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Danto Arthur C. - Danto and His Critics

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DANTO AND HIS CRITICS -- Contents -- Notes on Contributors -- Acknowledgments -- Selected Bibliography of the Works of Arthur Danto -- Introduction -- Part I: System and Method -- 1 Danto as Systematic Philosopher, or Comme on lit Danto en franais -- 2 Dantos Gallery of Indiscernibles -- Part II: Intention and Interpretation -- 3 The Invisible Content of Visual Art -- 4 Dj vu All Over Again: How Dantos Aesthetics Recapitulates the Philosophy of Mind -- 5 Surface and Deep Interpretation -- 6 Other Pictures We Look at, -- His Prints We Read: Danto Reading Lamb Reading Hogarth on the Art of the Commonplace -- Part III: Philosophy of Art -- 7 A Tale of Two Artworlds -- 8 Essence, Expression, and History: Arthur Dantos Philosophy of Art -- 9 Dantos New Definition of Art and the Problem of Art Theories -- 10 Danto and Kant: Together at Last? -- 11 Atomism, Art, and Arthur: Dantos Hegelian Turn -- Part IV: Historical Knowledge -- 12 Art and Its Doubles: Danto, Foucault, and Their Simulacra -- 13 The Beginning of the End: Danto on Postmodernism -- 14 Dantos Aesthetic: Is It Truly General As He Claims? -- Part V: What Philosophy Is -- 15 Art as Religion: Transfigurations of Dantos Dao -- 16 Looking Beyond the Visible: The Case of Arthur Dantwo -- Part VI: Responses -- 17 Replies to Essays -- Afterword: Not by a Soap Box but First by a Kiss -- Index.;Updated and revised, the Second Edition of Danto and His Critics presents a series of essays by leading Danto scholars who offer their critical assessment of the influential works and ideas of Arthur C. Danto, the Johnsonian Professor Emeritus in the Department of Philosophy at Columbia University and long-time art critic for The Nation. Reflects Dantos revisions in his theory of art, reworking his views in ways that have not been systematically addressed elsewhereFeatures essays that critically assess the changes in Dantos thoughts and locate Dantos revised theory in the larger context of.

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Philosophers and Their Critics

General Editor: Ernest Lepore

Philosophy is an interactive enterprise. Much of it is carried out in dialogue as theories and ideas are presented and subsequently refined in the crucible of close scrutiny. The purpose of this series is to reconstruct this vital interplay among thinkers. Each book consists of a temporary assessment of an important living philosopher's work. A collection of essays written by an interdisciplinary group of critics addressing the substantial theses of the philosopher's corpus opens each volume. In the last section, the philosopher responds to his or her critics, clarifies crucial points of the discussion, or updates his or her doctrines

1 Dretske and His Critics

Edited by Brian McLaughlin

2 John Searle and His Critics

Edited by Ernest Lepore and Robert van Gulick

3 Meaning in Mind: Fodor and His Critics

Edited by Barry Loewer and Georges Rey

4 Dennett and His Critics

Edited by Bo Dahlbom

5 Danto and His Critics

Edited by Mark Rollins

6 Perspectives on Quine

Edited by Robert B. Barrett and Roger F. Gibson

7 The Churchlands and Their Critics

Edited by Robert N. McCauley

8 Singer and His Critics

Edited by Dale Jamieson

9 Rorty and His Critcs

Edited by Robert B. Brandom

10 Chomsky and His Critics

Edited by Louise M. Antony and Norbert Hornstein

11 Dworkin and His Critics

Edited by Justine Burley

12 McDowell and His Critics

Edited by Cynthia Macdonald and Graham Macdonald

13 Stich and His Critics

Edited by Dominic Murphy and Michael Bishop

14 Danto and His Critics, 2nd Edition

Edited by Mark Rollins

This second edition first published 2012 2012 John Wiley Sons Inc Edition - photo 1

This second edition first published 2012

2012 John Wiley & Sons Inc.

Edition history: Blackwell Publishing Ltd (1e, 1994)

Wiley-Blackwell is an imprint of John Wiley & Sons, formed by the merger of Wiley's global Scientific, Technical and Medical business with Blackwell Publishing.

