This book is not possible without the support of many institutions and individuals.
I am deeply indebted to the staff and fellows at the National Humanities Center. The nine-month fellowship enables me to concentrate on my work and devote my full energies to developing this project. This book is hard evidence of my rewarding experience working with the fellows of the class of 2015.
I feel very grateful to my colleagues and students at Shanghai Jiao Tong University. It is their enthusiasm and passion for academics that enable me to endure the failing moments. They are Quansheng Hu, Kaibao Hu, Yuzhen Lin, Jie Wu, Kun Su, Cheng Li, Yili Tang, Yafei Li, Xiaomeng Wan, Yuying Chu, Ziwei Fang, and Zheng Xin.
My gratitude also goes to those who have invited me to present drafts of my work, who have read some parts of the manuscripts, and who have exchanged their ideas with me on many occasions. They are Jim Phelan, Brian McHale, Robyn Warhol, Gerald Prince, Ansgar Nnning, Vera Nnning, Susan Stanford Friedman, Idit Alphandary, Pter Hajdu, Thomas O. Beebee, Youngmin Kim, and Zhenzhao Nie.
As always, I want to thank Angel and Coco, who have brightened and enriched my life. I owe it all to them.
Although no chapter in this book is a simple reprint of a previously published article, most chapters are based on the materials that appeared in some journals. I am grateful for the permission to reprint.
contains material from Unnatural Narratology: Core Issues and Critical Debates, Journal of Literary Semantics , 44.2 (2015): 169194.
from Toward a Comparative Narratology: A Chinese Perspective, Comparative Literature Studies , 54.1 (2017): 5269.
from Unnatural Narratives in Contemporary Chinese Time Travel Fiction: Patterns, Values, and Interpretive Options, Neohelicon , 43.1 (June 2016): 725.
from Unnatural Narratology and Zhiguai Tales of the Six Dynasties in China, Neohelicon 45.1 (2018): 179190.
from Delving into Impossible Storyworlds: The Unnaturalness of Hassan Blasims Short Narrative Fiction, arcadia: International Journal of Literary Culture , 52.1 (2017): 183200.
from Unnatural Emotions in Contemporary Narrative Fiction, Neohelicon 45.2 (2018): 445459.
The work was supported by the National Social Science Fund of China (Grant Number: 17ZDA281), for which I feel very grateful.
Abbott, H. Porter. 2008a. The Cambridge introduction to narrative (2nd ed.). Cambridge: Cambridge University Press.
Abbott, H. Porter. 2008b. Unreadable minds and the captive reader. Style 42(4). 448470.
Abbott, H. Porter. 2012. H. Porter Abbott [Interview]. In Per F. Bundgrd, et al. (eds.), Narrative theories and poetics: Five questions , 19. Copenhagen: Automatic Press.
Abbott, H. Porter. 2013. Review: Style and rhetoric of short narrative fiction: Covert progressions behind overt plots. Style 47(4). 558563.
Alber, Jan. 2009. Impossible storyworlds and what to do with them. Storyworlds: A Journal of Narrative Studies 1(1). 7996.
Alber, Jan. 2011a. The diachronic development of unnaturalness: A new view on genre. In Jan Alber and RdigerHeinze (eds.), Unnatural narratives, unnatural narratology , 4267. Berlin: de Gruyter.
Alber, Jan. 2011b. The ethical implications of unnatural scenarios. In Jan Alber, et al. (eds.), Why study literature , 211233. Aarhus: Aarhus University Press.
Alber, Jan. 2012. Unnatural temporalities: Interfaces between postmodernism, science fiction, and the fantastic. In Markku Lehtimki, Laura Karttunen and Maria Mkel (eds.), Narrative interrupted: The plotless, the disturbing and the trivial in literature , 174191. Berlin: de Gruyter.
Alber, Jan. 2013. Unnatural narratology: The systematic study of anti-mimeticism. Literature Compass 10(5). 449460.
Alber, Jan. 2014. Unnatural narrative. In Peter Hhn, Jan Christoph Meister, John Pier and Wolf Schmid (eds.), Handbook of narratology (2nd ed.), 887895. Berlin: de Gruyter.
Alber, Jan. 2016. Unnatural narrative: Impossible worlds in fiction and drama . Lincoln: University of Nebraska Press.
