Ed Ochester, Editor Published by the University of Pittsburgh Press, Pittsburgh, Pa., 15260
Quincie Hamby My God! Where is everyone? I can't sleep on this bed of gold. Give it all away. Light comes only from divine love. The world is a theater of everything we want. Goodbye monsters, hallucinations, catastrophes. The perfect song of angels rises from the rescue ship.
It is divine love. Two loves! I can die of my love for God or my love of the world. I have left those whose wounds will be deeper by my betrayal. Among the lost you choose me, but the othersare they not dear to me? Save them! ARTHUR RIMBAUD, A SEASON IN HELL
Ode to Forgetting the Year
Forget the year, the parties where you drank too much, said what you thought without thinking, danced so hard you dislocated your hip, fainted in the kitchen, while Gumbo, your hosts Jack Russell terrier, looked you straight in the eye, bloomed into a boddhisattva, lectured you on the Six Perfections while drunk people with melting faces gathered around your shimmering corpse. Then there was February when you should have been decapitated for stupidity. Forget those days and the ones when you faked a smile so stale it crumbled like a cookie down the side of your face.
Forget the crumbs and the mask you wore and the tangle of Scotch tape you used to keep it in place, but then you'd have to forget spring with its clouds of jasmine, wild indigo, and the amaryllis with their pink and red faces, your garden with its twelve tomato plants, squash, zucchini, nine kinds of peppers, okra, and that disappointing row of corn. Forget the corn, its stunted ears and brown oozing tips. Forgive the worms that sucked their flesh like zombies and forgive the bee that stung your arm, then stung your face, too. While we're at it, let's forget 1974. You should have died that year, or maybe you did. And 2003. And 2003.
You could have called in sick those twelve monthssick and silly, illiterate and numb, and summer, remember the day at the beach when the sun began to explain Heidegger to you while thunderclouds rumbled up from the horizon like Nazi submarines? The fried oysters you ate later at Angelo's were a consolation and the margaritas with salt and ice. Remember how you begged the sullen teenaged waitress to bring you a double, and double that, pleasepleaseplease. And forget all the crime shows you watched, the DNA samples, hair picked up with tweezers and put in plastic bags, the grifters, conmen, and the husbands who murdered their wives for money or just plain fun. Forget them and the third grade and your second boyfriend, who loved Blonde on Blonde as much as you did but wanted something you wouldn't be able to give anyone for years. Forget movies, too, the Hollywood trash in which nothing happened though they were loud and fast, and when they were over time had passed, which was a blessing in itself. O blessed is Wong Kar-wai and his cities of blue and rain.
Blessed is David Lynch, his Polish prostitutes juking to The Loco-Motion in a kitschy fifties bungalow. Blessed is Leonard Cohen, his Hallelujah played a thousand times as you drove through Houston, its vacant lots exploding with wild flowers and capsized shopping carts. So forget the pizzas you ate, the ones you made from scratch and the Domino's ordered in darkest December, the plonk you washed it down with and your Christmas tree with the angel you found in Naples and the handmade Santas your sons brought home from school, the ones with curling eyelashes and vampire fangs. Forget their heartbreaks and your sleepless nights like gift certificates from The Twilight Zone, because January's here, and the stars are singing a song you heard on a street corner once, so wild the pavement rippled, and it called you like the night calls you with his monsters and his marble arms.
How to Pray
Falling down on your knees is the easy part, like drinking a glass of cold water on a hot day, the parched straw of your throat flooded, your knees hitting the ground, a prizefighter in the final rounds. You're bloody, your bones like iron ties, hands trembling in the dust.
What do you do with your hands? Clasp them together as if you're keeping your heart between your palms, like their namesakes in the desert oasis, because that's what you're looking for now, a place where you can rest. It has been a dry ride for months, sand filling your mouth, crusting your half-blind eyes, and you need to speak to someonethough who you don't really know. Pardon is on your mind. Perhaps you could talk to your mother. You are fifteen and think her life is over. You don't say it, but you think it, and she's ten years younger than you are now, her hair still dark.
How do you thank her for waking up each morning and taking on a day that would kill you and not just one but thousands? How do you thank her for the way she tossed words around and made them spin and laugh and do cartwheels on the lawn? And your father, he's the one who loved poetry, bought the book that opened your world to you like someone cutting into a birthday cake the gods have baked just for her. Do you talk to him about not caring and teaching you that same cool touch? And King James, how do you thank him for all the words his scribes took from Wycliff and Tyndall, and Keats for his odes, and Neruda for his. But this wasn't meant to be a prayer of thanksgiving but a scourge with a hair shirt and whips and bowls of gruel. But is it blood the gods need, or should your offering be all you havewords and too many of them to count on the fingers pressed to your lips, or maybe not enough and never the right ones.
Ode to Knots, Noise, Waking Up at Three, and Falling Asleep Reading to My Id
Why does everything seems so impossible in the middle of the night? I wake up at three with my mind in a knot, and I might as well be Incan, the ancient people of Peru, whose language was not written in characters like the Chinese or letters like the Greeks and Romans or even runes like the Celts, but knots on a string, so maybe when the Incans woke up at three, they could feel their knots, whereas all I can do is review my worries or recite the poems I've memorized, a couple of sonnets by Shakespeare and Donne, Hamlet's What a piece of work is a man speech and all the lyrics to
Highway 61 Revisited, my favorite being Just Like Tom Thumb's Blues, because when the lights are out you might as well be lost in the rain in Jurez, and sometimes I forget how uncooperative the material world can be, though at moments all the pieces fit like a Byzantine mosaic, which I'm thinking about now because I'm going to Ravenna tomorrow, and I can't sleep because the Piazza Sant'Ambrogio, which is right outside my bedroom window, has become a late night hangout for braying drunksGod, the lungs on those peopleand I can't help but think of all my mistakes as they line up like the bloody crucifixions I've been seeing in Italy this spring, though the sky has been a glorious Leonardo blue, and the names of the artists, how could you not be great with a name like Duccio di Buoninsegna, and you'd have to go a long way to find a better name than Dosso Dossi, so toss and turn as I may, it is not Eastertime, but the beginning of June, and it was Luis Buuel who said,
Thank GodI'm an atheist, though my Bulgarian student Polina says that God is in other people, and it's hard not to believe in other people since there are so many of them, their screams bouncing off the Renaissance walls of Sant'Ambrogio and into my window, and my train leaves at 7:30, and what if my mother has a stroke, and there's no one there to help her, and all my cats line up and list my betrayals: Annabelle, Sylvia Wilberforce, Little Latin Loopy Lulu, and Bucky, aka Mr. Suit Pants, Mr.