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Martin - The Routledge Companion to Art and Politics

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Martin The Routledge Companion to Art and Politics
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The Routledge Companion to Art and Politics The Routledge Companion to Art and - photo 1
The Routledge Companion to Art and Politics

The Routledge Companion to Art and Politics offers a thorough examination of the complex relationship between art and politics, and the many forms and approaches the engagement between them can take.

The contributorsa diverse assembly of artists, activists, and scholars from around the world discuss and demonstrate ways of making art and politics legible and salient in the world. As such, the 32 chapters in this volume reflect on performing and visual arts; music, film, and new media; as well as covering social practice, community-based work, conceptual, interventionist, and movement-affiliated forms.

The Companion is divided into four distinct parts:

  • Conceptual Cartographies
  • Institutional Materialities
  • Modalities of Practice
  • Making Publics

Randy Martin has assembled a collection that ensures that readers will come away with a wider view of what can count as art and politics; where they might find it; and how it moves in the world. The diversity of perspectives is at once challenging and fortifying to those who might dismiss political art on the one hand as not making sufficient difference and on the other to those embracing it but seeking a means to elaborate the significance that it can make in the world.

The Routledge Companion to Art and Politics brings together a range of issues and approaches and encourages critical and creative thinking about how art is produced, perceived, and received.

Contributors: Caron Atlas, Wafaa Bilal, Claire Bishop, Swati Chattopadhyay, Patricia Ticiento Clough, Dudley Cocke, Jan Cohen-Cruz, Critical Art Ensemble, Eduardo de la Fuente, Ricardo Dominguez, Mark Driscoll, Boris Groys, Jack Halberstam, Stefano Harney, Shannon Jackson, Joasia Krysa, Suzanne Lacy, Lisa Le Feuvre, Andr Lepecki, Ana Mara Ochoa, Toby Miller, Svetlana Mintcheva, John Roberts, Ned Rossiter, Keng Sen Ong, Jacques Servin, Gregory Sholette, Robert Stam, Diana Taylor, Marta Moreno Vega, Marina Vishmidt, Soenke Zehle, Ultra-red.

Randy Martin is Professor and Chair of Art and Public Policy and founding director of the graduate program in Arts Politics at the Tisch School of the Arts, New York University. He is author of books on the politics of dance, theatre, war, finance, and education.

The Routledge Companion to Art and Politics

Edited by Randy Martin
(With editorial assistance from Victor J. Peterson, II)

First published 2015 by Routledge 2 Park Square Milton Park Abingdon Oxon - photo 2

First published 2015
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN

and by Routledge
711 Third Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business

2015 Randy Martin for selection and editorial matter; individual contributions the contributors

The right of Randy Martin to be identified as author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library

Library of Congress Cataloging in Publication Data
The Routledge companion to art and politics / edited by Randy Martin.
Includes bibliographical references and index.
1. ArtsPolitical aspects. I. Martin, Randy, 1957- editor.
NX180.P64R68 2014
700.1'03dc23
2014025554

ISBN: 978-0-415-64510-2 (hbk)
ISBN: 978-1-315-73669-3 (ebk)

Typeset in Bembo
by Taylor & Francis Books

Contents
PART I
Conceptual Cartographies
Ana Mara Ochoa
Marina Vishmidt
John Roberts
Andr Lepecki
Eduardo de la Fuente
Boris Groys
Lisa Le Feuvre
Ultra-red
PART II
Institutional Materialities
Critical Art Ensemble
Shannon Jackson
Joasia Krysa
Svetlana Mintcheva
Toby Miller
Mark Driscoll
Keng Sen Ong
Marta Moreno Vega
Stefano Harney
PART III
Modalities of Practice
Jack Halberstam
Jacques Servin
Gregory Sholette
Ricardo Dominguez
Ned Rossiter and Soenke Zehle
Patricia Ticiento Clough
Claire Bishop with David Riff and Ekaterina Degot
Swati Chattopadhyay
PART IV
Making Publics
Diana Taylor
Robert Stam
Wafaa Bilal
Dudley Cocke
Jan Cohen-Cruz
Caron Atlas
Suzanne Lacy
Figures

This volume, explicitly a collaborative effort with the contributors, also reflects my own efforts to open and complicate the spaces of art and politics for more than three decades. I have been fortunate to be able to weave together my creative and scholarly pursuits. My background in jazz improvisation, dance, theater, and clowning afforded opportunities to study, teach, and perform on street and stage in the United States, Latin America, and Europe and to write about the intersections of art and politics from a variety of optics, and especially from within my own performance opportunities. I have also had the great benefit of working with colleagues to develop curricular initiatives along these lines, in particular over the past fourteen years at New York Universitys Tisch School of the Arts in a department of Art and Public Policy founded by Dean Mary Schmidt Campbell, where I have directed the core curriculum for all entering undergraduates dedicated to the aim of artistic citizenship and for the past eight years, a one-year graduate program in arts politics.

These have presented incredible learning opportunities, especially to work with the generous collaboratively minded faculty in our department: Kathy Engel, Karen Finley, Pato Hebert, Ella Shohat, and Marta Moreno Vega; our programs very capably administered by Emily Brown. As a one-year program in arts activism whose premise is a deliberate agnosticism toward what counts as art and what politics can be, each cohort of students, (whose interests span creating work, making organizations, and critical study and evaluation) is a revelation given that they understand themselves as sharing a predicament and not a practice. Of all the amazing and glorious students I have had the pleasure of working with over these years; I do want to single out Victor Peterson II, for his generous, efficient, and effective assistance in bringing this volume together. I also want to thank Natalie Foster and her staff at Routledge for their very capable shepherding of this project from its inception. To my partner, Ginger Gillespie, and our children, Oliver and Sophia, my abiding love and appreciation for the ongoing delights you provide daily.

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