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Zhenduo Zheng - History of Chinese Folk Literature

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Zhenduo Zheng History of Chinese Folk Literature
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This book mainly addresses the position, function, influence, and values of folk oral literature in the history of Chinese literature. Divided into 14 chapters, it systematically covers central aspects of folklore literature such as ballads, folk songs, Bianwen, Zajuci, Guzici, Zhugongdiao, Sanqu, Baojuan, Tanci, Zidishu, and so on from the Pre-Qin to the late Qing Dynasties, filling several gaps in literary history studies. It is a comprehensive literary work, and many of the materials cited here are rare and difficult to find. In addition, the book proposes some important theories, especially six highly generalized qualities of folk literature, namely that it is: popular, collective, oral, fresh, effusive, and innovative.
With detailed, extensive materials, and quotations, the book represents the most systematic and comprehensive work to date on ancient Chinese folk literature. It is mutually complementary with Guowei Wangs A Textual Research of the Traditional Chinese Opera in the Song and Yuan Dynasties and Xun Lus A Brief History of Chinese Fiction; all three works are regarded as the most essential classics for researching the history of Chinese literature.

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Book cover of History of Chinese Folk Literature Understanding China More - photo 1
Book cover of History of Chinese Folk Literature
Understanding China

More information about this series at http://www.springer.com/series/11772

Zhenduo Zheng
History of Chinese Folk Literature
1st ed. 2021
Logo of the publisher Logo of the publisher Zhenduo Zheng Chinese - photo 2
Logo of the publisher
Logo of the publisher Zhenduo Zheng Chinese Academy of Sciences Beijing - photo 3
Logo of the publisher
Zhenduo Zheng
Chinese Academy of Sciences, Beijing, China
Translated by
Yang Yuying
Chongqing, China
ISSN 2196-3134 e-ISSN 2196-3142
Understanding China
ISBN 978-981-16-5444-2 e-ISBN 978-981-16-5445-9
https://doi.org/10.1007/978-981-16-5445-9

Jointly published with Shanghai Jiao Tong University Press

The print edition is not for sale in the China Mainland. Customers from the China Mainland please order the print book from: Shanghai Jiao Tong University Press.

Translation from the Chinese language edition: by Zhenduo Zheng, and Yang Yuying, The Author 2010. Published by The Commercial Press. All Rights Reserved.

Shanghai Jiao Tong University Press 2021
This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

This Springer imprint is published by the registered company Springer Nature Singapore Pte Ltd.

The registered company address is: 152 Beach Road, #21-01/04 Gateway East, Singapore 189721, Singapore

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  1. Series of Modern Chinese Academic Classics comprised the outstanding academic workswritten by Chinese scholars from the late Qing dynasty to the end of the 1980s. The selectedworks were mainly classics, and some collections of masterpieces were appropriately extracted.

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Contents
Shanghai Jiao Tong University Press 2021
Z. Zheng History of Chinese Folk Literature Understanding China https://doi.org/10.1007/978-981-16-5445-9_1
1. What Is Folk Literature
Zhenduo Zheng
(1)
Chinese Academy of Sciences, Beijing, China
I

What is folk literature? It actually refers to popular literature, mass literature, and literary works rooted in folk society. In other words, folk literature is the very thing that cannot be regarded as elegant, the one not concerned by the literati but popularized in the folk. It is loved and enjoyed by the mass.

Chinese folk literature has a wide scope. Because the scope of orthodox literature is too narrow, the scope of folk literature seems to be much wider. Almost except poetry and prose, all important genres, such as novel, opera, Bianwen, can be included in its scope.

All the genres that cannot be regarded as elegant, the ones despised, and not concerned by the literati, are folk literature.

Folk literature becomes not only the main part of Chinese literary history but also the center of it.

Then, how to understand this?

First, because the scope of orthodox literature is very narrowonly limited to poetry and prosethe main pages of Chinese literary history have to be occupied by folk literature, by folk literature regarded as the heresy. Which countrys literary history is not centered on novel, play, or poetry? However, most of the narrations in past Chinese literary history were occupied by prose writers lives and works. Now, the perception of the literature has changed, and there is a good understanding of graceless genres such as play, novel, Bianwen, and Tanci. So, the part used to be folk literature has to cause the special attention of the literary historians.

Second, because the development of orthodox literature and that of folk literature is closely linked, many of the styles of orthodox literature are upgraded from those of the original folk literature. For example, most of the poems in

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