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Charles Perrault - Perrault’s Fairy Tales

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Perrault’s Fairy Tales: summary, description and annotation

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Here are the original eight stories from the 1697 volume Contes de temps pass by the great Charles Perrault (16281703) in a translation that retains the charming and unsentimental simplicity that has won Perrault a permanent position in French literature. These were among the earliest versions of some of our most familiar fairy tales (Cinderella, Sleeping Beauty, Little Red Riding Hood, Puss in Boots, and Tom Thumb) and are still among the few classic re-tellings of these perennial stories.
In addition to the five well-known tales listed above, Perrault tells three others that are sure to delight any child or adult: The Fairies, a short and very simple tale of two sisters, one sweet and one spiteful; Ricky of the Tuft, a very unusual story of a brilliant but ugly prince and a beautiful but stupid princess; and Blue Beard, a suspense story perhaps more famous as a classic thriller than as a fairy tale. The witty verse morals that Perrault included in the original edition (often omitted in later reprintings) are retained here in verse translations.
This edition also includes 34 extraordinary full-page engravings by Gustave Dor that show clearly why this artist became the foremost illustrator of his time. These illustrations have long been considered the ideal accompaniment to Perraults fairy tales. In many cases they created the pictorial image that we associate with the stories.
Along with the collections of Andersen, Lang, and the Brothers Grimm, this volume is among the great books of European fairy tales. These stories have been enjoyed by generation after generation of children in many countries, and are here, with magnificent Dor illustrations, waiting to be enjoyed again.

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Copyright 1969 by Dover Publications Inc All rights reserved This Dover - photo 1
Copyright 1969 by Dover Publications Inc All rights reserved This Dover - photo 2

Copyright 1969 by Dover Publications, Inc. All rights reserved.

This Dover edition, first published in 1969, contains the eight stories of Charles Perrault published in Histoires ou contes du temps pass, avec des moralitz, Paris, 1697. Translations of stories are from Old- Time Stories told by Master Charles Perrault, translated by A. E. Johnson, published by Dodd Mead & Company in 1921. Translations of verse morals are from Perraults Fairy Tales, newly translated by S. R. Littlewood, published by Herbert & Daniel, London, in 1912. This Dover edition includes thirty-four full-page illustrations by Gustave Dor from the volume Les Contes de Perrault, dessins par Gustave Dor, originally published by J. Hetzel, Libraire-diteur, Paris, in 1867.

DOVER Pietorial Archive SERIES

This book belongs to the Dover Pictorial Archive Series. You may use the designs and illustrations for graphics and crafts applications, free and without special permission, provided that you include no more than four in the same publication or project. (For permission for additional use, please write to Dover Publications, Inc., 31 East 2nd Street, Mineola, N.Y. 11501.)

However, republication or reproduction of any illustration by any other graphic service whether it be in a book or in any other design resource is strictly prohibited.

International Standard Book Number

9780486117584

Manufactured in the United States by Courier Corporation
22311624
www.doverpublications.com

THE SLEEPING BEAUTY IN THE WOOD page 1 LITTLE RED RIDING HOOD page 23 BLUE - photo 3

THE SLEEPING BEAUTY IN THE WOOD, page 1

LITTLE RED RIDING HOOD, page 23

BLUE BEARD, page 31

THE MASTER CAT, or PUSS IN BOOTS, page 45

THE FAIRIES, page 59

CINDERELLA, or THE LITTLE GLASS SLIPPER, page 65

RICKY OF THE TUFT, page 79

LITTLE TOM THUMB, page 91

Table of Contents

THE SLEEPING BEAUTY IN THE WOOD
Once upon a time there lived a king and queen who were grieved more grieved - photo 4

Once upon a time there lived a king and queen who were grieved, more grieved than words can tell, because they had no children. They tried the waters of every country, made vows and pilgrimages, and did everything that could be done, but without result. At last, however, the queen found that her wishes were fulfilled, and in due course she gave birth to a daughter.

