Menges - Once Upon a Time ... A Treasury of Classic Fairy Tale Illustrations
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The Wild Swans and Other Stories, 1922
Opposite: The kings daughter had been carried away by a dragon
The Four Accomplished Brothers, Grimms Fairy Tales
ELENORE ABBOTT, 1920
Elenore Plaisted Abbott was born in Maine. She studied in Philadelphia and Paris, and was one of a handful of American illustrators who had the good fortune to study with acclaimed commercial illustrator Howard Pyle, who was a professor at Drexel University at the turn of the century. Abbott developed a strong career in the illustration of books (such as Grimms Fairy Tales and Swiss Family Robinson) and magazines (Saturday Evening Post and Scribners, among others). She painted images for many stories, and fairy tales were a favorite subject.
Rustle and shake yourself, dear tree, And silver and gold throw down to me
Cinderella, Crimms Fairy Tales
ELENORE ABBOTT, 1920
She looked around, and saw six swans come flying through the air
The Six Swans, Grimms Fairy Tales
ELENORE ABBOTT, 1920
The griffin carried them over the Red Sea
The Soaring Lark, Grimms Fairy Tales
ELENORE ABBOTT, 1920
Earthmen, come up!
The Two Kings Children, Grimms Fairy Tales
ELENORE ABBOTT, 1920
The Wild Swans
The Wild Swans and Other Stories
ELENORE ABBOTT, 1922
The Marsh Kings Daughter
The Wild Swans and Other Stories
ELENORE ABBOTT, 1922
Opposite: The Red Shoes
The Red Shoes, Hans Andersens Fairy Tales
MABEL LUCIE ATTWELL, 1914
A successful artist whose work appeared in magazines, advertisements, and childrens books, British illustrator Mabel Attwell developed a visual trademark in her depiction of childrenthe cherubthat made her work instantly recognizable. This imagery served her well, as her work found applications in varied markets and products, from calendars to dolls to nursery items. Attwells illustrations appeared in a long list of childrens literature that we regard as classics today, including such tales as Charles Kingsleys Water Babies and Lewis Carrolls Alice in Wonderland. J. M. Barrie himself requested that Attwell illustrate a gift edition of Peter Pan and Wendy in 1921.
The Wild Swans
The Wild Swans, Hans Andersens Fairy Tales
MABEL LUCIE ATTWELL, 1914
The Tinder-Box
The Tinder-Box, Hans Andersens Fairy Tales
MABEL LUCIE ATTWELL, 1914
Thumbelina
Thumbelina, Hans Andersens Fairy Tales
MABEL LUCIE ATTWELL, 1914
Little Tuk
Little Tuk, Hans Andersens Fairy Tales
MABEL LUCIE ATTWELL, 1914
Little Idas Flowers
Little Idas Flowers, Hans Andersens Fairy Tales
MABEL LUCIE ATTWELL, 1914
The Little Mermaid
The Little Mermaid, Hans Andersens Fairy Tales
MABEL LUCIE ATTWELL, 1914
Opposite:
The Princess... could not speak a word.
At length, however, she got up and gave John her hand
The Travelling Companion, Hans Andersens Fairy Tales
A. DUNCAN CARSE, 1912
Little documentation exists for this British watercolorist, who often painted fairy tale subjects. This volume of Andersen illustrations is by far Carses most enduring work, and generally is the most available.
Where the Garden of Paradise was to be found, of that there was not a word in his books
The Garden of Paradise, Hans Andersens Fairy Tales
A. DUNCAN CARSE, 1912
But he has nothing on, said at length a little child
The Emperors New Clothes, Hans Andersens Fairy Tales
A. DUNCAN CARSE, 1912
She cared only for a beautiful little statue of a boy, of pure white marble
The Little Mermaid, Hans Andersens Fairy Tales
A. DUNCAN CARSE, 1912
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