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John Walton - The Legendary Detective: The Private Eye in Fact and Fiction

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John Walton The Legendary Detective: The Private Eye in Fact and Fiction
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Im in a business where people come to me with troubles. Big troubles, little troubles, but always troubles they dont want to take to the cops. Thats Raymond Chandlers Philip Marlowe, succinctly setting out our image of the private eye. A no-nonsense loner, working on the margins of society, working in the darkness to shine a little light.
The reality is a little differentbut no less fascinating. In The Legendary Detective, John Walton offers a sweeping history of the American private detective in reality and myth, from the earliest agencies to the hard-boiled heights of the 1930s and 40s. Drawing on previously untapped archival accounts of actual detective work, Walton traces both the growth of major private detective agencies like Pinkerton, which became powerful bulwarks against social and labor unrest, and the motley, unglamorous work of small-time operatives. He then goes on to show us how writers like Dashiell Hammett and editors of sensational pulp magazines like Black Mask embellished on actual experiences and fashioned an image of the PI as a compelling, even admirable, necessary evil, doing societys dirty work while adhering to a self-imposed moral code. Scandals, public investigations, and regulations brought the boom years of private agencies to an end in the late 1930s, Walton explains, in the process fully cementing the shift from reality to fantasy.
Today, as the private detective has long since given way to security services and armed guards, the myth of the lone PI remains as potent as ever. No fan of crime fiction or American history will want to miss The Legendary Detective.

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The Legendary Detective

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The Legendary Detective
The Private Eye in Fact and Fiction
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John Walton

The University of Chicago Press

Chicago and London

JOHN WALTON is distinguished research professor of sociology at the University of California, Davis, and the author of many books.

The University of Chicago Press, Chicago 60637

The University of Chicago Press, Ltd., London

2015 by The University of Chicago

All rights reserved. Published 2015.

Printed in the United States of America

24 23 22 21 20 19 18 17 16 15 1 2 3 4 5

ISBN-13: 978-0-226-30826-5 (cloth)

ISBN-13: 978-0-226-30843-2 (e-book)

DOI : 10.7208/chicago/9780226308432.001.0001

Library of Congress Cataloging-in-Publication Data

Walton, John, 1937 author.

The legendary detective : the private eye in fact and fiction / John Walton.

pages cm

Includes bibliographical references and index.

ISBN 978-0-226-30826-5 (cloth : alkaline paper) ISBN 978-0-226-30843-2 (ebook) 1. Private investigatorsUnited StatesHistory. I. Title.

HV 8088. W 35 2015

363.289097309041dc23

2015015806

This paper meets the requirements of ANSI / NISO Z39.481992 (Permanence of Paper).

For Mia and Aidan, book lovers

Contents

The material for this book was assembled over a long period from a wide variety of sources. I am grateful to countless librariansthose still-vital professionals who stand behind the writers efforts to assemble the evidence that is out there, somewhere, if someone will help us find it. My thanks to archivists and staffs at Bancroft Library, University of California, Berkeley; UCLA Library Special Collections, University of California, Los Angeles; Peter J. Shields Library, University of California, Davis; Harry Ransom Center, University of Texas at Austin; Harvard Law School Library Historical and Special Collections; Labor Archives and Research Center, J. Paul Leonard Library, San Francisco State University; Special Collections and University Archives, Stanford University Libraries; Newberry Library, Chicago; National Archives, Washington, DC; California State Archives, Sacramento; California State Library, Sacramento; and San Francisco Public Library.

Frank and Joe Hardy got me started on this project. More recently, I have benefited from the published work and editorial comments of Robert Weiss and Erin Smith. Doug Mitchell, executive editor at University of Chicago Press, has provided hearty support and good humor. Tim McGovern and Kyle Adam Wagner relieved me of worry over permissions and illustrations. Levi T. Stahl, Jenni Fry, and University of Chicago Press staff have contributed greatly to editing and promoting the work. I am impressed anew by the observation that books are a collective endeavor. Friend and colleague for fifty years and fellow detective story fan Howard S. Becker encouraged me to write this book when I had my doubts and then reviewed an early draft with a sharp critical eye. Howie has earned many accolades, the most apt being teacher. My wife, Priscilla, has given much more than I can return.

