• Complain

Joakim Goldhahn - Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe

Here you can read online Joakim Goldhahn - Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2011, publisher: Oxbow Books Limited, genre: Art. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Joakim Goldhahn Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe
  • Book:
    Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe
  • Author:
  • Publisher:
    Oxbow Books Limited
  • Genre:
  • Year:
    2011
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

This volume derives from a workshop held at the University of Kalmar (now Linnaeus University), Sweden between the 20-24 of October 2008. The aim of this gathering was to provide a forum for rock art researchers from different parts of northern Europe to discuss traditional as well as current interpretative trends within rock art research. Changing Pictures aims to return to traditional interpretative notions regarding the meaning and significance of rock art to investigate if and why any information had been left behind to recover and rethink. During the last decades, there has been an immense global interest among archaeologists and anthropologists in studying rock art. Research in northern Europe, as elsewhere, has intensely explored a manifold of methodological and theoretical perspectives. Most of these studies however, have been published in languages that seldom reach beyond the native speakers of Norwegian, Danish, and Swedish, Russian or Finnish. Therefore an important motivation for this volume is to try to apprise some of the current movements within this field of research and present it for an international audience. These papers explore the relevance of older ideas, such as notions about prehistoric religion, ritual performance, sympathetic magic, animism and totemism, the mindscapes of landscapes etc., as well as the present state of the art in order to develop a broader understanding of the phenomenon we call rock art. This aspiration can be seen as a common thread linking the different chapters in this book. Saying that, some, if not all, of the articles presented in this volume challenge the notion rock art itself, arguing that sometimes the rock, the canvas and rather intangible but equally important sensual encounters, such as sound, echoes, touch and temporal phenomenological changes and the perception of decorated rock art panels, should be regarded, at least, as important as the art itself. By reassessing traditional approaches to Scandinavian rock art and creatively reworking these ideas, whilst also addressing significant new concepts such as the agency of rock and the performativity of rock art, this anthology of papers offers not only a snapshot of current debates, but also reflects pivotal changes in the study of rock art.

Joakim Goldhahn: author's other books


Who wrote Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe? Find out the surname, the name of the author of the book and a list of all author's works by series.

Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

Published by
Oxbow Books, Oxford, UK

Oxbow Books and the individual authors, 2010

ISBN 978-1-84217-405-0
EPUB ISBN: XXXXXXXXXXXXX

This book is available direct from:

Oxbow Books, Oxford, UK
(Phone: 01865-241249; Fax: 01865-794449)

and

The David Brown Book Company
PO Box 511, Oakville, CT 06779, USA
(Phone: 860-945-9329; Fax: 860-945-9468)

or from our website
www.oxbowbooks.com

A CIP record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data

Changing pictures : rock art traditions and visions in Northern Europe / edited by Joakim Goldhahn, Ingrid
Fuglestvedt, and Andrew Jones.
p. cm.
Papers from a workshop held at Linnaeus University, Sweden, in 2008.
Includes bibliographical references.
ISBN 978-1-84217-405-0
1. Petroglyphs--Europe, Northern--Congresses. 2. Rock paintings--Europe, Northern--Congresses. 3. Social
archaeology--Europe, Northern--Congresses. 4. Excavations (Archaeology)--Europe, Northern--Congresses. 5.
Europe, Northern--Antiquities--Congresses. I. Goldhahn, Joakim. II. Fuglestvedt, Ingrid. III. Jones, Andrew,
1967
GN799.P4C456 2010
709.0113--dc22

2010017597

This anthology has been sponsored by the Councils for Research in the - photo 1

This anthology has been sponsored by the Councils for Research in the Humanities and Social Sciences
in the Nordic Countries and the Swedish Research Council.

Front cover: Peder Alfsns documentation of Backa in Brastad, Ra 1 in Brastad parish, Northern
Bohusln in Sweden. Now in the Arnamagnanske Archive in Copenhagen, Denmark. Published with
their kind permission.

Printed in Great Britain by Short Run Press Exeter Contents Joakim - photo 2

Printed in Great Britain by
Short Run Press, Exeter

Contents


Joakim Goldhahn, Ingrid Fuglestvedt and Andrew Jones


Ingrid Fuglestvedt


Trond Lden


Antti Lahelma


Maja Hultman


Per Cornell and Johan Ling


Magnus Ljunge


Joakim Goldhahn


Peter Skoglund


Ylva Sjstrand


Per Nilsson


Jan Magne Gjerde


Melanie Wrigglesworth


Richard Bradley

Contributors

Richard Bradley is a professor in archaeology at the University of Reading (UK). His main research interests are in the prehistory of Northern and North-western Europe and he is a specialist on the prehistory of the British Isles. In recent years his principal concern has been with the archaeological analysis of monuments and landscapes, and with the roles of memory, ritual and art between the Neolithic period and the Iron Age. Recent publications include Image and Audience (2009), The Prehistory of Britain and Ireland (2007) and Ritual and Domestic Life in Prehistoric Europe (2005).

