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LeAnne Howe - Miko Kings: An Indian Baseball Story

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LeAnne Howe Miko Kings: An Indian Baseball Story
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Miko Kings: An Indian Baseball Story: summary, description and annotation

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Miko Kings is set in Indian Territorys queen city, Ada, Oklahoma, during the baseball fever of 1907, but moves back and forth from 1969, during the Vietnam War, to present-day Ada. The story focuses on an Indian baseball team but brings a new understanding of the term Americas favorite pastime. For tribes in Indian Territory, baseball was an extension of a sport theyd been playing for centuries before their forced removal to Indian Territory.
The story centers on the lives of Hope Little Leader, a Choctaw pitcher for the Miko Kings, and Ezol Day, a postal clerk in Indian Territory who travels forward in time to tell stories to our present-day narrator. With Days help, the narrator pulls us into Indian boarding schools, such as the historical Hampton Normal School for Blacks and Indians in Virginia, where the novels legendary love story between Justina Maurepasa character modeled after an influential Black educatorand Hope Little Leader, begins.
Though a lively and humorous work of fiction, the narrative draws heavily on LeAnne Howes careful historical research. She weaves original and fictive documents into the text, such as newspaper clippings, photographs, typewritten letters, and handwritten journal entries.
LeAnne Howes Miko Kings is an incredible act of recovery: baseball, a sport jealously guarded by mainstream Anglo culture, is also rooted in Native American history and territory...[Howes] compelling stories and narratives...expose the political games of the 20th century that Native Americans learned to play for resistance and survival.Rigoberto Gonzlez, author (So Often the Pitcher Goes to Water Until It Breaks and Butterfly Boy)
LeAnne Howe, an enrolled member of the Choctaw Nation of Oklahoma, is an author, playwright, and scholar. Born and educated in Oklahoma, she has read and lectured throughout the United States, Japan, and the Middle East. Her first novel, Shell Shaker, earned her a 2002 American Book Award and a Wordcraft Circle Writer of the Year in Creative Prose award. In 2004, Shell Shaker was published in French. Howe is a recipient of a National Endowment for the Humanities award for research and a Smithsonian Native American internship for research. She has written and directed for theater, radio, and film. Her most recent film project as the narrator/host of Spiral of Fire aired on PBS in the fall of 2006. She is currently an associate professor at the University of Illinois at Urbana-Champaign.

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Aunt Lute Books San Francisco Copyright 2007 by LeAnne Howe All rights - photo 1

Aunt Lute Books, San Francisco

Copyright 2007 by LeAnne Howe

All rights reserved. This book, or parts thereof, must not be reproduced in any form or by any means, electronic or mechanical, including photocopying and recording, or by an information storage and retrieval system, without written permission from the publisher.

All historical photographs (including cover photos) appear courtesy of The Ada Evening News.

Chapter 6 appears, in slightly different form, in The Yalobusha Review, vol. XII, 2007, Univ. of Mississippi, Oxford.

The author would like to acknowledge the song The Ball Is Over, originally published in a Greeley newspaper (date unknown), and re-published in Charles Saulsberrys 1940 Daily Oklahoman series Fifty Years of Baseball. The song that appears here, After the bases are gone..., is the authors homage to The Ball Is Over.

Lyrics to the Beatles song Because reprinted with permission from Sony/ATV Music Publishing LLC.

Aunt Lute Books

P.O. Box 410687

San Francisco, CA 94141

www.auntlute.com

Executive Director: Joan Pinkvoss

Artistic Director: Shay Brawn

Production: Erica Bestpitch, Andrea de Brito, KB Burnside, Gina Gemello, Shahara Godfrey, Clo-Mai Le Gall-Scoville, Cassie McGettigan, Soma Nath, Anna Neary, Sabrina Peterson, Kathleen Pullum, Elisabeth Rohrbach, Jenna Varden, Melissa Wong-Shing, Ladi Youssefi.

Cover and Text Design: Amy Woloszyn | amymade graphic design

This book was funded in part by grants from the LEF Foundation, the National Endowment for the Arts, and the Vessel Foundation.

This is a work of fiction. Names, characters, places, and incidents are either the product of the authors imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

Library of Congress Cataloging-in-Publication Data

Howe, LeAnne.

Miko Kings : an Indian baseball story / LeAnne Howe. -- 1st ed.

p. cm.

