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Ralph Kylloe - Rustic Elegance

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Ralph Kylloe Rustic Elegance
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Rustic Elegance: summary, description and annotation

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Focusing on the work of Larry Pearson, AIA, who is recognized as a leader in rustic design, Rustic Elegance exudes both luxury and comfort, history and innovation. Pearson Design Group was the recipient of Mountain Living Magazines prestigious 2009 Home of the Year Award and has been featured on HGTVS Spectacular Homes. Features thirteen rustic homes from Montana, Colorado, and Connecticut.Ralph Kylloe, leading authority on rustic furniture, is the author of 20 previous books, including Cabins, Rustic Artistry for the Home, Cabin in the Woods, Cabins and Camp, Rustic Traditions, and The Rustic Home. He lives in Lake George, New York.

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Rustic Elegance
Written and Photographed by Ralph Kylloe
Rustic Elegance Digital Edition v10 Text 2010 Ralph Kylloe Photographs 2010 - photo 1

Rustic Elegance

Digital Edition v1.0

Text 2010 Ralph Kylloe

Photographs 2010 Ralph Kylloe

All rights reserved. No part of this book may be reproduced by any means whatsoever without written permission from the publisher, except brief portions quoted for purpose of review.

Gibbs Smith, Publisher

PO Box 667

Layton, UT 84041

Orders: 1.800.835.4993

www.gibbs-smith.com

ISBN: 978-1-4236-1976-5

The American intelligence community discovered that the country was about to be attacked by a foreign super power. It was a serious threat. Two messengers were sent to alert the American defenses. Mr. William Dawes, one of the two messengers, traveled fast and hard throughout the night. He bravely alerted the defenders of freedom and passed the message of the impending attack throughout the network established by his superiors. In the morning the American forces, ready and organized, routed the attacking foreign super power in a fierce and bloody battle.

It is interesting to note that the other messenger sent out to inform the citizens of America on that fateful night was none other than Paul Revere. It is also interesting to note that it was Paul Revere who received the glory and fame for his efforts to muster the troops. William Dawes was quickly forgotten and his name, even though he rode just as hard and as fast as Paul Revere, was quickly lost in the quagmire of history. With that said, Dawes did fully exhibit all the qualities of true heroism.

And, so, I dedicate this book to the heroism in all of us. Most of us will never be acknowledged or recognized. Most of us will never receive fame and fortune. At the very least life can be troublesome, difficult and challenging. Many of us would rather go fishing than go to work. But we do so to support our families and ourselves. Most of us work all of our lives and endure hardships that can try the souls of even the hardiest of humans. In our own small way we are heroes all. Its a good thing to keep this in mind.

Acknowledgments

With all of that said, Im compelled to offer my profound thanks to many people, including Larry Pearson himself. I could go on and on about him but I think a simple thank you will do.

I also want to mention my editor, Madge Baird, at Gibbs Smith. Madge is the absolute sweetheart of all editors and I greatly appreciate her prodigious efforts to clean up my work and keep me from losing my mind, which, on many occasions, has nearly happened!

I also need to thank a group of individuals who helped style my photos when I visited the homes. These stylists fluff the pillows, arrange the flowers, build the fires in the fireplaces, organize the kitchens and make my life easy. So, a sincere many thanks to Eleana Montoya and Rain Turrell from the Pearson Design Group. These ladies are fun-loving, professional design people that have the ability to turn just about anything into art. Also, a special thanks to designers Bill Peace and Hillary Linthicum, with whom Ive worked on many occasions.

Thanks also to Michele and Lindsey Kylloe (my wife and eleven-year-old daughter), who have styled photos on many occasions and always make my work better than it was. I also thank them for allowing me to virtually disappear in my study and work for hours, days, weeks and months on these projects.

I also need to thank my good friend Norman Van Diest. He is the mother of all computer wizards and has solved more problems for me than I can remember.

Special thanks to architect Keith Anderson from the office of PDG. Julia Miller from the PDG office was invaluable as she professionally arranged my hectic schedule and organized tons of information for me. Robert Esperti was also incredibly helpful with his ongoing mentoring and encouragement. (Bob, youre the best!) Dennis Durham was also helpful, offering insights on each project I photographed. Chris Lohss of Chris Lohss Construction was gracious in providing access to the different projects he completed that are featured in this book.

Thanks to Betsy Swartz for the artwork that hangs in many of the homes we photographed; to Kevin Hanly, Carly Gates, Carol Lehmann, Justin Tollefson, Greg Matthews, Joshua Barr, Jed Thomas, Patrick Johanson, Ben Kennedy, Nathan Crane, Alyssa Ruffie, Jacque Spitler, Carole Young, Hilary Heminway, Elizabeth Schultz, Catherine Lane, Charles De Lisle, Carole Hamill, Will Callahan and many others.

I am certain to have overlooked some individuals that should be acknowledged, and for that I apologize. Please feel free to e-mail me if I have inadvertently and thoughtlessly failed to mention an individual who was associated with the homes included in this book. Ill do my best to include such individuals in future printings.

With that said, I cant say thanks enough to the owners of the homes. You have all been gracious beyond belief. If any of you would like me to visit again during fly-fishing season, just let me know, cause Ill be there in a minute; and if I stay longer than a month, I promise to pay rent!

As a rule, I never say where these homes are located or mention the names of their owners. These are private homes not open to the public. Unfortunately, they are not open for viewing, casual visits, tours, cocktails, sleepovers, parties, reunions, bacchanalias, dinners, lunches, conferences, weekend happenings, or gatherings of any sort.

Preface

Many people ask how I find the homes I photograph. Thats not at all a problem. Every architect, designer, furniture builder, contractor and decorator in the entire world wants and needs to be published. Its incredibly important to the health and growth of any business. Consequently, Im often inundated with PR packages from business people all over the world. Sometimes I receive half a dozen packages a day from different designers wanting me to see their work. And, frankly, I love seeing new material. But I cant choose everyone, so I have to be very selective.

In truth, thousands of log cabins are constructed each year and each of them offers something unique. I chose homes for this book that were innovative. Many rustic homes today are furnished with extraordinary traditional rustic furniture. In all honesty, every inch in both of my homes is filled with some sort of rustic furniture and rustic accessories. But for this book I wanted to show how rustic homes look with something other than rustic furniture. Consequently, the homes contained in this book feature a wide variety of furnishings, including modern, Arts and Crafts, European and other eclectic styles. But theres more to it than that. Many of the homes Ive looked at and photographed lately are monastic in appearance. In other words, they are not over-burdened with accessories and furniture. Homes decorated in a simple style are often more relaxing and more intimate than those with excessive furnishings and accessories. Simplicity often has a calming effect. Further, less stuff in a home allows the visitor to appreciate the architecture and the few items that are part of the setting.

One of the more delightful innovations in interior design (its not really an innovation; its been around a long time but seems to be in favor at the moment) is textured walls. An extra layer of plaster is applied on top of Sheetrock. The plaster is left to dry with a rough, textured surface. Paint is then applied. Once dry, a glazing compound is applied to the surface, adding depth and character. The walls then take on an old-world appearance, sort of like a Tuscan villa or a Southwestern adobe compound. Frankly, I love it and have done this to a few walls in my own home. But for a photographer it poses some subtle problems. Sometimes dark smudges appear on the images and there is great inclination to remove these aberrations from the photograph in Photoshop. But reason prevails and I recognize this as part of the charm of the home. I just hope that no one thinks that I didnt clean my lens before making the photographs.

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