PUBLISHERS NOTE: This is a work of fiction. Names, characters, places, and incidents are either the product of the authors imagination or used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
Cataloging-in-Publication Data has been applied for and may be obtained from the Library of Congress.
ISBN 978-1-4197-3504-2
ISBN (B&N/Indigo edition) 978-1-4197-3991-0
eISBN: 978-1-68335-533-5
2019 Viacom International Inc. All Rights Reserved. Nickelodeon, Nickelodeon Avatar: The Last Airbender and all related titles, logos and characters are trademarks of Viacom International Inc.
Cover illustrations by Jung Shan Chang
Book design by Hana Anouk Nakamura
Published in 2019 by Amulet Books, an imprint of ABRAMS. All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, electronic, photocopying, recording, or otherwise, without written permission from the publisher.
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FOREWORD
Any prequel story presents a unique challenge, never mind one set in a fictional canonical universe like that of Avatar: The Last Airbender. A common pitfall of prequels? Since the reader already knows how things eventually turn out, they are one step ahead of the hero. Done well, however, a prequel can expand and deepen a beloved fantasy world by exploring its history and characters in new ways. This is the case with The Rise of Kyoshi.
Readers familiar with the original Nickelodeon series might recall that Avatar Kyoshi was a legend, even among the impressive pantheon of Avatars. But how did she become a woman dedicated to fighting injustice throughout the world? And why was she so feared by her enemies? These were the questions left unexplored. In my first talks with F. C. Yee, we discussed a few possible plots but also asked ourselves: What kind of character is Kyoshi, what drives her, and what kind of events in her past could have caused her to develop into such a legendary figure?
I didnt envy Yee the challenge of tackling these questions. I knew hed have to play within the conventions of an already-established world while simultaneously marking it with his own creative stamp. And the Avatar universe has no shortage of must-haves. First, you must have an Avatarthe reincarnated being who holds the ability to manipulate, or bend, all four elements, who has a connection to the mysterious Spirit World, and who deals with conflicts among the Water Tribes, Earth Kingdom, Fire Nation, and Air Nomads. The Avatar cant do all this alone and thus must also have a core group of teachers and friendsa Team Avatar, as we like to call it. Political conflict is also a must: Whether its a world war or a revolution, the Avatar inevitably ends up in the center of the fight before he or she is ready. And of course, there is never a shortage of epic bending battles.
Though all Avatars share certain rites of passagesuch as mastering all four elementseach one must have a unique journey and face different personal and political challenges on their way to becoming a fully realized Avatar. In The Rise of Kyoshi, we meet a young woman so unlike the legend she is to become that we wonder how she could possibly transform into such a remarkable figure. Shes not a great Earthbender. People dont even believe shes the Avatar at the start of the booka great conceit on Yees behalf, and one that provides the crux of the conflict for the entire novel.
Entrusting another writer with a world and characters that I helped create is always fraught with anxiety for me. In the wrong hands, it can be a disheartening experience. But when I read The Rise of Kyoshi for the first time, I was immediately drawn into the story and entranced by its intriguing new characters and backstory. I was eager to read on to find out how Kyoshi would overcome all the obstacles in her way (and Yee throws plenty of them in her path).
Working on this project with everyone involved has been a pleasure, and I couldnt be more excited about this incarnation of the Avatar universe.
Michael Dante DiMartino
THE TEST
Yokoya Port was a town easy to overlook.
Situated on the edge of Whaletail Strait, it could have been a major restocking point for ships leaving one of the many harbors that supplied Omashu. But the strong, reliable prevailing winds made it too easy and cost-effective for southbound merchants to cruise right past it and reach Shimsom Big Island in a straight shot.
Jianzhu wondered if the locals knew or cared that ships laden with riches sailed tantalizingly close by, while they were stuck elbows-deep in the cavity of another elephant koi. Only a quirk of fate and weather kept piles of gold, spices, precious books, and scrolls from landing on their doorstep. Instead their lot was fish guts. A wealth of maws and gills.
The landward side was even less promising. The soil of the peninsula grew thin and rocky as it extended farther into the sea. It had disturbed Jianzhu to see crop fields so meager and balding as hed rode through the countryside into town for the first time. The farmland lacked the wild, volcanic abundance of the Makapu Valley or the carefully ordered productivity of Ba Sing Ses Outer Ring, where growth bent to the exacting will of the kings planners. Here, a farmer would have to be grateful for whatever sustenance they could pull from the dirt.
The settlement lay at the intersection of three different nationsEarth, Air, and Water. And yet, none had ever laid much of a claim to it. The conflicts of the outside world had little impact on daily life for the Yokoyans.
To them, the ravages of the Yellow Neck uprising in the deep interior of the Earth Kingdom were a less interesting story than the wayward flying bison that had gotten loose from the Air Temple and knocked the thatching off a few roofs last week. Despite being seagoers, they probably couldnt name any of the dreaded pirate leaders carving up the eastern waters in open defiance of the Ba Sing Se navy.
All in all, Yokoya Port might as well not have been on the map. Which meantfor Jianzhu and Kelsangs desperate, sacrilegious little experimentit was perfect.
Jianzhu trudged uphill in the wet, mucky snowfall, his neck prickling from the bundled straw cloak around his shoulders. He passed the wooden pillar that marked the spiritual center of this village without sparing it a glance. There was nothing on the sides or on top of it. It was just a bare log driven upright into the ground of a circular courtyard. It wasnt carved with any decorations, which seemed lazy for a town where nearly every adult had a working knowledge of carpentry.
There, the post grudgingly said to any nearby spirits. Hope youre happy.
Weathered houses lined the broad, eroded avenue, poking steeply into the air like spearpoints. His destination was the larger two-story meeting hall at the end. Kelsang had set up shop there yesterday, saying he needed as much floor space as possible for the test. Hed also claimed that the location enjoyed some auspicious wind currents, using the very solemn and holy method of licking his finger and holding it up in the air.
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