The American Road Trip and
American Political Thought
Politics, Literature, and Film
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The Politics, Literature Film series is an interdisciplinary examination of the intersection of politics with literature and/or film. The series is receptive to works that use a variety of methodological approaches, focus on any period from antiquity to the present, and situate their analysis in national, comparative, or global contexts. Politics, Literature, and Film seeks to be truly interdisciplinary by including authors from all the social sciences and humanities, such as political science, sociology, psychology, literature, philosophy, history, religious studies, and law. The series is open to both American and non-American literature and film. By putting forth bold and innovative ideas that appeal to a broad range of interests, the series aims to enrich our conversations about literature, film, and their relationship to politics.
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Linda Beail, Point Loma Nazarene University
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The American Road Trip and
American Political Thought
Susan McWilliams Barndt
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Excerpt from On Freedoms Ground from NEW AND COLLECTED POEMS by Richard Wilbur. Copyright 1998 by Richard Wilbur. Reprinted by permission of Houghton Miflin Harcourt Publishing Company. All rights reserved.
The Sacred, from BETWEEN ANGELS by Stephen Dunn. Copyright by Stephen Dunn. Used by permission of W. W. Norton & Company, Inc.
Excerpt from Wendell Berry, Remembering: A Novel. Copyright 2008 by Wendell Berry. Reprinted by permission of Counterpoint Press.
Excerpt(s) from HOME by Toni Morrison, copyright 2012 by Toni Morrison. Used by permission of Alred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.
Excerpt from Wendell Berry, The Unforeseen Wilderness: Kentuckys Red River Gorge. Copyright 1991 by Wendell Berry. Reprinted by permission of Counterpoint Press.
Excerpt from James Baldwin, Tell Me How Long the Trains Been Gone (New York: Vintage 1968), 113.
Born To Run, by Bruce Springsteen. Copyright 1975 Bruce Springsteen, renewed 2003 Bruce Springsteen (Global Music Rights). Reprinted by permission. International copyright secured. All rights reserved.
From FLAMING IGUANAS: an Illustrated All-Girl Road Novel Thing by Erika Lopez. Copyright 1997 by Erika Lopez. Reprinted with the permission of Scribner, a division of Simon & Schuster, Inc. All rights reserved.
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Library of Congress Cataloging-in-Publication Data
Names: Barndt, Susan McWilliams, 1977- author.
Title: The American road trip and American political thought / Susan McWilliams Barndt.
Description: Lanham, Maryland : Lexington Books, [2018] | Includes bibliographical references and index.
Identifiers: LCCN 2018016039 (print) | LCCN 2018024701 (ebook) | ISBN 9781498556873 (electronic) | ISBN 9781498556866 (cloth : alk. paper)
Subjects: LCSH: Political culture--United States. | Public spaces--Political aspects--United States. | United States--Description and travel.
Classification: LCC JK1726 (ebook) | LCC JK1726 .B28 2018 (print) | DDC 306.20973--dc23
LC record available at https://lccn.loc.gov/2018016039
TM The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992.
Printed in the United States of America
for SKY
Acknowledgments
In 2013, a Pomona College student named Clara Shelton suggested to my colleague John Seery that he teach a class on the American road trip. Within hours, John had asked me to co-teach the course, and I had agreed. This book has its origin in those quick but inspired conversations. My first and heartiest thanks are to Clara and John.
I owe a debt of gratitude to all of the other students, too, who participated in the American Road Trip course at Pomona in the spring of 2014: Benjamin Brasch, Gabe Bronshteyn, Rachel Brownell, Cameron Cook, Larkin Corrigan, Claudia Crook, Laura Epstein, Joel Fagliano, Wesley Haas, Nicholas Herzeca, Madeline Jenks, Amanda Kallis, Kathryn Kelly, Frances Kyl, Jennifer Livermore, Samuel McLaughlin, Emily Morris, Emma Paine, Aaran Patel, Megan Raymond, Kyle Schneider, Jessica Warren, Nathaniel Yale, and Sonya Zhu. And I am especially grateful to my colleague Joti Rockwell, who was formally a class auditor but informally a third professor, bringing musicboth literal and figurativeto the course.
As an institution, Pomona College has supported this project in myriad ways. I am lucky to teach there. I am particularly grateful for the support and insight of my colleagues Elizabeth Crighton, Lorn Foster, Mary Paster, and Bill Swartz (the last of whom is probably the only member of our faculty to ride a Harley). Many Pomona families, friends, and alumni alsoin various discussion opportunities arranged through the Collegeasked questions and made insights that informed what I say in these pages.