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This electronic edition published in 2017 by Bloomsbury Publishing Plc
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First published 2018
Introductions and editorial material, Anne Massey and Alex Seago Individual chapters, their authors
Anne Massey and Alex Seago have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as Authors of this work.
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British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library.
ISBN: 978-1-4742-2619-6 (HB)
ISBN: 978-1-4742-2618-9 (PB)
ISBN: 978-1-4742-2621-9 (eBook)
ISBN: 978-1-4742-2620-2 (ePDF)
Library of Congress Cataloging-in-Publication Data
A catalog record for this book is available from the Library of Congress.
Cover design Louise Dugdale
Cover image Brian Haynes/Royal College
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Table of Contents
Anne Massey and Alex Seago
Catherine Moriarty
Dominic Janes
Christine Checinska
Anne Massey
Alex Seago
Ann Pillar
Edward Wright
Sue Tate
Alistair ONeill
Rick Poynor and Alex Seago
Acknowledgements
The editors and publisher gratefully acknowledge the permission granted to reproduce the copyright material in this book.
The editors would like to express their gratitude to the following people, without whom this book would not have been possible. We would firstly like to thank the contributing authors and thank them for supporting the project from initial proposal to final publication. Their positivity and professionalism has been greatly appreciated. Thanks also to our interviewees, Althea McNish and Rick Poynor. We would like to extend our gratitude to the original contributors to the Who Was This Pop? conference at Richmond, The American International University in London in 2013, and those who attended, and made such a welcome contribution to the beginnings of this edited volume. We would like to acknowledge the support of the Art and Design Research Institute (ADRI) at Middlesex University and the London College of Communication (LCC), University of the Arts London for funding illustration and design costs. Special thanks to the Design History Society for generous support from their Research Publication Grant. We are grateful to Valeria Graziano for editorial support during the early stages of the book, and to Clare Barry for editorial support during the later stages. We would also like to extend our thanks to all those we have worked with at Bloomsbury Academic, including Rebecca Barden, Abbie Sharman, Claire Constable and our anonymous reviewers. Thanks to the Journal of British Visual Culture for allowing us to reprint Dominic Janes article: Cecil Beaton, Richard Hamilton and the Queer, Transatlantic Origins of Pop Art.
Every effort has been made to trace copyright holders and to obtain their permission for the use of copyright material. The publisher apologizes for any errors and omissions and would be grateful to be notified of any corrections that should be incorporated in future reprints or editions of this book.
List of Illustrations
Cover Illustration by Brian Haynes from Kit of Images insert in ARK magazine 1962
Introduction
Chapter One
Chapter Two
Chapter Three
Chapter Four
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Chapter Five
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