

ISBN 978-0-8032-8838-6 (mobi)

ISBN 978-0-8032-8839-3 (pdf )

1.Narration (Rhetoric)2.Storytelling in mass media.3.Discourse analysis, Narrative.I.Title.

P 96. N 35 T 482015

302.2301'4dc23

2015024270

The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

Contents

There are a great many colleagues and friends who have, in one way or another, contributed to my narratological thinking during the many years it took me to write this book. The sheer number of people to whom I feel indebted presents me with a problem, though, as trying to name them all would necessarily entail forgetting to name some. Hence, I will limit myself to explicitly thanking only the comparatively few who have provided specific feedback on parts of the manuscript in its various stages of production, yet promise to thank the countless others to whom I feel more vaguely but no less sincerely indebted in person, should the opportunity arise.

First and foremost, the project has been tirelessly supported, both intellectually and institutionally, by Jens Eder, Jan Christoph Meister, Marie-Laure Ryan, and Klaus Sachs-Hombach. Moreover, Benjamin Beil, Franziska Bergmann, Stephan Packard, Daniel Punday, Maike Sarah Reinerth, Felix Schrter, Daniel Stein, and Werner Wolf have provided valuable feedback, either during the peer review process or in various less formal settings. Finally, David Herman and Jesse E. Matz as well as Kristen E. Rowley and the editorial team at the University of Nebraska Press have made the publication process a thoroughly pleasurable experience. To all of them, as well as to the many others who will have to remain unnamed for now, my deepest gratitude!

The present book is a shortened and slightly revised version of my PhD thesis in media and communication studies, which was granted the highest distinction (summa cum laude) by the University of Mannheim on March 27, 2014, and subsequently received the Foundation for Communication and Media Studies award for outstanding research achievements. Work on this thesis has been generously supported by a PhD scholarship from the German National Academic Foundation, which I hereby gratefully acknowledge.

Earlier versions of parts of the argument presented in this book have previously been published, and while most of the material has been substantially revised and expanded since its initial publication, I am grateful for permission to draw on it here:

Thon, Jan-Nol. Converging Worlds: From Transmedial Storyworlds to Transmedial Universes. Storyworlds: A Journal of Narrative Studies 7.2 (2015): 2153. Print.

Thon, Jan-Nol. Narratives across Media and the Outlines of a Media-Conscious Narratology. Handbook of Intermediality: LiteratureImageSoundMusic. Ed. Gabriele Rippl. Berlin: De Gruyter, 2015. 439456. Print.

Thon, Jan-Nol. Game Studies und Narratologie. Game Studies: Aktuelle Anstze der Computerspielforschung. Ed. Klaus Sachs-Hombach and Jan-Nol Thon. Cologne: Herbert von Halem, 2015. 104164. Print.

Stein, Daniel, and Jan-Nol Thon. Introduction: From Comic Strips to Graphic Novels. From Comic Strips to Graphic Novels: Contributions to the Theory and History of Graphic Narrative. 2nd ed. Ed. Daniel Stein and Jan-Nol Thon. Berlin: De Gruyter, 2015. 123. Print.

Thon, Jan-Nol. Whos Telling the Tale? Authors and Narrators in Graphic Narrative. From Comic Strips to Graphic Novels: Contributions to the Theory and History of Graphic Narrative. 2nd ed. Ed. Daniel Stein and Jan-Nol Thon. Berlin: De Gruyter, 2015. 6799. Print.

Thon, Jan-Nol. Fiktionalitt in Film- und Medienwissenschaft. Fiktionalitt: Ein interdisziplinres Handbuch. Ed. Tobias Klauk and Tilmann Kppe. Berlin: De Gruyter, 2014. 443466. Print.

Thon, Jan-Nol. Mediality. The Johns Hopkins Guide to Digital Media. Ed. Marie-Laure Ryan, Lori Emerson, and Benjamin J. Robertson. Baltimore: Johns Hopkins University Press, 2014. 334337. Print.

Thon, Jan-Nol. Narrativity. The Johns Hopkins Guide to Digital Media. Ed. Marie-Laure Ryan, Lori Emerson, and Benjamin J. Robertson. Baltimore: Johns Hopkins University Press, 2014. 351355. Print.

Thon, Jan-Nol. Subjectivity across Media: On Transmedial Strategies of Subjective Representation in Contemporary Feature Films, Graphic Novels, and Computer Games. Storyworlds across Media: Toward a Media-Conscious Narratology. Ed. Marie-Laure Ryan and Jan-Nol Thon. Lincoln: University of Nebraska Press, 2014. 67102. Print.

Thon, Jan-Nol. Toward a Transmedial Narratology: On Narrators in Contemporary Graphic Novels, Feature Films, and Computer Games. Beyond Classical Narration: Transmedial and Unnatural Challenges. Ed. Jan Alber and Per Krogh Hansen. Berlin: De Gruyter, 2014. 2556. Print.

Thon, Jan-Nol. Computer Games, Fictional Worlds, and Transmedial Storytelling: A Narratological Perspective. Proceedings of the Philosophy of Computer Games Conference 2009. Ed. John R. Sageng. Oslo: University of Oslo, 2009. 16. Web.

Thon, Jan-Nol. Mind-Bender: Zur Popularisierung komplexer narrativer Strukturen im amerikanischen Kino der 1990er Jahre. Post-Coca-Colanization: Zurck zur Vielfalt? Ed. Sophia Komor and Rebekka Rohleder. Frankfurt am Main: Peter Lang, 2009. 175192. Print.

Thon, Jan-Nol. Perspective in Contemporary Computer Games. Point of View, Perspective, and Focalization: Modeling Mediation in Narrative

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