Alber, Jan and Monika Fludernik. 2010. Introduction. In Jan Alber and Monika Fludernik (eds.), Postclassical narratologies: Approaches and analysis , 131. Columbus: Ohio State University Press.
Alber, Jan and Per Krogh Hansen. 2014. Introduction: Transmedial and unnatural narratology. In Jan Alber and Per Krogh Hansen (eds.), Beyond classical narration: Transmedial and unnatural challenges , 114. Berlin: de Gruyter.
Alber, Jan and Rdiger Heinze. 2011a. Introduction. In Jan Alber and Rdiger Heinze (eds.), Unnatural narratives, unnatural narratology , 119. Berlin: de Gruyter.
Alber, Jan and Rdiger Heinze (eds.). 2011b. Unnatural narratives, unnatural narratology . Berlin: de Gruyter.
Alber, Jan, Stefan Iversen, Henrik Skov Nielsen and Brian Richardson. 2010. Unnatural narratives, unnatural narratology: Beyond mimetic models. Narrative 18(2). 113136.
Alber, Jan, Stefan Iversen, Henrik Skov Nielsen and Brian Richardson. 2012. What is unnatural about unnatural narratology? A response to Monika Fludernik. Narrative 20(3). 371382.
Alber, Jan, Stefan Iversen, Henrik Skov Nielsen and Brian Richardson. 2013a. Introduction. In Jan Alber, Henrik Skov Nielsen and Brian Richardson (eds.), A poetics of unnatural narrative , 115. Columbus: Ohio State University Press.
Alber, Jan, Stefan Iversen, Henrik Skov Nielsen and Brian Richardson. 2013b. What really is unnatural narratology? Storyworlds: A Journal of Narrative Studies 5(5). 101118.
Alber, Jan, Henrik Skov Nielsen and Brian Richardson. 2012. Unnatural voices, minds and narration. In Joe Bray, Alison Gibbsons and Brian McHale (eds.), The Routledge companion to experimental literature , 351367. London: Routledge.
Alber, Jan, Henrik Skov Nielsen and Brian Richardson (eds.). 2013. A poetics of unnatural narrative . Columbus: Ohio State University Press.
Amis, Martin. 1991. Times arrow . London: Jonathan Cape.
Andringa, Els. 1996. Effects of narrative distance on readers emotional involvement and response. Poetics 23(6). 431542.
Ashfeldt, Lane. 2015. Literary defiance: An interview with Hassan Blasim. World Literature Today 89(1). 1012.
Barnes, Julian. 1990. A history of the world in 10 1/2 chapters . New York: Vintage.
Barnes, Julian. 2012. The sense of an ending . London: Vintage.
Barthes, Roland. 1977. Image, music, text . London: Fontana Press.
Baxter, Jeannette. 2009. Surrealist encounters in Ian McEwans early work. In Sebastian Groes (ed.), Ian McEwan: Contemporary critical perspectives , 1325. London: Continuum.
Beckett, Samuel. 1955 [1994]. Molloy . New York: Grove Press.
Bell, Alice and Jan Alber. 2012. Ontological metalepsis and unnatural narratology. Journal of Narrative Theory 42(2). 166192.
Bernaerts, Lars, Marco Caracciolo, Luc Herman and Bart Vervaeck. 2014. The storied lives of non-human narrators. Narrative 22(1). 6893.
Berning, Nora. 2013. Towards a critical ethical narratology . Berlin: Verlag Trier.
Birch, Cyril. 1977. Foreword. In Andrew H. Plaks (eds.), Chinese narrative: Critical and theoretical essays , ixxii. Princeton, NJ: Princeton University Press.
Blasim, Hassan. 2008. The madman of the freedom square . Translated by Jonathan Wright. Manchester: Comma Press.
Blasim, Hassan. 2013a. The corpus exhibition and other stories of Iraq . Translated by Jonathan Wright. London: Penguin Books.
Blasim, Hassan. 2013b. The Iraqi Christ . Translated by Jonathan Wright. Manchester: Comma Press.
Bo, Bo. 2011 (2007). Combing the Hair . Shijiazhuang: Huashan Literature and Arts Press.
Bourg, Tammy. 1996. The role of emotion, empathy, and text structure in childrens and adults narrative text comprehension. In Roger J. Kreuz and Mary Sue MacNealy (eds.), Empirical approaches to literature and aesthetics , 241260. Norwood, NJ: Ablex.