The Handbook of
Bird Photography
Markus Varesvuo
Jari Peltomki
Bence Mt
Publisher: Gerhard Rossbach
Editor: Jocelyn Howell
Copyeditor: Jeanne Hansen
Translation from Finnish to English: Minna Lindroth
Layout: Petra Strauch
Cover Design: Helmut Kraus, www.exclam.de
Printer: Everbest Printing Co. Ltd through Four Colour Print Group,
Louisville, Kentucky
Printed in China
ISBN 978-1-937538-10-1
Copyright 2011 by WSOYpro Oy, Jyvskyl, Finland.
Title of the Finnish original: Lintukuvauksen Ksikirja
ISBN 978-951-0-37640-9
Translation Copyright 2012 by Rocky Nook. All rights reserved.
1st Edition 2013
2013 Markus Varesvuo, Jari Peltomki, Bence Mt
Rocky Nook, Inc.
802 E. Cota Street, 3rd Floor
Santa Barbara, CA 93103
www.rockynook.com
Library of Congress Cataloging-in-Publication Data
Varesvuo, Markus.
The handbook of bird photography / by Markus Varesvuo,
Jari Peltomki, Bence Mt. -- 1st edition.
pages cm
ISBN 978-1-937538-10-1 (soft cover : alk. paper)
1. Photography of birds--Handbooks, manuals, etc. I. Peltomki, Jari.
II. Mt, Bence. III. Title.
TR729.B5V37 2013
779.328--dc23
2012034897
Distributed by OReilly Media
1005 Gravenstein Highway North
Sebastopol, CA 95472
All rights reserved. No part of the material protected by this copyright notice may be reproduced or utilized in any form, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission of the publisher.
Many of the designations in this book used by manufacturers and sellers to distinguish their products are claimed as trademarks of their respective companies. Where those designations appear in this book, and Rocky Nook was aware of a trademark claim, the designations have been printed in caps or initial caps. All product names and services identified throughout this book are used in editorial fashion only and for the benefit of such companies with no intention of infringement of the trademark. They are not intended to convey endorsement or other affiliation with this book.
While reasonable care has been exercised in the preparation of this book, the publisher and author(s) assume no responsibility for errors or omissions, or for damages resulting from the use of the information contained herein or from the use of the discs or programs that may accompany it.
This book is printed on acid-free paper.
TABLE OF CONTENTS
INTRODUCTION
Just as nature and wildlife have the capacity to inspire and intrigue, so does photography. Bird photography is a fantastic way to combine being in the great outdoors with observing and photographing the natural world, be it for documentation or for artistic purposes.
The three of us authors have different backgrounds, careers, perspectives, and working styles. Each of us has his own particular strengths, visions, and expertise. Out of this divergence grew the idea to combine it all into one book, especially because we share the same passion for bird photographywe all know what a fantastic hobby it is and how challenging it is as a profession.
We have been out photographing together several times and have learned that even when the subject and the circumstances are the same for each photographer, different approaches can yield surprisingly different outcomes. One of the main aims of this book is to encourage photographers to find their own individual approach to bird photography.
Although this book outlines equipment and techniques, the main emphasis is on fieldwork. It also made sense to leave digital image processing and computer work out of the book altogether. Each of these topics merits enough space to be an entire book itself, and many excellent guides have already been written.
We want to share our experience, views, and skills in the most down-to-earth and practical manner possible, with a wealth of photos to support our words. We dont just talk it; we have walked every step of it.
Black-throated Diver/Arctic Loon (Gavia arctica)
Canon EOS-1Ds Mark III 500mm f/4.0 plus 1.4x extender, 1/500 second, ISO 500, Gitzo tripod, Manfrotto 501 video head, blind. Vaala, Finland, June 2008.
We split up the topics to correspond to our strengths, and we each hand picked our images. We are not always in loving harmony with one another when it comes to bird photography, but we share the same passion for birds and bird photography, the same joy in great nature photography, and the same burning ambition to take better pictures.
This handbook is a hefty tome with tons of bird photography know-how, but the photos offer a respite from words, leading into the exciting visual world of birds. We could have reduced the book to a more field-friendly size by minimizing the number of images, but we wanted to create a balanced mix of informative reading and enjoyable viewing. With the photos we hope to help raise awareness about the world of birds and share their beauty.
Getting it right is still such a rush, even after decades of photographing birds. It is still fun and exhilarating even though it is a full-time job. Gaining new insights, like a new angle or a fresh composition idea, when shooting a common and familiar species is just as uplifting as adventures in new locations or working with a species for the first time. Even if we are well versed in the art and craft of bird photography, it is a never-ending road to the perfect photo.
Wishing you sweet moments of success, photography trips full of fun, and unforgettable, unique photographs,
Markus Varesvuo
As a specialist in wintertime and bird action photography, Markus has faith in the natural light.
Jari Peltomki
Although he specializes in owl photography, Jari easily turns his camera toward other wildlife subjects too.
Bence Mt
As a master of composition, Bence specializes in shooting from within a photography blind and working with flash.
LEARN ABOUT YOUR SUBJECT
Knowledge in bird behavior and biology helps improve your photography.
Nowadays quite a few people start bird photography with no previous knowledge of birds. Its clear that anyone who is just starting bird photography is in a different position than those who have spent decades observing birds, even if they are new to photography. Studying bird behavior, phenology (the rhythm of biological phenomena and the effect of various factors on this rhythm), and bird songs and calls, by spending time in the field observing and learning why and when birds do what they do, yields a wealth of information that cannot be found in books. Besides being fun, fieldwork gives you experience, and it gets easier to recognize one-off situations that are rarely seen, let alone photographed. These situations deserve more time and effort than most other events that you come across.
One way for a fledgling bird photographer to cut many corners is to hook up with a more experienced bird photographer. Many veterans have at least tried, probably many times, to photograph any species that you are starting with. Some of them are happy to share their knowledge. Another way to learn the ropes is by taking part in photography courses and workshops run by other photographers who give much-needed advice and support to beginners and advanced photographers alike. Workshops are also a great way to meet other people with similar interests. Some photographers prefer to roam the wilderness alone, but in my opinion cooperation and the exchange of information about locations yield better results.