A grand christening was held, and all the fairies that could be found in the realm (they numbered seven in all) were invited to be godmothers to the little princess. This was done so that by means of the gifts which each in turn would bestow upon her (in accordance with the fairy custom of those days) the princess might be endowed with every imaginable perfection.

When the christening ceremony was over, all the company returned to the kings palace, where a great banquet was held in honor of the fairies. Places were laid for them in magnificent style, and before each was placed a solid gold casket containing a spoon, fork, and knife of fine gold, set with diamonds and rubies. But just as all were sitting down to table an aged fairy was seen to enter, whom no one had thought to invitethe reason being that for more than fifty years she had never quitted the tower in which she lived, and people had supposed her to be dead or bewitched.

The good woman had never heard of the kings proclamation

By the kings orders a place was laid for her, but it was impossible to give her a golden casket like the others, for only seven had been made for the seven fairies. The old creature believed that she was intentionally slighted, and muttered threats between her teeth.

She was overheard by one of the young fairies, who was seated nearby. The latter, guessing that some mischievous gift might be bestowed upon the little princess, hid behind the tapestry as soon as the company left the table. Her intention was to be the last to speak, and so to have the power of counteracting, as far as possible, any evil which the old fairy might do.

Presently the fairies began to bestow their gifts upon the princess. The youngest ordained that she should be the most beautiful person in the world; the next, that she should have the temper of an angel; the third, that she should do everything with wonderful grace; the fourth, that she should dance to perfection; the fifth, that she should sing like a nightingale; and the sixth, that she should play every kind of music with the utmost skill.

It was now the turn of the aged fairy. Shaking her head, in token of spite rather than of infirmity, she declared that the princess should prick her hand with a spindle, and die of it. A shudder ran through the company at this terrible gift. All eyes were filled with tears.

But at this moment the young fairy stepped forth from behind the tapestry.

Take comfort, your Majesties, she cried in a loud voice; your daughter shall not die. My power, it is true, is not enough to undo all that my aged kinswoman has decreed: the princess will indeed prick her hand with a spindle. But instead of dying she shall merely fall into a profound slumber that will last a hundred years. At the end of that time a kings son shall come to awaken her.

The king, in an attempt to avert the unhappy doom pronounced by the old fairy, at once published an edict forbidding all persons, under pain of death, to use a spinning wheel or keep a spindle in the house.

At the end of fifteen or sixteen years the king and queen happened one day to be away, on pleasure bent. The princess was running about the castle, and going upstairs from room to room she came at length to a garret at the top of a tower, where an old serving woman sat alone with her distaff, spinning. This good woman had never heard speak of the kings proclamation forbidding the use of spinning wheels.

What are you doing, my good woman? asked the princess.

I am spinning, my pretty child, replied the dame, not knowing who she was.

Oh, what fun! rejoined the princess; how do you do it? Let me try and see if I can do it equally well.

Partly because she was too hasty, partly because she was a little heedless, but also because the fairy decree had ordained it, no sooner had she seized the spindle than she pricked her hand and fell down in a swoon.

In great alarm the good dame cried out for help. People came running from every quarter to the princess. They threw water on her face, chafed her with their hands, and rubbed her temples with the royal essence of Hungary. But nothing would restore her.

Then the king, who had been brought upstairs by the commotion, remembered the fairy prophecy. Feeling certain that what had happened was inevitable, since the fairies had decreed it, he gave orders that the princess should be placed in the finest apartment in the palace, upon a bed embroidered in gold and silver.

You would have thought her an angel, so fair was she to behold. The trance had not taken away the lovely color of her complexion. Her cheeks were delicately flushed, her lips like coral. Her eyes, indeed, were closed, but her gentle breathing could be heard, and it was therefore plain that she was not dead. The king commanded that she should be left to sleep in peace until the hour of her awakening should come.

When the accident happened to the princess, the good fairy who had saved her life by condemning her to sleep a hundred years was in the kingdom of Mataquin, twelve thousand leagues away. She was instantly warned of it, however, by a little dwarf who had a pair of seven-league boots, which are boots that enable one to cover seven leagues at a single step. The fairy set off at once, and within an hour her chariot of fire, drawn by dragons, was seen approaching.

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