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Alice Birch - Midsummer Mischief: Four Radical New Plays

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A volume of four new plays as part of the RSCs Midsummer Mischief by Alice Birch, E. V. Crowe, Timberlake Wertenbaker and Abi Zakarian.
The writers had the famous quote by Laurel Thatcher Ulrich, Well-behaved women seldom make history as an initial provocation and each writer has responded to this line in a unique and distinctive way.
Contents:
The Ant and the Cicada by Timberlake Wertenbaker
A mysterious investor has set his sights on a prime piece of Greek real estate. Owned by two sisters whose lives and beliefs are at odds, and with debts rising all the time, the propertys future is uncertain. In a Greek tragedy, everybody loses.
Through the struggle between two very different sisters for control of their family home, Timberlake Wertenbakers new play explores why we are willing to let the home of art and democracy crumble as the rest of Europe looks on.
Revolt. She said. Revolt again. by Alice Birch
You are expected to behave...
Use the right words
Act appropriately
Dont break the rules
Just behave
This play is not well behaved
Alice Birch examines the language, behaviour and forces that shape women in the 21st century and asks whats stopping us from doing something truly radical to change them.
Winner of the George Devine Award for Most Promising New Playwright 2014
I can hear you by E.V. Crowe
Tommy is dead. Its always tragic when they die young.
People have posted loads of nice stuff on his Facebook page. His sister Ruth has returned for the funeral and wants to get it just right. Proper cutlery and a good spread. The send-off he deserved, and certainly better than they managed when mum died.
The following Sunday Ruths plans to leave again are interrupted as the doorbell rings and in walks a still very much dead, Tommy.
E.V. Crowes naturalistic supernatural play examines what the possibilities are for the women in Tommys family, and questions if its as easy for everyone to reveal what it is they want.
This is not an exit by Abi Zakarian
You wake up, tied to a radiator. Your hands are bound and there is a bag over your head.
You know you should fight, but you dont know how or against whom. But you cant have it all: where would you put it?
Abi Zakarians new play is a funny and ferocious drama about the absurdity at the heart of modern womanhood, and what really stands in the way of fulfilment.

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ABOUT THE ROYAL SHAKESPEARE COMPANY The Shakespeare Memorial Theatre opened in - photo 1
ABOUT THE ROYAL SHAKESPEARE COMPANY The Shakespeare Memorial Theatre opened in - photo 2
ABOUT THE ROYAL SHAKESPEARE COMPANY
The Shakespeare Memorial Theatre opened in Stratford-upon-Avon in 1879. Since then the plays of Shakespeare have been performed here, alongside the work of his contemporaries and of modern playwrights. In 1960 the Royal Shakespeare Company was formed, gaining its Royal Charter in 1961.
The founding Artistic Director, Peter Hall, created an ensemble theatre company of young actors and writers. The Company was led by Hall, Peter Brook and Michel Saint-Denis. The founding principles were threefold: the Company would embrace the freedom and power of Shakespeares work, train and develop young actors and directors and, crucially, experiment in new ways of making theatre. There was a new spirit amongst this post-war generation and they intended to open up Shakespeares plays as never before.
The impact of Peter Halls vision cannot be underplayed. In 1955 he premiered Samuel Becketts Waiting for Godot in London, and the result was like opening a window during a storm. The tumult of new ideas emerging across Europe in art, theatre and literature came flooding into British theatre. Hall channelled this new excitement into the setting up of the Company in Stratford. Exciting breakthroughs took place in the rehearsal room and the studio day after day. The RSC became known for exhilarating performances of Shakespeare alongside new masterpieces such as The Homecoming and Old Times by Harold Pinter. It was a combination that thrilled audiences.
Peter Halls rigour on classical text became legendary, but what is little known is that he applied everything he learned working on Beckett, and later on Harold Pinter, to his work on Shakespeare, and likewise he applied everything he learned from Shakespeare onto modern texts. This close and exacting relationship between writers from different eras became the fuel which powered the creativity of the RSC.
The search for new forms of writing and directing was led by Peter Brook. He pushed writers to experiment. Just as Picasso set out to capture a larger slice of the truth by painting a face with several eyes and noses, Shakespeare, knowing that man is living his everyday life and at the same time is living intensely in the invisible world of his thoughts and feelings, developed a method through which we can see at one and the same time the look on a mans face and the vibrations of his brain.
