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Charlotte Brontë - Complete Works of the Brontë Sisters: Charlotte, Emily, Anne Brontë

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Charlotte Brontë Complete Works of the Brontë Sisters: Charlotte, Emily, Anne Brontë

Complete Works of the Brontë Sisters: Charlotte, Emily, Anne Brontë: summary, description and annotation

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The Bronte sisters made up one of the most well known literary families of all time. Collected in this giant book is the collective works of Anne, Charlotte, and Emily Bronte (along with their father Patrick Bronte).
Included in this edition:Agnes Grey,Jane Eyre,Cottage Poems,The Professor,Shirley,The Tenant of Wildfell Hall,Villette,Wuthering Heightsand many others.

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THE COMPLETE WORKS OF

THE BRONTS

Contents Delphi Classics 2012 Version 3 THE COMPLETE - photo 1

Contents

Delphi Classics 2012 Version 3 THE COMPLETE WORKS OF THE - photo 2

Delphi Classics 2012

Version 3

THE COMPLETE WORKS OF THE BRONTS Other classic writers in our - photo 3

THE COMPLETE WORKS OF

THE BRONTS

Other classic writers in our bestselling range of eBooks Charlotte - photo 4


Other classic writers in our bestselling range of eBooks

Charlotte Bronts Novels The sisters birthplace Thornton West Yorkshire - photo 5

Complete Works of the Bront Sisters Charlotte Emily Anne Bront - image 6

Charlotte Bronts Novels

Complete Works of the Bront Sisters Charlotte Emily Anne Bront - image 7

The sisters birthplace, Thornton, West Yorkshire

JANE EYRE

Complete Works of the Bront Sisters Charlotte Emily Anne Bront - image 8

An Autobiography

One of the most influential novels of the nineteenth century, Jane Eyre was published in 1847, under the pen name Currer Bell, the autobiographys supposed editor. The novel bears three distinct genres. It has the form of a Bildungsroman, a story about a childs maturation, focusing on the emotions and experiences that accompany growth to adulthood. Jane Eyre also contains much social criticism, with a strong sense of morality at its core, and finally has the brooding and moody Byronic character typical of Gothic fiction. The novel is often considered ahead of its time due to its portrayal of the development of a thinking and passionate young woman who is both individualistic, desiring for a full life, while also highly moral. Jane evolves from her beginnings as a poor and plain woman without captivating charm to her mature stage as a compassionate and confident whole woman. As she matures, she comments much on the complexities of the human condition. Jane also has a deeply pious personal trust in God, but is also highly self-reliant. Although Jane suffers much, she is never portrayed as a damsel in distress who needs rescuing, serving as a prototype for feminist fiction.


Charlotte in her twenties The very rare first edition of three - photo 9

Charlotte in her twenties


The very rare first edition of three volumes highly prized by collectors - photo 10

The very rare first edition of three volumes, highly prized by collectors


The title page with Charlotte s male pen name TO W M THACKERAY - photo 11

The title page with Charlotte s male pen name


TO

W. M. THACKERAY, Esq.,

This Work

is respectfully inscribed

by

THE AUTHOR


CONTENTS


The 1943 film adaptation The 1970 film adaptation The 1996 - photo 12

The 1943 film adaptation


The 1970 film adaptation The 1996 film adaptation The 2011 - photo 13

The 1970 film adaptation


The 1996 film adaptation The 2011 film adaptation PREFACE A - photo 14

The 1996 film adaptation


The 2011 film adaptation PREFACE A preface to the first edition of - photo 15

The 2011 film adaptation


PREFACE

A preface to the first edition of Jane Eyre being unnecessary, I gave none: this second edition demands a few words both of acknowledgment and miscellaneous remark.

My thanks are due in three quarters.

To the Public, for the indulgent ear it has inclined to a plain tale with few pretensions.

To the Press, for the fair field its honest suffrage has opened to an obscure aspirant.

To my Publishers, for the aid their tact, their energy, their practical sense and frank liberality have afforded an unknown and unrecommended Author.

The Press and the Public are but vague personifications for me, and I must thank them in vague terms; but my Publishers are definite: so are certain generous critics who have encouraged me as only large-hearted and high-minded men know how to encourage a struggling stranger; to them, i.e. , to my Publishers and the select Reviewers, I say cordially, Gentlemen, I thank you from my heart.

Having thus acknowledged what I owe those who have aided and approved me, I turn to another class; a small one, so far as I know, but not, therefore, to be overlooked. I mean the timorous or carping few who doubt the tendency of such books as Jane Eyre: in whose eyes whatever is unusual is wrong; whose ears detect in each protest against bigotry that parent of crime an insult to piety, that regent of God on earth. I would suggest to such doubters certain obvious distinctions; I would remind them of certain simple truths.

Conventionality is not morality. Self-righteousness is not religion. To attack the first is not to assail the last. To pluck the mask from the face of the Pharisee, is not to lift an impious hand to the Crown of Thorns.

These things and deeds are diametrically opposed: they are as distinct as is vice from virtue. Men too often confound them: they should not be confounded: appearance should not be mistaken for truth; narrow human doctrines, that only tend to elate and magnify a few, should not be substituted for the world-redeeming creed of Christ. There is I repeat it a difference; and it is a good, and not a bad action to mark broadly and clearly the line of separation between them.

The world may not like to see these ideas dissevered, for it has been accustomed to blend them; finding it convenient to make external show pass for sterling worth to let white-washed walls vouch for clean shrines. It may hate him who dares to scrutinise and expose to rase the gilding, and show base metal under it to penetrate the sepulchre, and reveal charnel relics: but hate as it will, it is indebted to him.

Ahab did not like Micaiah, because he never prophesied good concerning him, but evil; probably he liked the sycophant son of Chenaannah better; yet might Ahab have escaped a bloody death, had he but stopped his ears to flattery, and opened them to faithful counsel.

There is a man in our own days whose words are not framed to tickle delicate ears: who, to my thinking, comes before the great ones of society, much as the son of Imlah came before the throned Kings of Judah and Israel; and who speaks truth as deep, with a power as prophet-like and as vital a mien as dauntless and as daring. Is the satirist of Vanity Fair admired in high places? I cannot tell; but I think if some of those amongst whom he hurls the Greek fire of his sarcasm, and over whom he flashes the levin-brand of his denunciation, were to take his warnings in time they or their seed might yet escape a fatal Rimoth-Gilead.

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