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Charlotte Bacon - A private state: stories

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Award-winning writer Charlotte Bacon illuminates the unexpected ambiguities of womens lives in a beautifully crafted collection of stories about women who have arrived at awkward edges in their lives--adolescence, or old age, sick or pregnant. Many come to abrupt discoveries or stumble on startling secrets. Despite their range in age and situation, all share the common goal of trying to reassemble their lives .

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title A Private State Stories author Bacon Charlotte - photo 1

title:A Private State : Stories
author:Bacon, Charlotte.
publisher:University of Massachusetts Press
isbn10 | asin:1558491147
print isbn13:9781558491144
ebook isbn13:9780585142005
language:English
subjectWomen--United States--Social life and customs--Fiction.
publication date:1998
lcc:PS3552.A27P7 1998eb
ddc:813/.54
subject:Women--United States--Social life and customs--Fiction.
Page iii
A Private State
Stories
Charlotte Bacon
University of Massachusetts Press
Amherst
Page iv
This book is the winner of the Associated Writing Programs 1996 Award in Short Fiction. AWP is a national, nonprofit organization dedicated to serving American letters, writers, and programs of writing. AWP's headquarters are at George Mason University, Fairfax, Virginia.
Copyright 1998 by Charlotte Bacon
All rights reserved
Printed in the United States of America
LC 97-14672
ISBN 1-55849-114-7
Designed by Kristina Kachele
Set in Granjon by Keystone Typesetting, Inc.
Printed and bound by Thomson Shore, Inc.
Library of Congress Cataloging-in-Publication Data
Bacon, Charlotte, 1965
A private state : stories / Charlotte Bacon.
p. cm.
Contents: Live free or die Arizona Luck A private state
Safe as houses Pacific Accidentals Mercury
Monsoon Open season Mrs. Pritchard and Mr. Watson.
ISBN 1-55849-114-7 (alk. paper)
1. WomenUnited StatesSocial life and customsFiction.
I. Title.
PS 3552.A 27P 7 1997
813'.54dc21Picture 2Picture 3Picture 497-14672
Picture 5Picture 6Picture 7Picture 8CIP
British Library Cataloguing in Publication data are available.
Page v
For my parents.
Page vii
Acknowledgments
I would like to acknowledge "Other Voices" for permission to reprint, in slightly different form, "Open Season."
I would also like to thank Phillips Exeter Academy for the George Bennett Memorial Fellowship, which gave me the time and quiet needed to write or revise most of these stories.
Louise White and Rebecca Carman have my great appreciation for their patient reading and kind encouragement as the book took shape.
Finally, I want to thank Brad Choyt, who understands how important it is to try and get the words right.
Page ix
Contents
Live Free or Die
1
Arizona
19
Luck
33
A Private State
50
Safe as Houses
65
Pacific
83
Accidentals
98
Mercury
114
Monsoon
130
Open Season
147
Mrs. Pritchard and Mr. Watson
162

Page 1
Live Free or Die
It is the first monday of february and mary ellen is teaching George Herbert to her smartest juniors. His work is chaste but ardent and far from snowplows that wake sparks from icy streets. When Mary Ellen imagines Herbert's Britain, it is always High Summer, safe and daisied. In New Hampshire, where Mary Ellen lives, people close their faces against the cold, as if they're wary of losing warmth and moisture through extraneous talk. Then again this is New England, where talk is lean even in a lush and dappled August.
The juniors aren't, as they say, "into" Herbert, though they admire the poems where form imitates theme, such as "Easter Wings," whose stanzas seem to rise off the page like a pair of butterflies. Today, Tim, one of Mary Ellen's most pragmatic students, comments that form equals function, kind of like life.
Mary Ellen envies Tim's sturdy cheer. Last fall, her husband Frank Marten, a veterinarian who hunts, began renting across town. In December, Mary Ellen found herself wearing pale sweaters and beige pants, a snow hare in transition. Now she cloaks herself in mohair shawls the shade of ptarmigans in winter plumage. She's moving as carefully as she can through a house where she still finds flea dip in dark cupboards. Mary Ellen says, "Tim, I have to disagree. Most of the time, life has even less coherence than a smashed bug." The students eye her then, tilting
Page 2
back on their chairs. "Don't tilt," Mary Ellen says reflexively. But it is hard to focus on the airy hope of "Easter Wings" again.
Mary Ellen begins to explain the homeworkwriting a poem about anger in the shape of an arrowwhen Tim's chair crashes backward. He is on the floor and screaming. "What is it, Tim?" Mary Ellen shouts. "Where does it hurt?" Then at his wrist she sees a flash of bone and blood, but his face has shrunk to something dried and crumpled, like a currant. Someone moans, "Oh Jesus.''
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