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Ming Dong Gu - Routledge Handbook of Modern Chinese Literature

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Ming Dong Gu Routledge Handbook of Modern Chinese Literature
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Routledge Handbook of Modern Chinese Literature: summary, description and annotation

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TheRoutledge Handbook of Modern Chinese Literaturepresents a comprehensive overview of Chinese literature from the 1910s to the present day. Featuring detailed studies of selected masterpieces, it adopts a thematic-comparative approach. By developing an innovative conceptual framework predicated on a new theory of periodization, it thus situates Chinese literature in the context of world literature, and the forces of globalization.
Each section consists of a series of contributions examining the major literary genres, including fiction, poetry, essay drama and film. Offering an exciting account of the century-long process of literary modernization in China, the handbooks themes include:
Modernization of people and writing Realism, rmanticism and mdernist asthetics Chinese literature on the stage and screen Patriotism, war and revolution Feminism, liberalism and socialism Literature of reform, reflection and experimentation Literature of Taiwan, Hong Kong and new media
This handbook provides an integration of biographical narrative with textual analysis, maintaining a subtle balance between comprehensive overview and in-depth examination. As such, it is an essential reference guide for all students and scholars of Chinese literature.

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Routledge Handbook of Modern Chinese Literature

The Routledge Handbook of Modern Chinese Literature presents a comprehensive overview of Chinese literature from the 1910s to the present day. Featuring detailed studies of selected masterpieces, it adopts a thematic-comparative approach. By developing an innovative conceptual framework predicated on a new theory of periodization, it thus situates Chinese literature in the context of world literature, and the forces of globalization.

Each section consists of a series of contributions examining the major literary genres, including fiction, poetry, essay, drama and film. Offering an exciting account of the century-long process of literary modernization in China, the handbooks themes include:

  • Modernization of people and writing
  • Realism, romanticism and modernist aesthetics
  • Chinese literature on the stage and screen
  • Patriotism, war and revolution
  • Feminism, liberalism and socialism
  • Literature of reform, reflection and experimentation
  • Literature of Taiwan, Hong Kong and new media

This handbook provides an integration of biographical narrative with textual analysis, maintaining a subtle balance between comprehensive overview and in-depth examination. As such, it is an essential reference guide for all students and scholars of Chinese literature.

Ming Dong Gu is Distinguished Professor of Foreign Studies at Shenzhen University, China and Professor of Chinese and Comparative Literature at the University of Texas at Dallas, USA. His recent publications include Sinologism: An Alternative to Orientalism and Postcolonialism (2013), Translating China for Western Readers (editor, 2014) and Why Traditional Chinese Philosophy Still Matters (editor, 2018).

Advisory Board
(In Alphabetic Order)

Tani Barlow, Professor (Rice University)

Kang-I Sun Chang, Professor (Yale University)

Sihe Chen, Professor (Fudan University)

Xiaoming Chen, Professor (Peking University)

Gloria Davies, Professor (Monash University)

Fan Ding, Professor (Nanjing University)

Liangyan Ge, Professor (University of Notre Dame)

Eric Hayot, Professor (Pennsylvania State University)

Theodore Huters, Professor Emeritus (University of California-LA)

Dennis M. Kratz, Professor (University of Texas at Dallas)

Kam Louie, Professor Emeritus (University of Hong Kong)

J. Hillis Miller, Professor Emeritus (University of California-Irvine)

Andrea M. Riemenschnitter, Professor (University of Zurich)

Lena Rydholm, Professor (Uppsala University)

Ban Wang, Professor (Stanford University)

David Der-wei Wang, Professor (Harvard University)

Xudong Zhang, Professor (New York University)

Xian Zhou, Professor (Nanjing University)

Routledge Handbook of Modern Chinese Literature

Edited by Ming Dong Gu

with Assistance from Tao Feng

Routledge Handbook of Modern Chinese Literature - image 2

First published 2019

by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

and by Routledge

711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2019 selection and editorial matter, Ming Dong Gu; individual chapters, the contributors

The right of Ming Dong Gu to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data

Names: Gu, Ming Dong, 1955- editor.

Title: Routledge handbook of modern Chinese literature/edited by Ming Dong Gu.

Description: London; New York, NY: Routledge, 2018.| Includes bibliographical references and index.

Identifiers: LCCN 2018009658| ISBN 9781138647541 (hardback) | ISBN 9781315626994 (ebook)

Subjects: LCSH: Chinese literature 20th century History and criticism.| Chinese literature 21st century History and criticism.

Classification: LCC PL2302. R68 2018 | DDC 895.109/005 dc23

LC record available at https://lccn.loc.gov/2018009658

ISBN: 978-1-138-64754-1 (hbk)

ISBN: 978-1-315-62699-4 (ebk)

Typeset in Bembo

by Apex CoVantage, LLC

Every effort has been made to contact copyright holders for their permission to reprint material in this book. The publishers would be grateful to hear from any copyright holder who is not here acknowledged and will undertake to rectify any errors or omissions in future editions of this book.

To David Der-Wei Wang, Dennis M. Kratz, and Xudong Zhang, With deep appreciation for their encouragement and support

Contents

Ming Dong Gu

Ming Dong Gu

Theodore Huters

Kristin Stapleton

Lena Rydholm

Kenny K. K. Ng

Nicoletta Pesaro

Paolo Magagnin

Frederik H. Green

Tong He

Gang Zhou

Yaohua Shi

Christopher Rosenmeier

Xiaowen Xu

Liangyan Ge

Corrado Neri

Bingfeng Yang

Victor Vuilleumier

Gloria Davies

Ning Ma

Letizia Fusini

Tonglu Li

Tonglu Li

Marco Fumian

Yuehong Chen

Graldine Fiss

Ming Dong Gu

Philip F. Williams

Xiangshu Fang and Lijun Bi

Lijun Bi and Xiangshu Fang

Weijie Song

Lena Henningsen

Meng Li and King-fai Tam

Meng Li and King-fai Tam

Yanjie Wang

Irmy Schweiger

Cosima Bruno

Liang Luo

Mei-Hsuan Chiang

Anne Wedell-Wedellsborg

Yiju Huang

Hui Faye Xiao

Tonglu Li

Carolyn FitzGerald

Andrea M. Riemenschnitter

Xiuyin Peng

Christopher Lupke

Pei-yin Lin

Pei-yin Lin

Paul B. Foster

Guozhong Duan

Chen Xiaoming

Bi, Lijun lectures at the School of Languages, Literatures, Cultures and Linguistics, Monash University, Australia. She received her Ph.D. from the University of Melbourne in 2011. Her main research interest focuses on poetry and childrens literature in China.

Bruno, Cosima is Senior Lecturer in China Studies at the School of Oriental and African Studies, University of London. Her publications include Between the Lines: Yang Lians Poetry Through Translation (2012), translations, and articles in Target, Intervention, Shi tansuo, In forma di parole, Life Writing, and in the collected volumes Translating Others (2006), China and Its Others (2012). Her main research interest covers contemporary Chinese, Sinophone and bilingual poetry, poetry performativity, and the theoretical issues related to its translation; visual and sound poetry; language art.

Chen, Xiaoming, Changjiang Chair Professor of Chinese Literature and chairman of the Department of Chinese at Peking University, is Deputy President of the Association of Modern Chinese Literature Studies and Vice President of the Chinese Association of Literary Theory. His major scholarly writings include these books in Chinese:

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