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Mary Shelley - Frankenstein: The 1818 Text

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Mary Shelley Frankenstein: The 1818 Text
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DescriptionFor the bicentennial of its first publication, Mary Shelleys original 1818 text, introduced by National Book Critics Circle award-winner Charlotte Gordon. Nominated as one of Americas best-loved novels by PBSs The Great American Read 2018 marks the bicentennial of Mary Shelleys seminal novel. For the first time, Penguin Classics will publish the original 1818 text, which preserves the hard-hitting and politically-charged aspects of Shelleys original writing, as well as her unflinching wit and strong female voice. This edition also emphasizes Shelleys relationship with her mothertrailblazing feminist Mary Wollstonecraft, who penned A Vindication of the Rights of Womanand demonstrates her commitment to carrying forward her mothers ideals, placing her in the context of a feminist legacy rather than the sole female in the company of male poets, including Percy Shelley and Lord Byron. This edition includes a new introduction and suggestions for further reading by National Book Critics Circle award-winner and Shelley expert Charlotte Gordon, literary excerpts and reviews selected by Gordon, and a chronology and essay by preeminent Shelley scholar Charles E. Robinson. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.ReviewGordons framing is the real standout of the anniversary edition () Highly recommended. N. K. Jemisin, The New York Times Book Review Frankenstein is as efficient and resonant a reference today as it was in 1818. . . In this bicentennial year, much will be written about Frankenstein, its adaptations, and whether there exists a definitive or superior version of the novel. . . The 1818 Text is reflective of the thrill and nervous energy that ushered in a new era of science and society. . . But part of what makes it a little unsettling is what makes it so interesting: The chance to watch a 200-year-old novel develop. In a story thats reflected so much of the last two hundred years, and centers so much on choices, storytelling, and the potential for change, it only makes sense that Frankenstein reflects changes within its own creatorGenevieve Valentine, NPRAbout the AuthorMary Shelley was born in London in 1797, daughter of William Godwin and Mary Wollstonecraft, famous radical writers of the day. In 1814 she met and soon fell in love with the then-unknown Percy Bysshe Shelley. In December 1816, after Shelleys first wife committed suicide, Mary and Percy married. They lived in Italy from 1818 until 1822, when Shelley drowned, whereupon Mary returned to London to live as a professional writer of novels, stories, and essays until her death in 1851. Charlotte Gordons previous publications include Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley (2015), Mistress Bradstreet: The Untold Story of Americas First Poet (2005), and The Woman Who Named God: Abrahams Dilemma and the Birth of Three Faiths (2009). Romantic Outlaws was the winner of the 2016 National Book Critics Circle Award for Biography. Currently, she is the distinguished professor of the humanities at Endicott College. Charles E. Robinson, was professor of English at the University of Delaware, frequently lectured on The Ten Texts of Frankenstein and edited Frankenstein; or, The Modern Prometheus: The Original Two-Volume Novel of 1816-1817 from the Bodleian Library Manuscripts, by Mary Wollstonecraft Shelley (with Percy Bysshe Shelley) (2008), reprinted in paperback by Vintage Books (2009). His other books included Shelley and Byron: The Snake and Eagle Wreathed in Fight (1976) and an edition of Mary Shelley: Collected Tales and Short Stories, with Original Engravings (1976); The Mary Shelley Reader (1990), coedited with Betty T. Bennett; and an edition of Mary Shelleys Mythological Dramas: Proserpine and Midas (1992) as well as the two-volume Frankenstein Notebooks (1996).

Mary Shelley: author's other books


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FRANKENSTEIN

THE 1818 TEXT

MARY SHEL LEY was born in London in 1797, daughter of William Godwin and Mary Wollstonecraft, famous radical writers of the day. Marys mother died tragically ten days after the birth. Under Godwins conscientious and expert tuition, Marys was an intellectually stimulating childhood, though she often felt misunderstood by her stepmother and neglected by her father. In 1814 she met and soon fell in love with the then unknown Percy Bysshe Shelley, and in July they eloped to the Continent. In December 1816, after Shelleys first wife, Harriet, committed suicide, Mary and Percy married. Of the four children she bore Shelley, only Percy Florence survived. They lived in Italy from 1818 until 1822, when Shelley drowned following the sinking of his boat Ariel in a storm. Mary returned with Percy Florence to London, where she continued to live as a professional writer until her death in 1851.

The idea for Frankenstein came to Mary Godwin during a summer sojourn in 1816 with Percy Shelley on the shores of Lake Geneva, where Lord Byron was also staying. She was inspired to begin her unique tale after Byron suggested a ghost story competition. Byron himself produced A Fragment, which later inspired his physician John Polidori to write The Vampyre. Mary completed her short story back in England, and it was published as Frankenstein; or, The Modern Prometheus in 1818. Among her other novels are The Last Man (1926), a dystopian story set in the twenty-first century, The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837). As well as contributing many stories and essays to publications such as the Keepsake and the Westminster Review, she wrote numerous biographical essays for Lardners Cabinet Cyclopaedia (1835, 183839). Her other books include the first collected edition of Percy Bysshe Shelleys Poetical Works (4 vols., 1839) and a book based on the Continental travels she undertook with her son Percy Florence and his friends, Rambles in Germany and Italy (1844). Mary Shelley died in London on February 1, 1851.

