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Wertenbaker - The Ash Girl

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Wertenbaker The Ash Girl
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    The Ash Girl
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The Ash Girl: summary, description and annotation

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When an invitation to The Ball arrives at the Ash girls house, from Prince Amir, she cant bring herself to believe that she, like her sisters, can go. With her mother dead and her father away, she must learn to fight the monsters that have slithered and insinuated their way into her heart and mind. In this wondrous drama Timberlake Wertenbaker explores the beauty and terror inherent in growing up.

The Ash Girl premiered at Birmingham Rep in 2001.

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For Dushka Contents The Ash Girl was first presented at Birmingham - photo 1 For Dushka

Contents
The Ash Girl was first presented at Birmingham Repertory Theatre on 8 December 2000. The cast, in order of appearance, was as follows: Ruth Jane Cameron Judith Rachel Smith Ashgirl Stephanie Pochin Mother Vivien Parry Princess Zehra Souad Faress Prince Amir Justin Avoth Paul Huss Garbiya Slothworm Alex Jones Angerbird Tracy Wiles Envysnake/Owl Kenn Sabberton Gluttontoad/Fairy Darlene Johnson Pridefly/Spider Jonathan Bond Greedmonkey/Otter Togo Igawa Sadness Sarah Coomes Lust Emma Lowndes Man in the Forest Ken Shorter Girlmouse Millie Coles/Natalie Smith Boymouse Ezrah Roberts-Grey/Joseph Turner Director Lucy Bailey Designer Angela Davies Lighting Designer Chahini Yavroyan Composer Orlando Gough Choreographer Michael Dolan
in order of appearanceRuthJudithAshgirlMotherPrincess ZehraPrince AmirPaulSlothwormAngerbirdEnvysnakeGluttontoadPrideflyGreedmonkeySadnessLustMan in the ForestOwlOtterFairy in the MirrorGirlmouseBoymouseThe house, the palace, the forest
SCENE ONE
WHO LIVES IN THE HOUSE
The breakfast room of a dilapidated medieval-type house. A very large hearth, thickly blanketed with ashes. A massive sideboard, laden with foods. The room is dark.Ruth and Judy enter. The two girls skip to and from the sideboard, lifting the heavy silver covers and helping themselves with glee. The two girls skip to and from the sideboard, lifting the heavy silver covers and helping themselves with glee.

Ruth Chicken. Judith Pigeon. Ruth Casseroled pheasant. Judith Boiled swan. Ruth Wild boar. Judith Pigs ears with juniper berries.

Ruth Clotted cream. Judith And damson jam. Ruth I feel full. Judith I feel fat. Ruth Mother says we must be thin. Judith Why? Ruth Because girls must be thin.

Judith Why? Ruth How do you get thin? Judith You stop eating. Ruth Stop eating damson jam! Swan and sausages? Never. Judith We could start getting thin tomorrow. Today, I want an unboring day. Ruth We could practise our dancing. Judith Boring.

I want a good gallop over the fields. Ruth Father took away the last horse. Judith Took the horse and vanished. Ruth Into thin air. Judith Into a bear. Ruth A thin, a hairy, a grizzly bear.

Judith Waits in his lair They burst out laughing. A movement in the ashes. Ruth We could read a book. Judith Im bored with happy endings. Why cant the monster eat everyone? Ruth What about that book on manners? Judith We dont need manners, we never see anyone. Ruth Id like to paint, but Mother says it makes me look a mess. Judith Id like to find a worm, open it and see whats inside.

Cut the legs off an ant, see if they move. Id need one of those glasses that make everything big. Ruth Theres one in fathers study, shall we take it? A movement in the ashes. Judith Mother keeps the key: wait till shes asleep, steal the key, take everything out of the study. That would be very unboring. Ruth When he finds out? Judith Hes never coming back. Never never Ruth Ever after Judith A grizzly bear Ruth In his lair Movement in the ashes.

And now a figure emerges, grey, spectral, skeletally thin, a girl of about seventeen. Judith Ashgirl. Eyeing us. Ruth Spying. Judith Look and tell. Ashgirl I will tell Mother youre planning to steal the key. They seize her arms. Ruth You wont! Judith She wont believe you.

Ashgirl I always tell the truth. Ruth Its the way you tell it! Judith Boring. Very boring. Lies are more interesting. Ashgirl How can the truth be boring? Father admonished me always to tell the truth. Ruth And where is he now? Judith The grizzly bear Ashgirl Stop it! The girls laugh. Ruth Come on, Ashie, have some breakfast.

Ashgirl No thank you. Ruth Food in this house not good enough for you? Judith Growing girl must eat. Ashgirl tries to return to the ashes, but Judith takes a sausage, hands it to Ashgirl. Take it! Ashgirl shakes her head.Ruth takes a scone, lots of cream and jam. Proffers it. Ruth When your sisters offer, you accept, you say thank you. Ashgirl I dont want anything. Ruth Book says: bad manners to refuse a gift.

I like books which tell other people what to do. They wait. Ashgirl looks at the food in disgust. Judith Eat! Ruth Shes so rude. Judith Stuff it in her mouth. Ruth grinds the scone in Ashgirls mouth. She gags, spits, more grinding, more violent.

Judith eats the sausage, calmly. I could eat a fried pigs heart. Ruth (to Ashgirl, on the floor) Lick the crumbs. Say sorry. They pin her down. Judith Thats compulsory. Ruth Conclusory. Judith Persuasory.

Ruth Were waiting. Judith Maybe another scone? Gnawed bone of swan? Ashgirl Sorry Ruth Sorry for? Ashgirl Sorry for for being me. They let her go. A moment. Ruth The thing is, Ashie, if you were nicer to us, wed be nicer to you. The girls leave, Ashgirl sinks back into the ashes.

SCENE TWO
WHO LIVES IN THE ASHES
Ashgirl I dont remember much. It was another countryside, another country.

Flowers inside. My mother loved flowers. I dont know when she died, if she died. I was always with my father. I am your friend for ever, he said. He took me everywhere, travels, hunting, I sat under castle tables and listened to the men talk.

We slept on his cloak in the woods, naming the stars. Until we came here. First for an afternoon, then a night, then days, and finally to stay. He never told me he wanted to marry her, he didnt even ask me, his friend. And that these girls would be his daughters, call themselves my sisters. He said he loved me most, but he needed, needed but he loved me.

He wasnt happy long. I saw lines of loneliness return to his face. I went to him, but he was strange. He told me he was not a good man, he had monsters to fight. I said I would fight them with him, but he said no, these monsters were different, theyd poisoned the blood to his heart and I must forgive him. And so my father went in search of his heart and broke mine.

And thats when I found the ashes. Ashes are warm and in the ashes no one sees you, you do no wrong. Ashes on your head, no one talks to you, ashes on your arms, no one touches you, ashes are safe. I will stay in these ashes, melt into them, shrink to their weightlessness. Cloak of crumbling grey.

SCENE THREE
WHO GOES TO THE BALL
The Mother comes in. She is held back, neat, straight. The girls follow her. She holds a large golden scroll in her hand. Mother I hoped it was from my husband, gifts, money. She holds a large golden scroll in her hand. Mother I hoped it was from my husband, gifts, money.

Its an invitation addressed to all the daughters of the house. Judith/Ruth We are the daughters of the house. Ruth We havent been anywhere all winter. Mother You mustnt be seen with the wrong people. Judith What are wrong people? Mother When theres no father, people talk. Ruth Let me read it.

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