In over fifty years of producing new plays, we have sought out some of the most exciting writers of their generation. These have included: Edward Albee, Howard Barker, Edward Bond, Howard Brenton, Marina Carr, Caryl Churchill, Martin Crimp, David Edgar, Helen Edmundson, James Fenton, Georgia Fitch, David Greig, Ella Hickson, Dennis Kelly, Tarell Alvin McCraney, Martin McDonagh, Frank McGuinness, Rona Munro, Anthony Neilson, Harold Pinter, Phil Porter, Mike Poulton, Mark Ravenhill, Adriano Shaplin, Tom Stoppard, debbie tucker green, Peter Whelan and Roy Williams.
The Company today is led by Gregory Doran, whose appointment represents a long-term commitment to the disciplines and craftsmanship required to put on the plays of Shakespeare.
He, along with Executive Director, Catherine Mallyon, and his Deputy Artistic Director, Erica Whyman, take forward a belief in celebrating both Shakespeares work and the work of his contemporaries, as well as inviting some of the most exciting theatre-makers of today to work with the Company on new plays.
The RSC Ensemble is generously supported by THE GATSBY CHARITABLE FOUNDATION and THE KOVNER FOUNDATION.
The RSC Literary Department is generously supported by THE DRUE HEINZ TRUST. The Roaring Girls season is generously supported by Miranda Curtis.
The RSC is grateful for the significant support of its principal funder, Arts Council England, without which our work would not be possible. Around 73 per cent of the RSCs income is self-generated from Box Office sales, sponsorship, donations, enterprise and partnerships with other organisations.
NEW WORK AT THE RSC We are a contemporary theatre company built on classical - photo 3
NEW WORK AT THE RSC
We are a contemporary theatre company built on classical rigour. Through an extensive programme of research and development, we resource writers, directors and actors to explore and develop new ideas for our stages, and as part of this we commission playwrights to engage with the muscularity and ambition of the classics and to set Shakespeares world in the context of our own. In 2015 we intend to re-open The Other Place in Stratford-upon-Avon, which will be a creative home for new work and experimentation. Leading up to that reopening we will continue to find spaces and opportunities to offer our audiences contemporary voices alongside our classical repertoire.
We invite writers to spend time with us in our rehearsal rooms, with our actors and creative teams. Alongside developing their own plays for all our stages, we invite them to contribute dramaturgically to both our main stage Shakespeare productions and our work for young people. We believe that engaging with living writers and other contemporary theatre makers helps to establish a creative culture within the Company which both inspires new work and creates an ever more urgent sense of enquiry into the classics. Shakespeare was a great innovator and breaker of rules, as well as a bold commentator on the times in which he lived. It is his spirit of radical mischief which informs new work at the RSC.
Erica Whyman, Deputy Artistic Director, heads up this strand of the Companys work alongside Pippa Hill as Literary Manager.
MIDSUMMER MISCHIEF
The plays in this Festival are intended to be a contemporary response to 2014s Roaring Girls season in the Swan Theatre, Stratford-upon-Avon, so we gave our writers Alice Birch, E. V. Crowe, Timberlake Wertenbaker and Abi Zakarian an initial provocation: Well-behaved women seldom make history (Laurel Thatcher Ulrich). These daring and radical plays are presented as two short programmes, each playing in repertoire with a shared cast. We hope youre feeling mischievous
The Midsummer Mischief Festival was first presented by the Royal Shakespeare Company in The Other Place at the Courtyard Theatre, Stratford-upon-Avon, on 14 June 2014. The Festival transferred to the Jerwood Theatre Upstairs, Royal Court on 15 July 2014. The cast was as follows:
PROGRAMME A
The Ant and the Cicada by Timberlake Wertenbaker
Student
Robert Boulter
Alex
John Bowe
Student
Scarlett Brookes
Selina
Ruth Gemmell
Zoe
Julie Legrand
Irina
Mimi Ndiweni
Revolt. She said. Revolt again. by Alice Birch
Company
Robert Boulter
Company
Scarlett Brookes
Company
Ruth Gemmell
Company
Mimi Ndiweni
PROGRAMME B
I Can Hear You by E.V. Crowe
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