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Morgan - A Book of Lives

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Morgan A Book of Lives
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No wonder Edwin Morgan was Scotlands bestloved poet. His poems teem with lives and loves and are marked by an unusual love of the present and the future. He finds forms for themes and ideas just out of reach. In this collection poems both profound and witty are to be found: occasional verse that transcends its occasion, explorations of the human condition conducted with a virtuosic lightness of touch. A Book of Lives draws together the themes that inform his poetic world. The largest vistas of human history, from twenty billion years BC to 9/11 and the war on terror; Scotland from Bannockbu.;Cover; Title Page; Table of Contents; Acknowledgements; For the Opening of the Scottish Parliament, 9 October 2004; Acknowledge the Unacknowledged Legislators!; The Cost of Pearls; Lines for Wallace; The Battle of Bannockburn; James IV To his Treasurer; Retrieving & Renewing; Planet Wave; Valentine Weather; Three Songs; Old Gorbals; 1955 -- A Recollection; My First Octopus; Boethius; Charles V; Oscar Wilde; Hirohito; New Times; Gorgo and Beau; Questions I; Questions II; The Welcome; Brothers and Keepers; The Old Man and E.A.P.; An Old Womans Birthday.

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Contents
Thanks are due to the editors of the following publications in which poems first appeared: Addicted to Brightness (Long Lunch Press), The Book of Questions, The Hand that Sees: poems for the quincentenary of the Royal College of Surgeons of Edinburgh (RCOSOE and SPL), the Herald, the London Review of Books, Map, New Writing 13, Nova Scotia: New Scottish Speculative Fiction (Crescent), Painted, Spoken, PN Review, Proof, Scotland on Sunday, the Scotsman, The Wallace Muse (Luath). For the Opening of the Scottish Parliament was commissioned by the Parliament and read at the opening ceremony on 9 October 2004. Scottish Parliamentary copyright, reprinted by permission. Acknowledge the Unacknowledged Legislators! was written for the launch of the Cross-Party Group on Scottish Writing and Publishing 2005. The Battle of Bannockburn was published with Robert Bastons Latin text in 2004 jointly by Akros Publications, Mariscat Press and the Scottish Poetry Library. Retrieving & Renewing was commissioned by the Association for Scottish Literary Studies.

Valentine Weather was published online by the Scottish Poetry Library. Three Songs was written for the band Idlewild. My First Octopus was written to be broadcast by BBC radio on National Poetry Day 2004. Gorgo and Beau was commissioned by BBC Radio Scotland and broadcast on 29 December 2003. The Welcome was written for the International Federation of Library Authorities (IFLA) Conference 2002. Love and a Life was published by Mariscat Press in 2003.

Open the doors! Light of the day, shine in; light of the mind, shine out! We have a building which is more than a building.
Open the doors! Light of the day, shine in; light of the mind, shine out! We have a building which is more than a building.

There is a commerce between inner and outer, between brightness and shadow, between the world and those who think about the world. Is it not a mystery? The parts cohere, they come together like petals of a flower, yet they also send their tongues outward to feel and taste the teeming earth. Did you want classic columns and predictable pediments? A growl of old Gothic grandeur? A blissfully boring box? Not here, no thanks! No icon, no IKEA, no iceberg, but curves and caverns, nooks and niches, huddles and heavens, syncopations and surprises. Leave symmetry to the cemetery. But bring together slate and stainless steel, black granite and grey granite, seasoned oak and sycamore, concrete blond and smooth as silk the mix is almost alive it breathes and beckons imperial marble it is not! Come down the Mile, into the heart of the city, past the kirk of St Giles and the closes and wynds of the noted ghosts of history who drank their claret and fell down the steep tenement stairs into the arms of link-boys but who wrote and talked the starry Enlightenment of their days And before them the auld makars who tickled a Scottish kings ear with melody and ribaldry and frank advice And when you are there, down there, in the midst of things, not set upon an hill with your nose in the air, This is where you know your parliament should be And this is where it is, just here. What do the people want of the place? They want it to be filled with thinking persons as open and adventurous as its architecture.

