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Robert S. Paul - Whatever happened to Sherlock Holmes: detective fiction, popular theology, and society

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Robert S. Paul suggests that the reason detective fiction has won legions of readers may be that the writer of detective fiction, without conscious intent, appeals directly to those moral and spiritual roots of society unconsciously affirmed and endorsed by the readers.Because detective stories deal with crime and punishment they cannot help dealing implicitly with theological issues, such as the reality of good and evil, the recognition that humankind has the potential for both, the nature of evidence (truth and error), the significance of our existence in a rational order and hence the reality of truth, and the value of the individual in a civilized society.Paul argues that the genre traces its true beginning to the Enlightenment and documents two related but different reactions to the theological issues involved: first, a line of writers who are generally positive in relation to their cultural setting, such as Edgar Allan Poe, Wilkie Collins, Conan Doyle; and second, a reactionary strain, critical of the prevailing culture, that begins in William Godwins Caleb Williams and continues through the anti-heroic writers like Ars?ne Lupin to Raymond Chandler, Dashiell Hammett, and John MacDonald.

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title Whatever Happened to Sherlock Holmes Detective Fiction Popular - photo 1

title:Whatever Happened to Sherlock Holmes : Detective Fiction, Popular Theology, and Society
author:Paul, Robert S.
publisher:Southern Illinois University Press
isbn10 | asin:0809317222
print isbn13:9780809317226
ebook isbn13:9780585187105
language:English
subjectDetective and mystery stories, English--History and criticism, Detective and mystery stories, American--History and criticism, Christianity and literature, Literature and society, Theology in literature.
publication date:1991
lcc:PR830.D4P38 1991eb
ddc:823/.087209
subject:Detective and mystery stories, English--History and criticism, Detective and mystery stories, American--History and criticism, Christianity and literature, Literature and society, Theology in literature.
Page iii
Whatever Happened to Sherlock Holmes
Detective Fiction, Popular Theology, and Society
Robert S. Paul
Picture 2 Southern Illinois University Press
Carbondale and Edwardsville
Page iv
Copyright 1991 by Robert S. Paul
All rights reserved
Printed in the United States of America
Designed by Jason Schellenberg
Production supervised by Natalia Nadraga
Library of Congress Cataloging-in-Publication Data
Paul, Robert S.
Whatever happened to Sherlock Holmes? detective fiction,
popular theology, and society / Robert S. Paul.
p. cm.
Includes bibliographical references and index.
1. Detective and mystery stories, English History and criticism.
2. Detective and mystery stories, American History and criticism.
3. Christianity and literature. 4. Literature and society.
5. Theology in literature. I. Title.
PR830.D4P38 1991
823'.087209 dc20Picture 3Picture 4Picture 5Picture 6Picture 7Picture 8Picture 9Picture 1090-23719
ISBN 0-8093-1722-2Picture 11Picture 12Picture 13Picture 14Picture 15Picture 16Picture 17CIP
The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984.
Page v
To Eunice Mary Paul
who introduced me to the subject
and
Erik Reginald Routley
who pioneered the way
Page vii
Picture 18
There is no need to bore ourselves with this rubbish.
Edmund Wilson, "Who Cares Who Killed Roger Ackroyd," in Classics and Commercials: A Literary Chronicle of the Forties.
Picture 19
The real connoisseurs, who avowedly prefer this type of fiction to all others, and who read it with close and critical attention, are to be found among men of the definitely intellectual class: theologians, scholars, lawyers, and to a less extent, perhaps, doctors and men of science. Judging by the letters, which I have received from time to time, the enthusiast par excellence is the clergyman of a studious and scholarly habit.
R. Austin Freeman, "The Art of the Detective Story"
Picture 20
The detective-story is the normal recreation of noble minds.
Philip Guedalla, quoted approvingly by Dorothy L. Sayers
Picture 21
The most curious fact about the detective story is that it makes its greatest appeal to those classes of people who are most immune to other forms of daydream literature. The typical detective story addict is a doctor or clergyman or scientist or artist, i.e. a fairly successful professional man with intellectual interests and well-read in his own field, who could never stomach the Saturday Evening Post or True Confessions or movie magazines or comics.
W. H. Auden, "The Guilty Vicarage," in The Dyer's Hand and Other Essays
Picture 22
The detective story reader is not a love of violence but a lover of order.
Erik R. Routley, in The Puritan Pleasures of the Detective Story
Picture 23
Detective fiction... becomes the mirror of society.
Robin W. Winks, in Detective Fiction
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