CHARLOTTE GORDON is an award-winning author whose work has appeared in the New York Times, Wall Street Journal, Slate, and Washington Post, among other publications. Her latest book, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Mary Shelley (2015), won the National Book Critics Circle Award. She has also published Mistress Bradstreet:The Untold Life of Americas First Poet (2005) and The Woman Who Named God: Abrahams Dilemma and the Birth of Three Faiths (2009). She is a Distinguished Professor of the Humanities at Endicott College.

CHARLE S E. ROBINSON was a professor of English at the University of Delaware, frequently lectured on The Ten Texts of Frankenstein, and edited Frankenstein; or, The Modern Prometheus: The Original Two-Volume Novel of 18161817from the Bodleian Library Manuscripts, by Mary Wollstonecraft Shelley(with Percy Bysshe Shelley) (2008), reprinted in paperback by Vintage Books (2009). His other books included Shelley and Byron: The Snake and Eagle Wreathed in Fight (1976); an edition of Mary Shelley: Collected Tales and Short Stories, with Original Engravings (1976); The Mary Shelley Reader (1990), coedited with Betty T. Bennett; an edition of Mary Shelleys Mythological Dramas: Proserpine and Midas (1992); and the two-volume Frankenstein Notebooks (1996).

PENGUIN BOOKS An imprint of Penguin Random House LLC 375 Hudson Street New - photo 3

PENGUIN BOOKS

An imprint of Penguin Random House LLC

375 Hudson Street

New York, New York 10014

penguin.com

First published in Great Britain 1818

This edition with an introduction by Charlotte Gordon published in Penguin Books 2018

Introduction copyright 2018 by Charlotte Gordon

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Chronology, How to Read Frankenstein, and Suggested Further Reading by Charles E. Robinson first appeared in slightly different form in Frankenstein, Penguin Enriched eBook Classic. Copyright 2008 by Charles E. Robinson.

Ebook ISBN: 9781524705701

Cover illustration: Marci Washington

Version_1

Contents
Introduction

When Frankenstein was first published in 1818, many readers were shocked. What could be more appalling than the tale of a mad scientist creating life? What kind of person would write such a terrible story? Critics believed the novel was hostile to religion, as it depicted a human being attempting to appropriate the role of God. One contemporary writer complained that the book was horrible and disgusting. He declared that the author must be as mad as his hero. He could not accuse anyone in particular, however, as no one knew the authors identity. The book had been published anonymously, and when people discovered the authors name, the truth seemed even more scandalous than the horrible story itself. The author was a woman, and her name was Mary Godwin Shelley.

In the nineteenth century women werent supposed to write novels, let alone a novel like Frankenstein. Middle-class women were expected to confine themselves to being good wives, daughters, and mothers. For a woman to step outside of her proper domain was against all of societys rules. Critics muttered that Mary Shelley must be as monstrous and immoral as her story. And yet when they met her, they were surprised to find that Mary was ladylike and reserved. One new acquaintance said that he had thought the author of Frankenstein would be indiscreet and even extravagant, but that he had found her cool, quiet, feminine. It was difficult for Marys contemporaries to square the boldness of her work with its creator. Instead of being improper or masculine, she appeared to embody their ideas of what womanhood should be.

Sadly, these misogynistic principles were the accepted ideas of the time. Experts declared that women were inferior to men in all areas of human development and could not be educated beyond a certain rudimentary level. Whereas men possessed the capacity for reason and ethical rectitude, women were considered foolish, fickle, selfish, gullible, sly, untrustworthy, and childish. Wives could not own property or initiate divorces. Children were the fathers property. Not only was it legal for a husband to beat his wife, but men were encouraged to punish any woman they regarded as unruly. If a woman tried to escape from a cruel or violent husband, she was considered an outlaw, and her husband had the legal right to imprison her.

This oppressive system began in childhood. Boys were taught that they were superior to girls. Girls were instructed to submit to their brothers, fathers, and husbands. The education of middle- and upper-class young women was confined to activities such as playing the piano, speaking French, embroidering, and singingdecorative skills that would help them appear attractive to prospective husbands, but would not teach them to think for themselves. Any serious scholarship was strongly discouraged, as too much study seemed like a dangerous proposition, not so much for the world but for women themselves. Were their constitutions strong enough for such exertion? Should they learn more than basic skills, such as how to write their names, add and subtract, and read simple passages? Most people thought the answer was no; given their fragility, women should not be taxed too much. Besides, too much book learning could destroy a womans life and ruin her prospects for marriage. If you happen to have any learning, keep it a profound secret, warned one father.

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