ISBN 978-1-939904-02-7 eBook

ISBN 978-1-879960-78-7 (Print)

1. Indian baseball players--Fiction. 2. Choctaw Indians--Fiction. 3. Ada (Okla.)--Fiction.

4. Baseball stories. I. Title.

PS3608.O95M56 2006

813.6--dc22

2007006850

Printed in the U.S.A. on acid-free paper

First Edition 10 9 8 7 6 5 4 3

Acknowledgments

There are many people to thank for their generous support in bringing Miko Kings to life. Barry Hannah, for bringing me to the University of Mississippi as the 2006-2007 John and Renee Grisham Writer-in-Residence. The fellowship gave me the time to finish the book. Sincere thanks also goes to Professors Michelle Raheja, University of California, Riverside; Reed Browning, Kenyon College; Susan Strauss, Michigan State University; Philip Deloria, University of Michigan, for introducing me to His Last Game; Roy Wortman, Kenyon College; Annette Trefzer, University of Mississippi, and her husband Mickey Howley; Robert Warrior, University of Oklahoma, for passing along research from Carlisle Indian Industrial School; Jacki Rand, University of Iowa, for her careful reading; Lauri Sisquoc, Museum Curator, Sherman Indian School (Riverside, California); poet Susan Swartout for her encouragement all these years; Ron Pinkard, for our many intellectual discussions about Okchamali; and Amelia A. Rogers at the University of Mississippi, for her patience and help in creating the images. A special thanks to Alberta Blackburn, Billie Floyd, Brenda Tollett, Daisy Daggs, and Zelda Daggs for their expertise and knowledge on the history of Ada, Oklahoma. Thanks also to filmmaker Jim Fortier for helping me believe in images, and to Susan Power, who strongly urged me to follow the characters wherever they took me. Yakoke to all the Indian ballplayers and ball teams that play every August at the Choctaw Nations Red Warriors Park in Tuskahoma, Oklahoma.

Special thanks to Joan Pinkvoss for not giving up on me, or the novel. Gina Gemello, ditto, and to all the women at Aunt Lute Books. Many thanks to Deia de Brito for creating Ezol on the page, as well as to author and baseball historian Royce Crash Parr and his wife Sheila for their generous help with Oklahoma baseball history research.

And finally a very special thanks to my son Joseph Craig and his partner Sharon Moseley, who helped me create the baseball scenes in this story.

For all the American Indians whove played the game!

And here too is the echo of baseballs childhood memory in Anompa Sipokni Old - photo 2

And here too is the echo of baseballs childhood memory in Anompa Sipokni Old - photo 3

And here too is the echo of baseballs childhood
memory in Anompa Sipokni, Old Talking Places.
Indian Territory.

A book.

The film His Last Game Released in 1909 by International Moving - photo 4

The film.

His Last Game Released in 1909 by International Moving Pictures The Story - photo 5

His Last Game. Released in 1909 by International Moving Pictures.

The Story.

Prelude

A peach moon slowly rises at the hem of the sky. Here, September sunlight turns grainy at twilight, as the brilliant azure of the midday sky fades to robins-egg blue. In a half hour, balmy air will descend, signaling to the locust choir nestled on the limbs of a nearby oak tree that its time to travel again. Hunt a mate. Compete for love.

Meanwhile

A few yards away at Eldo Whipples Chicken Farm outside of Ada, fourteen Indians dressed in a variety of stage costumes await another kind of signal. A cue from their moving picture producer Carl Laemmle. Four of the men wear short-sleeve shirts that say Jimtown Bar. The others have flimsy strips of cloth pinned on the front of their baseball shirts that read Choctaw.

Their long hair shorn and their faces scrubbed clean, the Choctaws wear clothes cut from modern textiles, the same as any Broadway clerk. They represent savagery gone civilized. Laemmle tells the Choctaws to act jolly, as if they were enjoying wearing long johns, socks, and tight shoes.

In real life the Indians are professional baseball players for the Miko Kings, winners of the 1907 Indian Territory League pennant. But today theyre acting in the first moving picture about American baseball. The story, set in Indian Territory, is about two rival teams, the fictional Jimtown Bar team and the Choctaw Indians. Everyone associated with the Miko Kings has been drafted to play a role in the film, which is called His Last Game.

The Miko Kings best hurler, twenty-five year old Hope Little Leader, has had a remarkable year, finishing the season with an earned run average of 2.17. Today, hes made up to look like an aging, stoic plains warrior. He wears a black wig with two long braids, black shirt, a tan vest with blue horses painted on it, leggings, and moccasins. The wigs supposed to make him look traditional, but Laemmle wove it like a girls braids. Its obvious to the Indians that their producer doesnt know the difference between the plaits of a powerful warrior and those of a little girl. Each time Laemmles back is turned, Hopes teammates elbow one another and point at the wig. The men use sign language to call Hope

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