A nest of fearties is what they do not want. A symposium of procrastinators is what they do not want. A phalanx of forelock-tuggers is what they do not want. And perhaps above all the droopy mantra of it wizny me is what they do not want. Dear friends, dear lawgivers, dear parliamentarians, you are picking up a thread of pride and self-esteem that has been almost but not quite, oh no not quite, not ever broken or forgotten. All right. All right.

Forget, or dont forget, the past. Trumpets and robes are fine, but in the present and the future you will need something more. What is it? We, the people, cannot tell you yet, but you will know about it when we do tell you. We give you our consent to govern, dont pocket it and ride away. We give you our deepest dearest wish to govern well, dont say we have no mandate to be so bold. We give you this great building, dont let your work and hope be other than great when you enter and begin.

So now begin. Open the doors and begin.

Go on, squawk at the font, you chubby Scotty. You have a long song ahead of you, do you know that? Of course not, but you let the ghost of a chuckle Emerge and flicker as if you had thrown Your very first chuckle and the water was playful. It will be, and gurly too, and full of dread Once you are grown and reckoning ahead. So squeal a little, kick a little, whats a few drops On that truly enormous human brow.

Man is chelovek, the Russians say, The one with a forehead, the one with forethought, The one whose mumbling and chuntering will not do, Who knows it will not do, who lolls or bounces Half-formed but strains for form, to be a child And not a bundle! The bungler, the mumbler Takes the deepest breath we are allowed, Whistles the horizons dawn right down Across the book of earth, audits the figures, Tongue and teeth and lips in line, near-perfect, Ye see yon birkie cad a lord, the poet Has hooked one leg over his simple chair-arm, Sometimes tapping the beat upon his snuff-box, Sometimes singing an old and well-loved air To startlingly original effect. Hell print it too! Wont it be in a book? An open mind is proper in this case. Its only poetry, after all. Someone I cant remember thousands of scribbling names Has said Poetry makes nothing happen. I find that slightly fundamentalist. Yes, but do I go along with it? I do not go along with it.

No, I dont. Do I protest too much? Probably! Think of what I said about the child. He is a man now, let us talk to him. Ask him how far he thinks his birkie Registers on a Richter scale of insult. Hes dead? Well, get a good dictionary. Talks the thing.

Dialogues the thing. If any parliamentarian should be so remiss As to think writers are interchangeable, Or stupid, or irrelevant, or poor doomy creatures, Punishments may have to be devised, I say may, we want to persuade, not scold. What is it but language that clamps A country to glory? Ikons, concertos, Piets, gamelans, gondolas, didgeridoos, Luboks, a brace of well-tuned sleigh-bells These are very fine, of course they are. But better still, always far better still Is the sparkling articulacy of the word, The scrubbed round table where poet and legislator Are plugged in to the future of the race, Guardians of whatever is the case.

Do you want to challenge that dervish Scotland? Even and only being interrogated by a swash of centenarian mussels black-encrusted and crusty with it? When they folded their arms and gave such a click it could be heard right down Strathspey, did you reckon the risk of a dialogue was minimal? Come on then, have at you! It was like an old play though far from funny. All that winking stuff, that metal, those blades, you think we dont know death when we smell it? Your nose deceives you.

We are observers, explorers. We heard there was a murmuring of mussels, a clatter and a chatter somewhere in the gravel-beds of unbonny Scotland, almost like voices threatening something Damn sure we were threatening something! Do you know a thousand of us were killed in one day not long ago I heard it was eight hundred Eight hundred, ten hundred, it was a massacre. Your pearl poachers breenged through our domains like demons with their great gully knives and scythed us to shreds for what might be, most likely might not be, a pearl, a pearl of price, a jewellers price. I hear a shuffling of papers. Prepare yourself. We are our wisest, neither clique nor claque but full conclave.

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