Contact: R. B. Department of Archaeology, School of Human and Environmental Sciences, University of Reading, Whiteknights, Reading RG6 6AB. Email:

Per Cornell (Ass. Prof., University of Gothenburg) is a researcher and lecturer in archaeology at the Department of Historical Studies. He has mainly worked on settlement archaeology. He has conducted fieldwork in South America and published on theory and method in archaeology, and on the history and politics of archaeology and cultural heritage. Cornell is currently working on developing archaeological approaches departing from critical readings of Derrida and Marx.

Contact: P. C. Department of Historical Studies, University of Gothenburg, Box 200, 405 30 Gteborg, Sweden. Email:

Ingrid Fuglestvedt (PhD, University of Bergen) is associate professor in archaeology at the University of Oslo, Norway. Her PhD-thesis concerns the pioneer settlement of southwestern Norway approached from the perspective of phenomenology. Fuglestvedt has published several articles, both nationally and internationally, on the Mesolithic in Norway, theory and gender as well as rock art. Her doctoral thesis will soon be published in an English edition and she is working on a monograph on the hunters rock art on the Scandinavian Peninsula.

Contact: I. F. University of Oslo. Institute of Archaeology, Postboks 1008 Blindern, 0315 Oslo, Norway. Email:

Jan Magne Gjerde (MA, University of Reading) is currently working on a PhD at Troms University Museum. The topic of the PhD is rock art and landscapes in northern Fennoscandia. He has published papers on rock art and landscapes. During recent years, he has conducted extensive fieldwork in northern Fennoscandia. He has also collaborated on projects with Russian colleagues in Northwest Russia.

Contact: J. M. G., Troms University Museum, Department of Cultural Sciences, 9037 Troms, Norway. Email:

Joakim Goldhahn (PhD, University of Ume) is professor in Archaeology at the Linnaeus University (Sweden). He has published extensively and edited several anthologies on topics such as archaeological theory, North European rock art, Scandinavian Bronze Age and the history of archaeology. He investigates the relationship between rock art, land-, mind- and soundscapes, death rituals, and cosmology.

Contact: J. G. Linnaeus University, Department of Archaeology, 391 82 Kalmar, Sweden. Email:

Maja Hultman (MA, University of Uppsala) is currently finishing a one-year MA course in archival science at the University of Uppsala in Sweden. She is, however, still intent on pursuing the archaeological career she has begun. Her essays have so far been devoted to archaeoacoustics (the archaeology of sound or acoustics) particularly regarding ringing stones, as well as landscape archaeology and the use of Geographical Information Systems in archaeological science. Her main research orientation is the archaeology of landscape, soundscape and mindscape.

Contact: M. H. University of Uppsala, Department of Archaeology and Ancient History, Box 626, 751 26 UPPSALA, Sweden, Email:

Andrew Jones (PhD, University of Glasgow) is a reader in prehistoric archaeology at the University of Southampton (UK). He has previously held a fellowship at the McDonald Institute for Archaeological Research, Cambridge (UK) and a lectureship at University College Dublin (Ireland). He is the author of Archaeological Theory and Scientific Practice (CUP, 2002) and Memory and Material Culture (CUP, 2007) and editor of Prehistoric Europe: theory and practice (Wiley-Blackwell 2008) and co-editor (with G. Macgregor) of Colouring the Past (Berg, 2002). He is currently completing a major AHRC-funded project on prehistoric rock art and working on a book on materiality and performance theory for Oxford University Press.

Contact: A. J. Archaeology, University of Southampton, Avenue Campus, Highfield, Southampton, SO17 1BF, UK. Email:

Antti Lahelma (PhD, University of Helsinki) is presently an Academy of Finland post-doctoral fellow in archaeology at the University of Helsinki, carrying out research on Finno-Ugric and circumpolar forager rock art. His dissertation on the prehistoric rock paintings of Finland, A touch of red. Archaeological and ethnographic approaches to interpreting Finnish rock paintings, (2008) was the first ever archaeological thesis on the subject. In addition to the dissertation, he has published numerous articles on Finnish rock art, mainly dealing with questions of interpretation. Apart from rock art, his research publications include articles and book chapters on the archaeology of Byzantine Near East and the archaeology of violent conflict.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe»

Look at similar books to Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe»

Discussion, reviews of the book Changing Pictures: Rock Art Traditions and Visions in the Northernmost Europe and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.