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Ta-Nehisi Coates - The Water Dancer

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Ta-Nehisi Coates The Water Dancer
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The Water Dancer is a work of fiction Names characters places and incidents - photo 1
The Water Dancer is a work of fiction Names characters places and incidents - photo 2

The Water Dancer is a work of fiction. Names, characters, places, and incidents are the products of the authors imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

Copyright 2019 by BCP Literary, Inc.

All rights reserved.

Published in the United States by One World, an imprint of Random House, a division of Penguin Random House LLC, New York.

O NE W ORLD is a registered trademark and its colophon is a trademark of Penguin Random House LLC.

Library of Congress Cataloging-in-Publication Data

Names: Coates, Ta-Nehisi, author.

Title: The water dancer: a novel / Ta-Nehisi Coates.

Description: First edition. | New York: One World, [2019]

Identifiers: LCCN 2019011177 | ISBN 9780399590597 (hardback: acid-free paper) | ISBN 9780593133118 (international) | ISBN 9780399590603 (ebook)

Subjects: LCSH: SlaverySouthern StatesHistoryFiction. | BISAC: FICTION / African American / Historical. | FICTION / Fantasy / Historical. | GSAFD: Fantasy fiction. | Historical fiction.

Classification: LCC PS3603.O17 W38 2019 | DDC 813/.6dc23

LC record available at lccn.loc.gov/2019011177

Ebook ISBN9780399590603

randomhousebooks.com

Book design by Caroline Cunningham, adapted for ebook

Cover design: Greg Mollica

Cover art: Calida Garcia Rawles

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Contents
I.

My part has been to tell the story of the slave. The story of the master never wanted for narrators.

F REDERICK D OUGLASS

1

A ND I COULD ONLY have seen her there on the stone bridge, a dancer wreathed in ghostly blue, because that was the way they would have taken her back when I was young, back when the Virginia earth was still red as brick and red with life, and though there were other bridges spanning the river Goose, they would have bound her and brought her across this one, because this was the bridge that fed into the turnpike that twisted its way through the green hills and down the valley before bending in one direction, and that direction was south.

I had always avoided that bridge, for it was stained with the remembrance of the mothers, uncles, and cousins gone Natchez-way. But knowing now the awesome power of memory, how it can open a blue door from one world to another, how it can move us from mountains to meadows, from green woods to fields caked in snow, knowing now that memory can fold the land like cloth, and knowing, too, how I had pushed my memory of her into the down there of my mind, how I forgot, but did not forget, I know now that this story, this Conduction, had to begin there on that fantastic bridge between the land of the living and the land of the lost.

And she was patting juba on the bridge, an earthen jar on her head, a great mist rising from the river below nipping at her bare heels, which pounded the cobblestones, causing her necklace of shells to shake. The earthen jar did not move; it seemed almost a part of her, so that no matter her high knees, no matter her dips and bends, her splaying arms, the jar stayed fixed on her head like a crown. And seeing this incredible feat, I knew that the woman patting juba, wreathed in ghostly blue, was my mother.

No one else saw hernot Maynard, who was then in the back of the new Millennium chaise, not the fancy girl who held him rapt with her wiles, and, most strange, not the horse, though I had been told that horses had a nose for things that stray out from other worlds and stumble into ours. No, only I saw her from the drivers seat of the chaise, and she was just as theyd described her, just as theyd said shed been in the olden days when she would leap into a circle of all my peopleAunt Emma, Young P, Honas, and Uncle Johnand they would clap, pound their chests, and slap their knees, urging her on in double time, and she would stomp the dirt floor hard, as if crushing a crawling thing under her heel, and bend at the hips and bow, then twist and wind her bent knees in union with her hands, the earthen jar still on her head. My mother was the best dancer at Lockless, that is what they told me, and I remembered this because shed gifted me with none of it, but more I remembered because it was dancing that brought her to the attention of my father, and thus had brought me to be. And more than that, I remembered because I remembered everythingeverything, it seemed, except her.

It was autumn now, the season when the races came south. That afternoon Maynard had scored on a long-shot thoroughbred, and thought this might, at last, win the esteem of Virginia Quality he sought. But when he made the circuit around the great town square, leaning back, way back in the chaise and grinning large, the men of society turned their backs to him and puffed on their cigars. There were no salutes. He was what he would always beMaynard the Goof, Maynard the Lame, Maynard the Fool, the rotten apple whod fallen many miles from the tree. He fumed and had me drive to the old house at the edge of our town, Starfall, where he purchased himself a night with a fancy, and had the bright notion to bring her back to the big house at Lockless, and, most fatefully, in a sudden bout of shame, insisted on leaving the back way out of town, down Dumb Silk Road, until it connected to that old turnpike, which led us back to the bank of the river Goose.

A cold steady rain fell as I drove, the water dripping down from the brim of my hat, puddling on my trousers. I could hear Maynard in the back, with all his games, putting his carnal boasts upon the fancy. I was pushing the horse as hard as I could, because all I wanted was to be home and free of Maynards voice, though I could never, in this life, be free of him. Maynard who held my chain. Maynard, my brother who was made my master. And I was trying all I could to not hear, searching for distractionmemories of corn-shucking or young games of blind mans bluff. What I remember is how those distractions never came, but instead there was a sudden silence, erasing not just Maynards voice, but all the small sounds of the world around. And now, peering into the pigeonhole of my mind, what I found were remembrances of the lostmen holding strong on watch-night, and women taking their last tour of the apple orchards, spinsters remanding their own gardens to others, old codgers cursing the great house of Lockless. Legions of the lost, brought across that baleful bridge, legions embodied in my dancing mother.

I yanked at the reins but it was too late. We barreled right through and what happened next shook forever my sense of a cosmic order. But I was there and saw it happen, and have since seen a great many things that expose the ends of our knowledge and how much more lies beyond it.

The road beneath the wheels disappeared, and the whole of the bridge fell away, and for a moment I felt myself floating on, or maybe in, the blue light. And it was warm there, and I remember that brief warmth because just as suddenly as I floated out, I was in the water, under the water, and even as I tell you this now, I feel myself back there again, in the icy bite of that river Goose, the water rushing into me, and that particular burning agony that comes only to the drowning.

There is no sensation like drowning, because the feeling is not merely the agony, but a bewilderment at so alien a circumstance. The mind believes that there should be air, since there is always air to be had, and the urge to breathe is such a matter of instinct that it requires a kind of focus to belay the order. Had I leapt from the bridge myself, I could have accounted for my new situation. Had I even fallen over the side, I would have understood, if only because this would have been imaginable. But it was as though I had been shoved out of a window right into the depths of the river. There was no warning. I kept trying to breathe. I remember crying out for breath and more I remember the agony of the answer, the agony of water rushing into me, and how I answered that agony by heaving, which only invited more water.

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