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The right of Mark Rollins to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

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Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Library of Congress Cataloging-in-Publication Data

Danto and his critics / edited by Mark Rollins. 2nd ed.

p. cm. (Philosophers and their critics ; 14)

Includes bibliographical references and index.

ISBN 978-0-470-67344-7 (hardback)

1. Danto, Arthur Coleman, 1924 I. Rollins, Mark, 1947

B945.D364D36 2012

191dc23

2011044952

A catalogue record for this book is available from the British Library.

For my daughter, Alison

Notes on Contributors

Myles Brand (19422009) was President of the NCAA (National Collegiate Athletic Association), of Indiana University, and of the University of Oregon. He authored many books in action theory, e.g., Intending and Acting , and later advocated for academic reform on behalf of student-athletes.

Peg Brand is an artist and Associate Professor of Philosophy and Women's Studies at Indiana UniversityPurdue University, Indianapolis, whose specialty in aesthetics is feminist art and theory. She is editor of Beauty Matters and Beauty Revisited .

David Carrier is Champney Family Professor at Case Western University/Cleveland Institute of Art. He has been a Getty Scholar and contributing editor at Arts Magazine. His books include Artwriting , Principles of Art History Writing , and Poussin's Paintings.

Nol Carroll is Distinguished Professor of Philosophy at the CUNY Graduate Center. His books include Beyond Aesthetics , The Philosophy of Motion Pictures , The Philosophy of Art , and The Philosophy of Horror. He is past president of the American Society for Aesthetics.

Diarmuid Costello is in the Department of Philosophy, University of Warwick. He is editor or co-editor of The Life and Death of Images: Ethics and Aesthetics , Art: Key Contemporary Thinkers , and special issues of Critical Inquiry , The Journal of Aesthetics and Art Criticism , Art History , as well as a number of articles and papers in aesthetics. He is on the executive committee of the British Society for Aesthetics.

George Dickie is Emeritus Professor of Philosophy at the University of Illinois, Chicago. He is the author of Art and the Aesthetic , The Art Circle , The Century of Taste , Art and Value , and Evaluating Art.

Jerry A. Fodor is the State of New Jersey Professor of Philosophy at Rutgers University. Among his many publications are A Theory of Content , Psychosemantics , The Modularity of Mind , RePresentations , The Language of Thought , The Mind Doesn't Work That Way , and What Darwin Got Wrong.

Lydia Goehr is Professor of Philosophy at Columbia University. She is the author of The Imaginary Museum of Musical Works, The Quest for Voice: Music, Politics, and the Limits of Philosophy , and Elective Affinities: Musical Essays on the History of Aesthetic Theory .

Daniel Herwitz is Director of the Institute for Humanities, Mary Faire Croushoe Professor of Philosophy, and Professor of Art History at the University of Michigan. He is the author of Marking Theory/Constructing Art: On the Authority of the Avant-Garde and Race and Reconciliation.

Kathleen M. Higgins is Professor of Philosophy at the University of Texas. She is the author of The Music of Our Lives and Nietzsche's Zarathustra.

Mark Rollins is Professor of Philosophy and Professor in the Philosophy-Neuroscience-Psychology Program and the Sam Fox School of Visual Design and the Arts at Washington University. He is the author of Mental Imagery: On the Limits of Cognitive Science and co-editor of Begetting Images: Studies in the Art and Science of Image Production. He is completing The Strategic Eye: Perception and the Pictorial Arts.

Carlin Romano , literary critic for the Philadelphia Inquirer and critic-at-large for The Chronicle of Higher Education , has taught philosophy at Yale, Yeshiva University, and the University of Pennsylvania.

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