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Chinitz David E. - A Companion to Modernist Poetry

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Chinitz David E. A Companion to Modernist Poetry
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Blackwell Companions to Literature and Culture This series offers - photo 1

Blackwell Companions to Literature and Culture

This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post-canonical texts, orientating the beginning student in new fields of study and providing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the field.

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88. A Companion to Modernist PoetryEdited by David E. Chinitz and Gail McDonald
This edition first published 2014 2014 John Wiley Sons Ltd Registered - photo 2

This edition first published 2014

2014 John Wiley & Sons, Ltd

Registered Office

John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

Editorial Offices

350 Main Street, Malden, MA 02148-5020, USA

9600 Garsington Road, Oxford, OX4 2DQ, UK

The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell.

The right of David E. Chinitz and Gail McDonald to be identified as the authors of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book.

Limit of Liability/Disclaimer of Warranty: While the publisher and authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. It is sold on the understanding that the publisher is not engaged in rendering professional services and neither the publisher nor the authors shall be liable for damages arising herefrom. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Library of Congress Cataloging-in-Publication Data applied for

Hardback ISBN: 978-0-470-65981-6

A catalogue record for this book is available from the British Library.

Cover image: Paul Klee, Red Balloon, 1922 (no. 179), oil on gauze on board. Solomon R. Guggenheim Museum, New York / Giraudon / The Bridgeman Art Library

Cover design by Richard Boxall Design Associates

Notes on Contributors

Tim Armstrong is Professor of Modern English and American Literature at Royal Holloway, University of London. He is the author of Modernism, Technology, and the Body (1998), Haunted Hardy: Poetry, History, Memory (2000), Modernism: A Cultural History (2005), and The Logic of Slavery: Debt, Technology, and Pain in American Literature (2012). His Thomas Hardy: Selected Poems (Longman Annotated Texts) was reissued in 2009.

Chris Baldick is Professor of English at Goldsmiths, University of London. His publications include Literature of the 1920s (2012), Decadence: An Annotated Anthology (coedited with Jane Desmarais, 2012), The Modern Movement (Oxford English Literary History, Volume 10) (2004), and The Oxford Dictionary of Literary Terms (2008).

Rebecca Beasley is University Lecturer in Twentieth and Twenty-First Century Literature in the Faculty of English at the University of Oxford, and a Fellow of The Queen's College. She is the author of Ezra Pound and the Visual Culture of Modernism (2007), and Theorists of Modernist Poetry: Ezra Pound, T. S. Eliot and T. E. Hulme (2007). She is currently writing a book on the impact of Russian culture on British modernism.

Melissa Bradshaw teaches in the English Department at Loyola University Chicago. She is the author of Amy Lowell, Diva Poet, which won the 2011 MLA Book Prize for Independent Scholars and has published articles on divas in American culture and on Greenwich Village bohemianism. She is the coeditor of Selected Poems of Amy Lowell (2002) and Amy Lowell, American Modern (2004), a volume of critical essays.

Sascha Bru (Leuven University) is the author of numerous essays on modernist and avant-garde writers. His most recent book is entitled Democracy, Law and the Modernist Avant-Gardes: Writing in the State of Exception (2009). He is the coeditor of various volumes, including The Oxford Cultural and Critical History of Modernist Magazines, vol. 3, and Regarding the Popular: Modernism, the Avant-Garde, and High and Low Culture

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