Under the laws Im labeled on the books and licensed as a private detective.... My position is not exactly a healthy one. The police dont like me. The crooks dont like me. Im just a halfway house between the law and crime; sort of working both ends against the middle.... My ethics are my own.

C ARROLL J OHN D ALY, The Snarl of the Beast (1927)

The Case of the Detective

At age twenty-one, Samuel Dashiell Hammett went to work for the Pinkerton National Detective Agency, continuing his private eye career from 1915 to 1922 with interruptions for service in World War I and subsequent hospitalizations. He learned the trade in Baltimore, one of the firms twenty-two regional offices at the time. Although the term private eye derived from the Pinkerton logo, the agency preferred to call its field agents operatives, a position Hammett held in Spokane and San Francisco. Known to his colleagues as Sam Hammett, he achieved an enviable reputation for his prowess at surveillance, strike breaking, and investigation. He participated in Pinkerton actions at the ButteAnaconda miners strike of 1920 in Montana and for the defense during film star Fatty Arbuckles 1921 manslaughter trial in San Francisco.

The Pinkerton National Detective Agency, a name evolved from the firms modest origins in Chicago during the 1850s, was the first and for a time the largest detective agency in the United States. It was the leader and trendsetter of a new business enterprise that burgeoned

Another seven to eight hundred agencies spread out across fifty US cities; 187 were concentrated in New York City alone. By 1935, Pinkertons great rival, the William J. Burns International Detective Agency with forty-three branch offices, had taken over the lead of an industry that employed tens of thousands of people and earned an estimated $80 million that year. In addition to the great agencies, many of the major US companies employed in-house detectives in one guise or another for the general purpose of employee surveillance. Strikebreaking was a lucrative service provided by the large firms, until it earned them a bad reputation, and by firms specializing in labor conflicts that embraced the reputation. Hotel detectives kept order among guests and expelled or managed prostitutes, while department store detectives watched for shoplifters among customers and employees. Street railways, pervasive in American cities at the time, used detectives as train spotters in search of grifting conductors.

The great agencies like Pinkerton and Burns served mainly corporate clients, but hundreds of independent firms catered to troubled individuals and local business. These small agencies typically were run by an owner-manager with the help of two or three field operatives employed case by case. Additional operatives would be added as needed, which required a large floating reserve of agents available on demand. Some independent agencies specialized in matrimonial cases (including infidelity, divorce, breach of promise, and fortune hunting), which the large corporate agencies regarded as beneath their professionalism. Independents were versatile, sometimes assisting police in criminal matters but mainly dealing in complaints of fraud, extortion, blackmail, and missing persons. Commercial enterprises sometimes hired independent agencies in preference to maintaining in-house detectives. Seldom if ever did private detectives investigate major crimes such as murder, the province of municipal police.

Sam Hammett retired from detective work in 1922 and began a career writing fiction as Dashiell Hammett while supporting himself, his new wife, and their infant child by turning out advertising copy for a San Francisco jewelry store. Drawing on his own experience, Hammett began with short stories, many featuring the otherwise nameless Continental Op, a field operative for the fictional Continental Detective Agency. The Continental Op was unglamorous, stout, sardonic, gruffa working man. He took orders from the Old Man who managed the national agencys San Francisco office, a gentle, polite, elderly person with no more warmth in him than a hangmans rope. Although Hammett was not the only exponent of the hard-boiled detective story, he was the best and rapidly gained a national reputation for his prolific contributions to the flourishing pulp magazines (known as such for being printed on cheap paper with a high wood pulp content).

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