This important compendium surveys and explores in rich detail the history and role of museums as arbiters and advocates for art from the region and in distinct Latin American contexts. It is a must read for scholars, professionals, and students of Latin America and its art and cultural politics.
Adriana Zavala, Tufts University
Art Museums of Latin America
Since the late nineteenth century, art museums have played crucial social, political, and economic roles throughout Latin America because of the ways that they structure representation. By means of their architecture, collections, exhibitions, and curatorial practices, Latin American art museums have crafted representations of communities, including nation states, and promoted particular group ideologies. This collection of essays, arranged in thematic sections, will examine the varying and complex functions of art museums in Latin America: as nation-building institutions and instruments of state cultural politics; as foci for the promotion of Latin American modernities and modernisms; as sites of mediation between local and international, private and public interests; as organizations that negotiate cultural construction within the Latin American diaspora and shape constructs of Latin America and its nations; and as venues for the contestation of elitist and Eurocentric notions of culture and the realization of cultural diversity rooted in multiethnic environments.
Michele Greet is associate professor of modern Latin American and European art and director of the art history program at George Mason University.
Gina McDaniel Tarver is associate professor of modern and contemporary art history, with a focus on Latin America, at Texas State University.
Cover Image: Side view of the Museo de Arte Moderno, Mexico City, n.d. Courtesy of the Museo de Arte Moderno.
Routledge Research in Art Museums and Exhibitions
Routledge Research in Art Museums and Exhibitions is a new series focusing on museums, collecting, and exhibitions from an art historical perspective. Proposals for monographs and edited collections on this topic are welcomed.
For a full list of titles in this series, please visit https://www.routledge.com/RoutledgeResearch-in-Art-Museums-and-Exhibitions/book-series/RRAM
Absence and Difficult Knowledge in Contemporary Art Museums
Margaret Tali
Art Museums of Latin America: Structuring Representation
Edited by Michele Greet and Gina McDaniel Tarver
Art Museums of Latin America
Structuring Representation
Edited by Michele Greet and Gina McDaniel Tarver
First published 2018
by Routledge
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ISBN: 978-1-138-71259-1 (hbk)
ISBN: 978-1-315-20005-7 (ebk)
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Contents
MICHELE GREET AND GINA MCDANIEL TARVER
MARA ISABEL BALDASARRE
ANA GARDUO
INGRID W. ELLIOTT
ALECA LE BLANC
NATLIA QUINDER
NADIA MORENO MOYA
GEORGINA CEBEY
ISOBEL WHITELEGG
ISABEL CRISTINA RAMREZ BOTERO
JAMES OLES
LASSLA ESQUIVEL DURAND
FLORENCIA BAZZANO
DEBORAH CULLEN
ELIZABETH CEREJIDO
HARPER MONTGOMERY
AMALIA CROSS
CARLA PINOCHET COBOS
Guide
This anthology grew out of a conference panel entitled Negotiating Identity: The Art Museum in Latin America, held at the Latin American Studies Association International Congress in San Juan, Puerto Rico in May 2015 under the sponsorship of the Visual Culture Section. Michele Greet had the opportunity to introduce the project as part of the symposium The Birth of the Museum in Latin America in May 2017 at the Getty Center in Los Angeles, in conjunction with Pacific Standard Time: LA/LA. In conceptualizing the project, we benefited from the comments of fellow participants and audience members at both of these events.
Eight of the chapters in this volume were not written in English and needed translation. The Office of University Advancement at Texas State University helped us to run a crowdfunding campaign to pay for the translations, and Andrew Henley and Wesley Clark provided crucial assistance, as did M. Wright from the School of Art and Design. We appreciate the generosity of the contributors to the campaign, including Mariola Alvarez, Lisa Bauman, Roger B. Colombik, Deborah Currier, Jeffrey Dell, Melissa Dracup, Johanna R. Fauerso, Sheila ffolliott, Lisa Kirch, Michael McDaniel, Denise Midthassel, Harper Montgomery, Rossanna A. Ortega Rada, Monica Paez, Tatiana Reinoza, Kathleen Sarber, Shana Tarver, and Bradley Tusk. A very special thanks to donors Dorothy P. Greet and Mary Clum. The Department of History and Art History at George Mason University also contributed significant financial support. We thank Monica E. Kupfer for her work as translator of six of the essays in this volume and for donating some of that work to us. Celimar de Oliveira and Julian Serna Lancheros each undertook the translation of one essay without charge, and we are extremely grateful.
Critical feedback from three anonymous peers who reviewed the project for Routledge was invaluable. At Routledge, Isabella Vitti guided the preparation for this book with the assistance of Julia Michaelis.
Gina McDaniel Tarver wishes to thank Texas State University for granting her a Faculty Development Leave (20162017) that enabled her to work on this project.
Mara Isabel Baldasarre is a professor at the Universidad Nacional de San Martn in Buenos Aires, where she directs the masters program in Argentinian and Latin American art history. She is a researcher at the Consejo Nacional de Investigaciones Cientficas y Tcnicas and was academic coordinator for the catalogue raisonn of the Museo Nacional de Bellas Artes, Buenos Aires. She was a visiting professor at Universidad Nacional Autnoma de Mxico and a scholar at Getty Research Institute, Los Angeles, Institut National dHistoire de lArt, Paris, and Kunsthistorisches Institut, Florence. Baldasarre received her PhD in art history from the Universidad de Buenos Aires.
Florencia Bazzano is a curatorial research associate of Latin American art and the Blanton Museum of Art, The University of Texas at Austin. She received her PhD in art history from the University of New Mexico in Albuquerque. Her many publications in her area of expertise, modern and contemporary Latin American art and art criticism, include the books Liliana Porter and the Art of Simulation (Ashgate, 2008) and Marta Traba en circulacin (Universidad Nacional de Colombia, 2010).