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A. A. Carr - Eye Killers (American Indian Literature and Critical Studies Series, Vol 13)

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Eye Killers (American Indian Literature and Critical Studies Series, Vol 13): summary, description and annotation

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Lurking in the caves of eastern New Mexico, Falke, a thousand-year-old vampire, chooses his next bride: Melissa Roanhorse, an Albuquerque teenager. To regain his granddaughters life, Michael Roanhorse, an old Navajo sheepherder wise to the power of myth, must outwit the vampire and his loyal coven. So begins A.A. Carrs Eye Killers, a novel that combines the Eastern European legend of the vampire with the Navajo tale of the monster slayer.The songs of Michael Roanhorses childhood include potent chants passed down through his grandmother, who sang to him of Changing Woman and her Warrior Twins, Monster Slayer and Child of the Water. But Michaels spiritual strength and his memory have waned with the years. Who is left to help reunite him with his family and his family with their heritage?Michael enlists Diana Logan, Melissas young English teacher, to wrestle Melissa from the vampire. But to conquer Falke they must also overpower his coven: Elizabeth, captured by Falke in the 1850s during her familys journey along the Santa Fe Trail, and Hanna, once a prostitute in Old Albuquerque, who aspires to supplant Falkes vampire reign.Michael must invoke ancient traditions to bring Melissa home. The elders undertake to teach Diana, but her Irish-American heritage has not prepared her for a fight against shape-shifting vampires who have lived-and murdered-for centuries.In Eye Killers, Carr delivers an imaginative clash of cultures-both a suspenseful thriller and a valid rendering of Navajo and Pueblo tribal life in contemporary New Mexico. His inventiveness, expressed through melodic prose and layers of fine storytelling, weaves new legends of the American Southwest.

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Eye Killers American Indian Literature and Critical Studies Series - photo 1
Eye Killers
American Indian Literature and Critical Studies Series
Gerald Vizenor and Louis Owens, General Editors

title:Eye Killers : A Novel American Indian Literature and Critical Studies Series ; V. 13
author:Carr, A. A.
publisher:University of Oklahoma Press
isbn10 | asin:0806128542
print isbn13:9780806128542
ebook isbn13:9780806172392
language:English
subjectIndians of North America--Fiction, Horror tales.
publication date:1995
lcc:PS3553.A7626E95 1995eb
ddc:813/.54
subject:Indians of North America--Fiction, Horror tales.
Page iii
Eye Killers
A Novel
by
A. A. Carr
University of Oklahoma Press
Norman and London
Page iv
This is a work of fiction. Names, characters, places, and incidents are either the product of the author's imagination or are used fictitiously, and any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.
Carr, A. A. (Aaron Albert), 1963
Eye killers / by A.A. Carr.
p. cm. (American Indian literature and critical studies series; v. 13)
ISBN 0-8061-2707-4 (acid-free paper, cloth)
ISBN 0-8061-2854-2 (acid-free paper, paperback)
1. Indians of North AmericaFiction. I. Title. II. Series.
PS3553.A7626E95 1995
813.54dc20 94-36175
CIP
Eye Killers is Volume 13 in the American Indian Literature and Critical Studies Series.
The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources, Inc.
Copyright 1995 by A. A. Carr. Published by the University of Oklahoma Press, Norman, Publishing Division of the University. All rights reserved. Manufactured in the U.S.A.
2 3 4 5 6 7 8 9 10
Page v
For Dawn.
For Kyle Craig, Patricia Louise, and Cheryl Anne.
For my Laguna Pueblo grandmother who carried me when I was a baby, wrapped in her shawl, as she visited friends.
For my Navajo grandmother who chases away the dark.
For Lena Carr, my mother, who teaches strength.
Page vii
Acknowledgments
My undying thanks go to Louis Owens for his steady encouragement of my writing, and for his friendship; to Kimberly Wiar of the University of Oklahoma Press for her strong support; to Julie Foster, Debbie Harrington, Lynne Lucero, Alan Labb, and Elizabeth Wolf, who each helped me over the rough spots; to Connie Monahan and David Ceman for their magic humor; to Peggy Hessing, who let me experience the ghostly silence of the Kimo in Albuquerque; to Doris Chavez, who opened my eyes to the difficulties and great satisfactions of teaching the middle- and high-school grades; to all my Navajo and Laguna Pueblo aunts and uncles for their love and patience; to Dawn Chambers for her wisdom; and to Lena Carr for creating a warm haven filled with stories.
All errors in this novel are mine.
Page 3
Prologue
Eye Killer awakened beneath a shroud of soil. Sand and dead wood pressed upon his body. He worked the muscles of his arms and flexed each cord in his hands, relishing the pull of reknitted tendons. Taut as bowstrings, he thought. And at the tip of each finger, arrowheads of iron.
His consciousness soared upward, beyond ancient iron and countless stone ceilings to the night sky above. He sensed the moon in passing clouds, a reflecting disc grating his nerves. He moved a hand, thrusting his arm upward until he felt empty air. Then he concentrated on the restraining weight of soil. Dirt and pebbles rattled on wooden floorboards.
A spear of moonlight hung in the darkness; fine dust swirled in the silvery beam, as substantial as a bar of steel. He reached for it, rising from the earth. Dizziness threatened, and he swung his legs over jagged planks to stand cautiously.
The stinging moon settled in his eye. He followed the light to a window cut into rock. He touched sharp edges, cleaned away fragments and chips. His white fingers shimmered in the moonlight.
The moon, a pale eye, glared above a barren land. Blocky, buttressed towers rose above an ocean of sand and shattered rock. He remembered fragments of crossing the still, dead sea: a turning bowl of alien constellations; shifting sand hills; twin star-imprinted masked heads emerging from red boulders and white sands, sleepless eyeholes watching and hunting.
A freezing wind numbed his eye.
He remembered a lithe, dark-eyed girl; how he had howled her name when the sun's fire descended.
He remembered his name.
Crossing to a black doorway, he ascended stone steps. Smooth, carefully worked floors changed to deep sand. Cold air blew across his naked skin, and it felt like warm breath. He followed rough walls until he came to the outskirts of a glowing village. Corrupt magic worked in his body. A familiar
Page 4
pain seared in his joints as his skeleton rearranged itself, as his skin accommodated his changing form. He dropped to all fours feeling thunder grow in his hind tendons. When he burst from his sanctuary's hidden entrance, stars glared and moonlight flamed along his spine. Below him stretched a demure, sinuous desert.
Eye Killer sniffed the wind currents. Prey. Somewhere, some shy animal grazed under the trees. And there was another smell. Rich and keening. Gazing to the south, he saw a line of delicate beads, a necklace of tiny fires pulled on string by the disc of glowering Father Moon.
Stench of petroleum waste. And the timorous scent of blood.
Page 5
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